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Bebop Spoken There

Charles Lloyd: "I'm raring to go out to play, because I know I'll find something to explain the inexplicable." (DownBeat August 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14454 (and counting) posts since we started blogging 14 years ago. 732 of them this year alone and, so far, 30 this month (August 11).

From This Moment On ...

August

Thu 18: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 18: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 18: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Thu 18: Newcastle Jazz Festival @ Bridge Hotel, Newcastle. Strictly Smokin’ Big Band. 7:00pm. Free (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm. Guests: Dave Archbold (keys); Dan Johnson (sax); Josh Bentham (sax); Bill Watson (trumpet); Ron Smith (bass)

Fri 19: Jo Harrop & Jamie McCredie @ Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 19: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri. 19: Vieux Carré Jazzmen @ Ayr Jazz Club, Fairfield House Hotel, Fairfield Rd, AYR KA7 2AS. 7:30pm. For accommodation call the hotel on 01292 267461. For tickets call Ayr Jazz Club Secretary, Stuart McLean, on 01292 590773.
Fri 19: Jo Harrop & Jamie McCredie @ St Cuthbert’s Centre, Crook. 7:30pm.
Fri 19: Newcastle Jazz Festival @ Black Swan, Newcastle. 7:30pm. Harry Keeble Duo + Northern Monkey Brass Band. £15.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Fri 19: Mo Scott @ The Millstone, South Gosforth, Newcastle. 8:00pm. Scott w Gary Dunn, Neil Harland & Paul Smith.

Sat 20: Newcastle Jazz Festival @ Tyne Bank Brewery, Newcastle. All day event (from 1:30pm): Riviera Effect + Alter Ego + Graham Hardy Quartet + Jo Harrop & Jamie McCredie + Ivo Neame Quartet. £17.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Sat 20: Anth Purdy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).
Sat 20: Boys of Brass @ Brandling Villa, South Gosforth, Newcastle. 8:00pm.

Sun 21 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 21: Newcastle Jazz Festival @ Tyne Bank Brewery, Newcastle. All day event (from 1:30pm): Lindsay Hannon & Alan Law + Knats + David Gray’s Flextet + Ben Gilbert Trio + Emma Rawicz. £17.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Sun 21: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.

Mon 22: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 23: FILM: Space is the Place @ Tyneside Cinema, Newcastle. 6:25pm. Dir. John Coney (1974). Starring Sun Ra!
Tue 23: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (to reserve a table phone 0191 386 5556).
Tue 23: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Steve Glendinning, Paul Grainger, Abbie Finn.

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 24: 4B @ The Exchange, North Shields. 7:00pm.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Tuesday, October 23, 2012

Jazz Summit 2012

The good thing about this meeting was the number of people who showed up. The bad thing was those who didn't show. Apart from Mike Durham, Keith Crombie, Brian Bennett and the guys from Saltburn, I didn't see any of the more mainstream orientated promoters. Their input would have been valuable.
As it was, it was a constructive evening which, inevitably for an opener, ended up as a work in progress.
Paul Bream spoke well describing the achievements of the now no more Jazz Action, of Jazz North East, Schmazz and the future prospects for Jazz in the region.
Nigel Slee of the newly formed  Jazz North waxed eloquent on the future and how the North East, The North West, and Yorkshire would become one. Not everyone was convinced of this and the criteria that would be applied to select - say ten bands - to be funded and promoted and how they would be pigeon-holed style-wise. .In the chair, Chris Hodgkins, assured those present that all bands would be adjudged on merit irrespective of genre. (We shall see!)
Steve Crocker, of Seven Jazz, Leeds, reported on their success story and so the story ended - on a cliffhanger!
Afterwards the various factions intermingled, making full use of the bar, totally oblivious to what Zoe Gilby and Andy Champion were laying down. Let's be honest, the Basie Band wouldn't have been heard above the conversation!
However, once the chit-chat had settled at an acceptable level, Zoe came across beautifully - Our Love is Here To Stay brought the audience down to pin-drop acoustics and it was much appreciated by those with ears.
As I said earlier - a work in progress. Not so Zoe, she's a work progressing so fast Diana Krall is looking over shoulders! In fact Diana said to me the other day in The Jazz Café - "I'm sure glad Zoe doesn't play piano!"
Mind you this was a different Diana.
Lance.

2 comments :

Hil said...

I was surprised there were not more local young musicians interested enough to attend. Did they all have gigs on a Monday evening? Surely they wish to keep jazz alive in this area?
Then again you only have to look at Splinter on a Sunday evening. Some musicians and vocalists only ever show up for their own gigs.

Lance said...

You're touching on one of my sore points. There are so many fine young musicians coming out of the music schools and colleges yet, as you say, they never show up for other peoples gigs (an exception last night was Michael Lamb of the Strictly Smokin' Big Band.)
One wonders if they think that because they've been to college they know it all and can't learn anything from listening to jazzers who actually earn a crust from playing in clubs and bars?
Which brings me to another related area. How do we attract, not just the younger element, but the younger element from a working class, state school, background?

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