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Bebop Spoken There

Jimmy Vaughan: "I don't just want to turn out stuff because I'm supposed to. I'm not a plumber. I don't want it to be just a job" - (Downbeat, August 2019)

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Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Monday July 22

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (See above).

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

?????.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, October 01, 2012

Scarborough Jazz Festival September 30 - Evening

Sector 7.
Sarah Ellen Hughes, Emma Smith, Billy Boothroyd, Paddy Clarke (vcl); George Moore (pno); Tim Thornton (bs); Chris Draper (dms)..
Well seen that Mike Gordon is a working jazz musician. He can program a festival like he would play a jazz solo. Grab your attention in the opening bars then allow the tension to build until you hit the final chorus and go for the jugular. That's how it worked this year anyway.
With Sector 7 you have two well-known girl singers and two not so well-known, but equally capable, guys, a swinging rhythm section and then pow!
The four singers actually opened up sans rhythm section for an a capella version of My Favourite Things. Rich harmonies and interesting interwoven lines. Stevie Wonder's Superwoman had some outstanding contributions from the two guys whilst Sarah impressed on Be Still My Heart. Sometimes I Feel Like a Motherless Child had more harmonic gravity. But Not For Me dug deep and came up LHR. Spain and Centrepiece rounded things off after a set that was even more remarkable when you discover that this was the first time this particular lineup had appeared together!
Catch them again at The Sage, Gateshead for the final date of their tour (this was the first one.)
Lance.
Jim Birkett Trio + Alan Barnes (alt), Konrad  Wiszniewski (ten).
Have You Met Miss Jones? In the words of a Benny Carter composition - this was a Doozy (see next set) in other words, possibly the best number of the whole weekend with the Jim Birkett Trio. The two sax players blew their socks off and Jim was up there with them not at all daunted by having to follow Jim Mullen.
Alan Barnes is a household name in the jazz world and so would Konrad be if anyone outside of Poland could pronounce his surname!
Alan Barnes with Ken Mathieson: Music of Benny Carter.
Ken Mathieson (dms/arr); Alan Barnes, Dick Lee, Martin Foster, Konrad Wiszniewski, (reeds) Billy Hunter (tpt); Phil O'Malley (tmb); Roy Percy (bs).
(Photo courtesy of Bill Shakespeare.)
And so it came to pass that, as my spirits were flagging - 18 concerts in 3 days + the Birkett sessions, I was suddenly refreshed and realised that this was what it had all been building up to - a tribute to Benny Carter, a name to be placed alongside any jazz hero past and present. The solos - not least from Barnesy in the title role but also from the other guys who all chipped in handsomely. The sax section was mellifluous and wonderful in their phrasing they just gelled together so beautifully. As I said earlier it was a Doozy! (Benny Carter number).
This, the Tenth Scarborough Jazz Festival, was, I would guess, an unqualified success both musically and attendance-wise.
Chapeaux Mike.
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance