Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 13: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Julija Jacenaite (vocals).

Wednesday, January 27, 2021

Album review Laura Toxværd - Calling – Graphic Notation in 3 Parts

Laura Toxværd, Maria Faust (alto sax); Jacob Anderskov (piano and preparations).

The number on this album is NEWJAIM1 so I guess this this must be the first album of the admirable New Jazz and Improvised Music Recording label setup during the height of the current pandemic giving musicians the creative opportunity to be able to record whilst their live options are severely limited.

The album Calling – Graphic Notation in 3 Parts was recorded in February 2020 live from the Copenhagen Winterjazz Festival just before lockdown began there. The music is improvised using a graphic score developed by Laura Toxværd. Joining the composer are pianist Jacob Anderskov with whom she recorded a duet album some years ago and alto player Maria Faust.

As the title suggests there are 3 parts to the record CA, LL and ING. You don’t need to be capable of completing The Times cryptic crossword to work out that that spells out the album title.

This performance is one of free  improvisation and full concentration is required to get the most out of the album but having done this I can assure you it’s well worth the effort. The interplay between the 2 altos is breath-taking. The piano playing is quite minimal as the saxes dominate. However, I assume that where it says ‘preparations’ alongside pianist Anderskov’s name on the liner notes that this accounts for the very effective percussive elements that can be heard throughout the album. The music ebbs and flows from loud and strident to soft and subtle. Every so often one is caught by a particular passage which really resonates.

I always enjoy attending live gigs of this genre of music where you can see the musicians interact with one another. However, although I was only being able to listen to this performance l was still able to detect the wonderful improvisation between the players.

So, not an easy listening album by a long chalk but well worth the investment if improvised free jazz is your CA, LL, ING.

Steve H    

No comments :

Blog Archive