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Bebop Spoken There

Tineke Postma: “ I had a huge crush on him [Sting] when I was a teenager ". Jazzwise, June 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16476 (and counting) posts since we started blogging 16 years ago. 356 of them this year alone and, so far, 68 this month (May 24).

From This Moment On ...

May

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Bellavana @ Spanish City Plaza, Whitley Bay. 1:00pm. Whitley Bay Carnival (outdoor stage).
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: Bold Big Band @ The Black Swan, Newcastle. 8:00pm.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Jazz Night @ The Tannery, Hexham. 7:00-9:00pm. Free. The first night of a new jam session!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 30: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 30: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests Josh Bentham (sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass);

Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Fri 31: Borealis @ The Witham, Barnard Castle. 7:30pm. CANCELLED!
Fri 31: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

June

Sat 01: Enrico Tomasso’s Swing Company @ St Augustine's Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Sat 01: Play More Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Steve Glendinning.
Sat 01: Hop, Skiffle & Jump: The Story of Skiffle @ 1719, Hendon, Sunderland. 6:00-9:00pm.
Sat 01: Lindsay Hannon’s Tom Waits for No Man @ Dry Water Arts, Amble. 7:00pm. £15.00.
Sat 01: John Garner & John Pope @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm.
Sat 01: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Thursday, January 21, 2021

JASON MORAN – THE HARLEM HELLFIGHTERS - Free Stream – premiere 22 January (5pm GMT)

(Press release)

Serious have partnered with the Kennedy Center in Washington to bring streaming of the ground-breaking event that we co-commissioned in 2018, at no cost, from 5pm GMT on Friday 22 January, running through until the end of February.   

Jason Moran creates an original response to the extraordinary story of James Reese Europe and the Harlem Hellfighters - bravery, race issues, and the explosive arrival of jazz in war-torn Europe. 


‘We won France by playing music which was ours and not a pale imitation of others, and if we are to develop in America we must develop along our own lines.’ 

(James Reese Europe1919).

 

The renowned composer, pianist and visual artist Jason Moran – shaping up to be the most provocative thinker in current jazz’ (Rolling Stone) – celebrates and reflects on the legacy of James Reese Europe (1880-1919), an iconic figure in the evolution of African-American music who introduced France to the sound of jazz in the closing year of World War 1.  

 

Jointly commissioned by 14-18 NOW, the Kennedy Center, Washington, and Serious  


The film will be hosted on our website at serious.org.uk/Harlem 

 

In this multi-dimensional performance, members of Moran’s long-established trio, The Bandwagon (described by the NY Times as ‘the best rhythm section in jazz’) perform new music by Jason Moran inspired by James Reese Europe’s original compositions.  

  

His most recent UK performances included a UK tour of this project, as well as a two-night residency at Tate Modern with his long-term collaborator, performance artist Joan Jonas, and a duet with fellow pianist Robert Glasper at a sold-out Royal Festival Hall. 

  

The project also has a dedicated website/blog at – jasonmoranharlemhellfighters.com 

Background 

On New Year’s Day 1918, James Reese Europe – an iconic figure in the evolution of African-American music – landed in Brest with the 93rd Division’s 369th Infantry Regiment. Alongside their achievements in combat, Europe’s crack military music ensemble popularised the new spirit of jazz to a war-torn French nation fascinated with Black culture.  

Nicknamed the Harlem Hellfighters, the 93rd Division's 369th Infantry Regiment from New York first garnered notoriety for its world-class band, led by acclaimed composer and bandleader James Reese Europe. Made up of top musicians from the United States and Puerto Rico, the band famously played a swinging, yet initially unrecognisable, version of the Marseillaise upon disembarking for the first time on French soil.  

  

The 369th received equal acclaim for its performance on the field of battle. Two soldiers of the 369th, Henry Johnson and Needham Roberts, were the first American soldiers to receive the French Croix de Guerre. The regiment served for 191 days and ceded no ground to enemy forces. While they returned to the United States as national heroes, The Harlem Hellfighters had not been permitted to serve under American command during their time on the Western Front. Throughout 1918, the regiment served under French command, wearing French uniforms. Following a posthumous award of a Purple Heart in 1996, in 2015 President Obama awarded the Medal of Honour to Henry Johnson.  

 

On the 17 February 1919, the 369th Infantry Regiment famously marched up Fifth Avenue and into Harlem before some 250,000 onlookers. A spirit of determination, inspired by the war, surged throughout black America. James Reese Europe himself came to an untimely end later that year, murdered by one of his fellow band members, widely reported across the USA.  


(Link to Brian Ebbatson's comment)

1 comment :

Brian Ebbatson said...

For further information on the Harlem Hellfighters and James Reese Europe (including some photos) see my piece in this blog on 20 April 2020, "The beginning of a century-long love affair between France and black American music?", drawing on a reading of David Olusoga's "The World's War", perhaps even more pertinent now, in the light both of Black Lives Matter movement and the current state of 'hope' under the Democratic Presidency in the USA.

The march of the Hellfighters up Fifth Avenue was over a hundred years ago. Then "the leader of the Universal Negro Improvement Organisation, Marcus Garvey, was said to have wept at the sight of the 369th Infantry parading through the city. That whites, too, had lined Fifth Avenue was taken by some as a hopeful sign that …. the United States might be on the verge of a new era of black-white relations." Progress?

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