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Bebop Spoken There

Charles McPherson: “Jazz is best heard in intimate places”. (DownBeat, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16542 (and counting) posts since we started blogging 16 years ago. 422 of them this year alone and, so far, 29 this month (June 17).

From This Moment On ...

June

Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Matt Carmichael @ St Mary’s Church, Wooler. 3:00pm. Carmichael (saxophone), Fergus McCreadie (piano), Charlie Stewart (fiddle). ‘Scottish jazz, folk-roots & landscape’ Wooler Arts: Summer Concerts.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 23: Bede Trio @ The Globe, Newcastle. 8:00pm.
Sun 23: Leeway @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 23: Jazz Jam @ Fabio’s Bar, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Remy CB @ The Hoppings, Newcastle Town Moor NE2 3NH. 5:00-7:00pm.

Tue 25: Louise Dodds & Elchin Shirinov @ The Black Swan, Newcastle. 8:00pm.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 27: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 27: The Joni Project @ The Globe, Newcastle. 8:00pm. Joni Mitchell.
Thu 27: Lindsay Hannon’s Tom Waits for No Man @ Harbour View, Roker, Sunderland. 8:00pm.
Thu 27: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 27: Loco House Band @ Bar Loco, Newcastle. 8:00pm. Free.
Thu 27: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass)

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 28: Pete Tanton’s Chet Set @ Warkworth War Memorial Hall. 7:30pm. £10.00.
Fri 28: Paul Edis Trio @ St Cuthbert’s Centre, Crook. 7:30pm.
Fri 28: Ant Law, Alex Hitchcock, Jasper Høiby & Sun-Mi Hong @ The Glasshouse, Gateshead. 8:00pm. £15.40., £13.20.

Sat 29: Spat’s Langham’s Hot Fingers @ St Augustine's Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Sat 29: Vermont Big Band @ Seahorse Pub, Whitley Bay Football Club. 7:30pm. £10.00. (inc. hot buffet).
Sat 29: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 30: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 30: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 30: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 30: Charlotte Keeffe @ The Globe, Newcastle. 8:00pm. JNE.
Sun 30: Jazz Jam @ Fabio’s Bar, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Wednesday, October 31, 2012

Watson Walker Edis @ The Cluny. October 30

Lewis Watson (tenor saxophone), Rob Walker (drums) & Paul Edis (keyboards)
(Review by Russell).
 Cluny 2, the Cluny’s additional space deep in the bowels of the earth, hosted the latest of Schmazz’s regular last Tuesday of the month gigs. 
Watson Walker Edis have kept a low profile since their début performance at the Jazzathon fund raiser some fifteen months ago at the Lit and Phil. Indeed their only other outing was at the library in June of this year. They were two memorable performances and the Cluny date promised much. 
There was a good turn out at Cluny 2 (some prefer the smaller intimate space). 
Tenor saxophonist Lewis Watson informed the crowd that the first set would consist of a suite (the music heard at the Lit and Phil) lasting about forty five minutes. Those who heard those earlier performances knew they were in for something special! A series of compositions written by members of the trio (some co-written) ranged from ballad form to fearsome post Bop sections to stunning explorations of Coltrane and Ayler. 
During the interval many of those hearing the music for the first time said how impressed they were. 
The second set premièred new material. 
Watson’s articulation on tenor, in whichever register, reaffirmed his position at the top table and pianist Paul Edis’ left hand more than compensated for the absence of a bass player. Rob Walker, a listening, sight-reading drummer, contributed effectively throughout. An indication of just how good Watson Walker Edis are as a unit is the thought that a dep being drafted in simply wouldn't work. The next time they play a gig make sure you are there – you won’t regret it.
Russell

3 comments :

Anonymous said...

As good as Paul is, a great bass player is the primary element required to outline and underpin harmonic structure. No? Listen to some of Bill Evans or Oscar Peterson for example, and hear the difference when the bassist cuts in. A full aural spectrum is much preferred, although the only element that could be left out of an ensemble may be the drummer/percussionist if a famous jazz musician is to be believed - he quipped "it takes a helluva drummer to be better than no drummer at all" You never see a full orchestra without a bass player, but percussionists are at times, very conspicuous by their absence and or sparsity. Just my opinion of course.

Lance said...

Not quite sure where you're coming from here 'Nony'. A bass player does add depth to a combo but, in the absence of one - whether by necessity or choice, a two-handed pianist can do the job. The fact that this is the third gig these guys have done tells me that they are happy with the set-up. As one who knows Lewis Watson's very firm opinions (and Paul's) if they'd wanted a bass player they would have got one!

Anonymous said...

I was there. I enjoyed it, but a bass player was a BIG miss. As I said in my post - just my opinion.

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