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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Sunday July 21

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden. (See above).

Streets of Brass - Durham city centre. DH1. 11:00am-5:00pm. Free. A Durham Brass Festival event.

Alice Grace & Ben Helm - Bonbar, Fenkle St., Newcastle NE1 5XU. Tel: 0191 232 8695. 1:30pm.

Vieux Carré Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. 12 noon. Free.

Musicians Unlimited - Park Inn, Park Road, Hartlepool TS26 9HU. Tel: 01429 233126. 1:00pm (doors 12 noon). Free.

Jazz Social - Charts, Quayside, Newcastle NE1 3DX. Tel: 0191 338 7989. 4:00pm. Free.

Rajasthan Heritage Brass Band - Middlesbrough Town Hall, Albert Road, Middlesbrough TS1 2QJ. Tel: 01642 729729. 2:00pm. Free. A Summer Sessions in the Courtyard event.

Blues/Funk/Soul

Summertyne Americana - Sage Gateshead, St Mary’s Square, Gateshead Quays, Gateshead NE8 2JR. Tel: 0191 443 4661. King Bees 1:30-2:15pm. Free. Jumpin’ Hot Club stage.

Memphis Cruisers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 3:00pm. Free.

Evening

Jazz

East Coast Jazz Jam - The Exchange, Howard Street, North Shields NE30 1SE. Tel: 0191 258 4111. 6:00pm. Free.

Scottish Swing Orchestra & Festival Broadway Chorus: West End Meets Wharton - Wharton Park, Durham DH1 4FJ. 6:00-8:00pm. Free. A Durham Brass Festival event. Details.

John Garner & Paul Edis + Nathan Lawson - Black Bull, Bridge St., Blaydon NE21 4JJ. Tel: 0191 414 2846. 7:30pm. £7.00. Garner (violin) & Edis (piano) play Bill Evans & original material. Support set from Nathan Lawson (guitar). Blaydon Jazz Club.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, October 21, 2012

Philip Clouts Quartet @ New Hartley Memorial Hall. October 20

Philip Clouts (keyboards), Carlos Lopez-Real (alto & soprano saxophones), ? (double bass) & Jon Desbruslais (drums).
(Review by Russell)
New Hartley Memorial Hall does well with folk gigs. Kathryn Tickell packed out the place and Jez Lowe, a favourite, returns in the new year. Jazz, contemporary or otherwise is another matter. The jazz fan, the curious and the Memorial Hall patron assembled in sufficient numbers to constitute an audience keen to hear to some jazz, contemporary jazz at that. 
The Philip Clouts Quartet travelled north to play a series of gigs in rural locations. This New Hartley appearance, the penultimate date of the tour, found the band in fine form, in the groove with the material. Philip Clouts had a new CD to plug but you wouldn't know it. The softly spoken South African born pianist didn't do self promotion - the title of the next tune and little more. 
The first tune - Deco - came from the new CD Sennen Cove and the second tune - As Evening Ends  (Clouts acknowledged its somewhat inappropriate placing in the set list) - served to introduce the band; featured soloist Carlos Lopez-Real on alto, Clouts, and drummer Jon Desbruslais (impressive brush and mallet combination). Clouts suggested Bird’s Word (from Sennen Cove) owed as much to seagulls as Charlie Parker and Lopez-Real’s authoritative alto flew way beyond bop. The closing number of the first set - Egypt - roamed across the land of the pharaohs before accelerating across the continent fuelled by a Desbruslais’ fusillade; relentless hi-hat, powerful press rolls, rim shots, the lot. 
The interval brought a beer and nibbles, a raffle and a chat across the table with Esther about this and that (jazz and jazz). 
Clef Mona opened the second set with Lopez-Real on soprano sounding not unlike Garbarek or Garland. Clouts introduced a new tune, so new it was without a title. It had a distinct gospel feel as the quartet soloed in turn. If Clouts had said it had been written by Dr Billy Taylor few would have doubted him. If a working title is required how about Hymn for Hartley (2012 commemorates the 150th anniversary of the Hartley Colliery Disaster)? The band let rip on Riptide, first alto, then piano as the rhythm section conspired to affect a drum ‘n’ bass intervention. Clouts returned to the new CD, released on Point Records, to end an enjoyable set with Commotion in C. Township jazz in Northumberland! Such is the global reach of great music. The audience wanted an encore and the band obliged with Nyasa Lullaby, a tune written by the band leader on hearing an unusual scale used by Tanzanian musicians. 
An evening of good jazz, in good company, in a welcoming rural venue - what a good idea! The last night of the tour (facilitated by Highlights Rural Touring Scheme) is in Wooler at the Cheviot Centre (Padgepool Place) on Sunday 21 October (7:30 pm). - That's tonight!
Russell                                                       

1 comment :

Philip Clouts said...

Hi
many thanks for this.
fyi the mystery bass player was Dave Manington of the Loop Collective, standing in for Alex Keen
http://www.philipcloutsquartet.co.uk/

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance