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Bebop Spoken There

Poncho Sanchez: "When I perform it's my life story." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Thursday September 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Alexito & Loco Machine - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential). Guest: Alice Grace.

Bradley Johnston Quartet - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student).

Sudden Jazz Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. Free (donations).

Eclectic - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9:00pm. Free. Rick Laughlin (keys); Alan Thompson, Dan Johnson, Sue Ferris, Josh Bentham (saxes); Ian Halford (drums).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, October 01, 2012

Scarborough Jazz Festival September 30 - Evening

Sector 7.
Sarah Ellen Hughes, Emma Smith, Billy Boothroyd, Paddy Clarke (vcl); George Moore (pno); Tim Thornton (bs); Chris Draper (dms)..
Well seen that Mike Gordon is a working jazz musician. He can program a festival like he would play a jazz solo. Grab your attention in the opening bars then allow the tension to build until you hit the final chorus and go for the jugular. That's how it worked this year anyway.
With Sector 7 you have two well-known girl singers and two not so well-known, but equally capable, guys, a swinging rhythm section and then pow!
The four singers actually opened up sans rhythm section for an a capella version of My Favourite Things. Rich harmonies and interesting interwoven lines. Stevie Wonder's Superwoman had some outstanding contributions from the two guys whilst Sarah impressed on Be Still My Heart. Sometimes I Feel Like a Motherless Child had more harmonic gravity. But Not For Me dug deep and came up LHR. Spain and Centrepiece rounded things off after a set that was even more remarkable when you discover that this was the first time this particular lineup had appeared together!
Catch them again at The Sage, Gateshead for the final date of their tour (this was the first one.)
Lance.
Jim Birkett Trio + Alan Barnes (alt), Konrad  Wiszniewski (ten).
Have You Met Miss Jones? In the words of a Benny Carter composition - this was a Doozy (see next set) in other words, possibly the best number of the whole weekend with the Jim Birkett Trio. The two sax players blew their socks off and Jim was up there with them not at all daunted by having to follow Jim Mullen.
Alan Barnes is a household name in the jazz world and so would Konrad be if anyone outside of Poland could pronounce his surname!
Alan Barnes with Ken Mathieson: Music of Benny Carter.
Ken Mathieson (dms/arr); Alan Barnes, Dick Lee, Martin Foster, Konrad Wiszniewski, (reeds) Billy Hunter (tpt); Phil O'Malley (tmb); Roy Percy (bs).
(Photo courtesy of Bill Shakespeare.)
And so it came to pass that, as my spirits were flagging - 18 concerts in 3 days + the Birkett sessions, I was suddenly refreshed and realised that this was what it had all been building up to - a tribute to Benny Carter, a name to be placed alongside any jazz hero past and present. The solos - not least from Barnesy in the title role but also from the other guys who all chipped in handsomely. The sax section was mellifluous and wonderful in their phrasing they just gelled together so beautifully. As I said earlier it was a Doozy! (Benny Carter number).
This, the Tenth Scarborough Jazz Festival, was, I would guess, an unqualified success both musically and attendance-wise.
Chapeaux Mike.
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance