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Bebop Spoken There

Aubrey Logan: "I chose trombone because trombone just kicks my ass, and I needed to do something that was hard" - (DownBeat June 2019).

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2019 Parliamentary Jazz Awards

The voting is open between now and May 31 to enable site visitors to nominate their choices in the various categories of this year's APPJAG awards which can be done here.
BSH was very proud to be nominated and to win the 2018 Media Award and hope we can have your support again this year.

Today Wednesday May 22

Afternoon

Jazz

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Julija Jacenaite & Alan Law - Jazz Café, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 261 5618. 2:00pm. Free. Café Mezzanine (first floor, access via crafts shop).

Evening

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

Blues

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, October 25, 2012

John Law Trio @ King’s Hall, Newcastle. October 25

John Law (piano & keyboards), Yuri Goloubev (double bass) & Tim Giles (drums)
Pianist John Law returned to the King’s Hall to play a trio concert with bassist Yuri Goloubev and drummer Tim Giles. The lunchtime date drew a sizeable audience to hear the trio present a few numbers from Law’s recent CD release Three Leaps of the Gazelle together with one or two other tunes. The Nick Drake tune River Man opened the one set performance. The King’s Hall’s acoustics did little to help the amplified instrument and at times Goloubev’s excellent bass playing wasn’t heard to best effect. Insistence matched Law’s percussive approach with the inventive Tim Giles (Goloubev’s smile affirmed his appreciation of Giles, the ‘new boy’ of the trio). Law combined jazz and classical piano styles (a concert-goer remarked ‘I heard Bach in his playing’) most notably in Three Part Invention followed by The Quiet Dignity of the Minor. The use of an electric keyboard introduced an unwelcome discordant note. This proved short lived as the trio swung out on Brubeck’s          
In Your Own Sweet Way with Giles to the fore.
Russell

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