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Bebop Spoken There

Lakecia Benjamin: "From my early days with Clark Terry, he told me 'they see you before they hear you'... I'm just not from that school of thought where I'm gonna wear my jeans and T-shirt on stage and that's going to be respectable." - (Jazzwise, February 2023)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15056 (and counting) posts since we started blogging 15 years ago. 75 of them this year alone and, so far, 75 this month (Jan. 25).

From This Moment On ...

January

Fri 27: Zoë Gilby Quartet @ Gala Theatre, Durham. 1:00pm. SOLDOUT!
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Hip Hop Hooray @ Bar 52, Newcastle. 7:00pm.
Fri 27: John Dikeman, Pat Thomas, John Edwards, Steve Noble @ Lit & Phil. 7:30pm. £10.00.
Fri 27: Rob Heron & the Tea Pad Orchestra @ Hoochie Coochie, Newcastle. 7:30pm. £10.00. on the door. A Swung Eight event.
Fri 27: Merlin Roxby @ Prohibition Bar, Newcastle. Ragtime & stride piano. 8:00pm.

Sat 28: Tyneside Improvisers Workshop @ Ye Olde Cross, Ryton. 2:00-4:00pm. All welcome.
Sat 28: Secular Sounds in a Sacred Place @ Holy Cross Church, Ryton. 4:30-7:00pm. £10.00. Continuous performance featuring: Christian Alderson, Faye MacCalman, Sally Pilkington, John Pope. Event preceded by a Tyneside Improvisers Workshop (2:00pm, see above).
Sat 28: Entartete Musik @ The Globe, Newcastle. 7:30pm. A Brundibár Arts Festival event.

Sun 29: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 29: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm.
Sun 29: 4B @ The Exchange, North Shields. 3:00pm.
Sun 29: Hypnotic Brass Band @ Cluny, Newcastle. 7:00pm (doors). £20.00.
Sun 29: Jam No.12 @ Fabio's, Saddler St., Durham. 8:00pm. Free. Durham University Jazz Society jam session. All welcome (students & non-students).
Sun 29: Origin @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 31: ???

February

Wed 01: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 01: 4B @ The Exchange, North Shields. 7:00pm.
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 01: Moonlight Serenade Orchestra UK: Glenn Miller & Big Band Spectacular @ Darlington Hippodrome. 7:30pm.

Thu 02: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 02: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £1.00. All welcome.
Thu 02: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm.
Thu 02: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Tuesday, October 23, 2012

Jazz Summit 2012

The good thing about this meeting was the number of people who showed up. The bad thing was those who didn't show. Apart from Mike Durham, Keith Crombie, Brian Bennett and the guys from Saltburn, I didn't see any of the more mainstream orientated promoters. Their input would have been valuable.
As it was, it was a constructive evening which, inevitably for an opener, ended up as a work in progress.
Paul Bream spoke well describing the achievements of the now no more Jazz Action, of Jazz North East, Schmazz and the future prospects for Jazz in the region.
Nigel Slee of the newly formed  Jazz North waxed eloquent on the future and how the North East, The North West, and Yorkshire would become one. Not everyone was convinced of this and the criteria that would be applied to select - say ten bands - to be funded and promoted and how they would be pigeon-holed style-wise. .In the chair, Chris Hodgkins, assured those present that all bands would be adjudged on merit irrespective of genre. (We shall see!)
Steve Crocker, of Seven Jazz, Leeds, reported on their success story and so the story ended - on a cliffhanger!
Afterwards the various factions intermingled, making full use of the bar, totally oblivious to what Zoe Gilby and Andy Champion were laying down. Let's be honest, the Basie Band wouldn't have been heard above the conversation!
However, once the chit-chat had settled at an acceptable level, Zoe came across beautifully - Our Love is Here To Stay brought the audience down to pin-drop acoustics and it was much appreciated by those with ears.
As I said earlier - a work in progress. Not so Zoe, she's a work progressing so fast Diana Krall is looking over shoulders! In fact Diana said to me the other day in The Jazz Café - "I'm sure glad Zoe doesn't play piano!"
Mind you this was a different Diana.
Lance.

2 comments :

Hil said...

I was surprised there were not more local young musicians interested enough to attend. Did they all have gigs on a Monday evening? Surely they wish to keep jazz alive in this area?
Then again you only have to look at Splinter on a Sunday evening. Some musicians and vocalists only ever show up for their own gigs.

Lance said...

You're touching on one of my sore points. There are so many fine young musicians coming out of the music schools and colleges yet, as you say, they never show up for other peoples gigs (an exception last night was Michael Lamb of the Strictly Smokin' Big Band.)
One wonders if they think that because they've been to college they know it all and can't learn anything from listening to jazzers who actually earn a crust from playing in clubs and bars?
Which brings me to another related area. How do we attract, not just the younger element, but the younger element from a working class, state school, background?

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