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Bebop Spoken There

Charles Lloyd: "I'm raring to go out to play, because I know I'll find something to explain the inexplicable." (DownBeat August 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14477 (and counting) posts since we started blogging 14 years ago. 755 of them this year alone and, so far, 53 this month (August 18).

From This Moment On ...

August

Fri 19: Jo Harrop & Jamie McCredie @ Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 19: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri. 19: Vieux Carré Jazzmen @ Ayr Jazz Club, Fairfield House Hotel, Fairfield Rd, AYR KA7 2AS. 7:30pm. For accommodation call the hotel on 01292 267461. For tickets call Ayr Jazz Club Secretary, Stuart McLean, on 01292 590773.
Fri 19: Jo Harrop & Jamie McCredie @ St Cuthbert’s Centre, Crook. 7:30pm.
Fri 19: Newcastle Jazz Festival @ Black Swan, Newcastle. 7:30pm. Harry Keeble Duo + Northern Monkey Brass Band. £15.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Fri 19: Mo Scott @ The Millstone, South Gosforth, Newcastle. 8:00pm. Scott w Gary Dunn, Neil Harland & Paul Smith.

Sat 20: Newcastle Jazz Festival @ Tyne Bank Brewery, Newcastle. All day event (from 1:30pm): Riviera Effect + Alter Ego + Graham Hardy Quartet + Jo Harrop & Jamie McCredie + Ivo Neame Quartet. £17.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Sat 20: Anth Purdy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).
Sat 20: Boys of Brass @ Brandling Villa, South Gosforth, Newcastle. 8:00pm.

Sun 21 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 21: Newcastle Jazz Festival @ Tyne Bank Brewery, Newcastle. All day event (from 1:30pm): Lindsay Hannon & Alan Law + Knats + David Gray’s Flextet + Ben Gilbert Trio + Emma Rawicz. £17.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Sun 21: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.

Mon 22: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 23: FILM: Space is the Place @ Tyneside Cinema, Newcastle. 6:25pm. Dir. John Coney (1974). Starring Sun Ra!
Tue 23: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (to reserve a table phone 0191 386 5556).
Tue 23: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Steve Glendinning, Paul Grainger, Abbie Finn.

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 24: 4B @ The Exchange, North Shields. 7:00pm.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 25: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 25: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 25: La Sonora Boreal’s Latin Jam Session @ The Globe, Newcastle (7:45pm). Free (donations). Monthly Latin jazz performance & jam session.
Thu 25: Jeremy McMurray & the Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Knats @ Hoochie Coochie, Newcastle. 8:00pm. Free. Knats' farewell gig w. guests Ladies of Midnight Blue + a mystery band!
Thu 25: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm. Paul Skerritt & James Harrison.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Wednesday, October 31, 2012

Watson Walker Edis @ The Cluny. October 30

Lewis Watson (tenor saxophone), Rob Walker (drums) & Paul Edis (keyboards)
(Review by Russell).
 Cluny 2, the Cluny’s additional space deep in the bowels of the earth, hosted the latest of Schmazz’s regular last Tuesday of the month gigs. 
Watson Walker Edis have kept a low profile since their début performance at the Jazzathon fund raiser some fifteen months ago at the Lit and Phil. Indeed their only other outing was at the library in June of this year. They were two memorable performances and the Cluny date promised much. 
There was a good turn out at Cluny 2 (some prefer the smaller intimate space). 
Tenor saxophonist Lewis Watson informed the crowd that the first set would consist of a suite (the music heard at the Lit and Phil) lasting about forty five minutes. Those who heard those earlier performances knew they were in for something special! A series of compositions written by members of the trio (some co-written) ranged from ballad form to fearsome post Bop sections to stunning explorations of Coltrane and Ayler. 
During the interval many of those hearing the music for the first time said how impressed they were. 
The second set premièred new material. 
Watson’s articulation on tenor, in whichever register, reaffirmed his position at the top table and pianist Paul Edis’ left hand more than compensated for the absence of a bass player. Rob Walker, a listening, sight-reading drummer, contributed effectively throughout. An indication of just how good Watson Walker Edis are as a unit is the thought that a dep being drafted in simply wouldn't work. The next time they play a gig make sure you are there – you won’t regret it.
Russell

3 comments :

Anonymous said...

As good as Paul is, a great bass player is the primary element required to outline and underpin harmonic structure. No? Listen to some of Bill Evans or Oscar Peterson for example, and hear the difference when the bassist cuts in. A full aural spectrum is much preferred, although the only element that could be left out of an ensemble may be the drummer/percussionist if a famous jazz musician is to be believed - he quipped "it takes a helluva drummer to be better than no drummer at all" You never see a full orchestra without a bass player, but percussionists are at times, very conspicuous by their absence and or sparsity. Just my opinion of course.

Lance said...

Not quite sure where you're coming from here 'Nony'. A bass player does add depth to a combo but, in the absence of one - whether by necessity or choice, a two-handed pianist can do the job. The fact that this is the third gig these guys have done tells me that they are happy with the set-up. As one who knows Lewis Watson's very firm opinions (and Paul's) if they'd wanted a bass player they would have got one!

Anonymous said...

I was there. I enjoyed it, but a bass player was a BIG miss. As I said in my post - just my opinion.

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