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Bebop Spoken There

Charles McPherson: “Jazz is best heard in intimate places”. (DownBeat, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16590 (and counting) posts since we started blogging 16 years ago. 483 of them this year alone and, so far, 29 this month (July 14).

From This Moment On ...

July

Sun 21: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 21: Salty Dog @ The Globe, Newcastle. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free. Sun 21: The Big Easy @ The White Room, Stanley. 5:00pm.
Sun 21: Ben Crosland Quartet @ The Globe, Newcastle. 8:00pm.

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Nomade Swing Trio @ Newcastle House Hotel, Rothbury. 7:30pm. £10.00. Tickets from Tully’s of Rothbury or at the door (cash only). A Coquetdale Jazz event.

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Nomade Swing Trio @ Café Needles Eye, Newbiggin-by-the-Sea. 6:00pm. Reservations: 01670 641224.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: The Ronnie Scott’s Story @ The Fire Station, Sunderland. 7:30pm.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.

Thu 25: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Garry Hadfield (keys); Noel Dennis (tpt); Richie Emmerson (tenor sax); Adrian Beadnell (bass).
Thu 25: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.

Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Bailiwick + Sleep Suppressor + Christie/Chan @ The Globe, Newcastle. 7:30pm (doors 6:30pm). ‘Experimental evening of jazz, punk and jazz-punk’.
Fri 26: Nomade Swing Trio @ Repas7 by Night, Berwick. 7:30pm. Free.
Fri 26: Stuart Turner @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Fri 26: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Fri 26: Bold Big Band @ Old Coal Yard, Byker, Newcastle. 9:30pm. A Newcastle Fringe Festival event.

Sat 27: BBC Proms: BBC Introducing stage @ The Glasshouse, Gateshead. 12 noon. Free. Line-up inc. Abbie Finn Trio (2:50pm); Dilutey Juice (3:50pm); SwanNek (5:00pm); Rivkala (6:00pm).
Sat 27: Nomade Swing Trio @ Billy Bootlegger’s, Ouseburn, Newcastle. 2:00pm. Free.
Sat 27: Mississippi Dreamboats @ Prohibition Bar, Newcastle. 8:00pm.
Sat 27: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.
Sat 27: Theon Cross + Knats @ The Glasshouse, Gateshead. 10:00pm. £22.00. BBC Proms: BBC Introducing Stage (Sage Two). A late night gig.

Friday, January 22, 2021

The Summertime of my discontent

Despite what my friends and foes may think - I love George and Ira Gershwin's Summertime even though it may seem otherwise. My problem isn't with the song but the singers who have mauled it incessantly over the years. It's a song from a folk opera - Porgy and Bess - and is best heard in that context. I know there are many show tunes that have a life outside of their Broadway beginnings but I don't think Summertime is one of them. Instrumentally yes, vocally no.

Too much imagery in the lyric - Fish are jumpin' and the cotton is high. Most show songs have themes that can be related to anywhere like falling in love and falling out of love. We've experienced that a lot more than we have witnessed  jumping fish and high cotton. 

The point I'm trying to make is that, great as the song is, it's one of those any port in a storm what shall I sing next numbers? This is a shame when the GASbook is overflowing with relatively untapped alternative wealth.

In case you're wondering what brought this on, Steve T, who, as a key worker, has been absent from BSH for a while sent me this 1969 version by The Ohio Players which, while I may not hurry on down the virtual street to buy the album from those helpful salespersons at Amazon.com it does offer an interesting alternative. The solos are good.

Lance

1 comment :

Steve T said...

The Ohio Players - not Sly and the Family Stone or George Clinton's Parliafunkadelicment Thang - are the quintessential funk band. But before all that, they recorded this very different album which I'd never come across or sought after, until John Lias - in his essential History of the Soul LP - said it's really rather good. It isn't, with this the standout track.
My favourite version of Summertime is the one by Miles and Gil Evans and I agree it works best with the tracks preceding it, though less so than 'Aint Necessarily So' on the other side (vinyls/cassette).
It's one of the highlights of the extraordinary Miles and Quincy at Montreux DVD/CD, recorded after the death of Gil and shortly before the death of Miles. Miles - who'd obviously been shopping with Prince again - was never one to look back and had never done this stuff in over thirty years, illustrating the high regard he held the great orchestrater in.
I was surprised that Girl from Ipanema is officially the second most covered record ever, behind Yesterday, thinking it would be Summertime or something else by the fabricated four, and no doubt it and Eleanor Rigby are there or thereabouts.
Back in olden times, when they had things like gigs and jam sessions, All the Things You Are was always the one that got on my wick.

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