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Bebop Spoken There

Marcella Puppini (in concert with the Puppini Sisters at Sunderland Fire Station, November 27, 2024): ''We've never played there, but we've looked it up, and it looks amazing.''. (The Northern Echo, November 21, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17562 (and counting) posts since we started blogging 16 years ago. 836 of them this year alone and, so far, 74 this month (Nov. 22).

From This Moment On ...

November

Sat 23: Vieux Carré Jazzmen @ Spanish City, Whitley Bay. 11:00-1:00pm. £6.00. at the door, £4.00. advance. Tel: 0191 691 7090. A Spanish City ‘Xmas Market’ event in the Champagne Bar.
Sat 23: Durham Alumni Big Band @ Number One Bar, Skinnergate, Darlington. 11:00am-12:30pm. Free (donations, fill up the bucket!) CANCELLED!
Sat 23: Washboard Resonators @ Claypath Deli, Durham. 7:00pm. £12.00.
Sat 23: Paul Skerritt Big Band @ Westovian Theatre, South Shields. 7:30pm.

Sun 24: Vieux Carré Jazzmen @ Spanish City, Whitley Bay. 11:00-1:00pm. £6.00. at the door, £4.00. advance. Tel: 0191 691 7090. A Spanish City ‘Xmas Market’ event in the Champagne Bar.
Sun 24: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 24: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 24: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Skerritt (solo) performing with backing tapes.
Sun 24: Greg Abate w. Dean Stockdale Trio @ Queen’s Hall, Hexham. 3:00pm.
Sun 24: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 24: Washboard Resonators @ Georgian Theatre, Stockton. 3:00pm. £8.00.
Sun 24: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 24: Groovetrain @ Hoochie Coochie, Newcastle. £15.00. + bf. 5:15pm (4:00pm doors). SOLD OUT!
Sun 24: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 24: Greg Abate w. Dean Stockdale Trio @ The Globe. 8:00pm.
Sun 24: Lighthouse Trio @ The Glasshouse, Gateshead. 8:00pm.

Mon 25: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 25: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.

Tue 26: Alexia Gardner Quintet @ The Black Swan, Newcastle. 7:30pm (7:00pm doors). £12.00.; £10.00. advance.

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 27: Jason Isaacs @ St James’ STACK, Newcastle. 5:00-7:00pm. Free. Vocalist Isaacs working with backing tapes.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 27: Puppini Sisters @ The Fire Station, Sunderland. 7:30pm.
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 28: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 28: Paul Skerritt @ Ashington High Street. 5:45pm. Xmas lights switch-on.
Thu 28: Mick Cantwell Band @ The Harbour View, Roker, Sunderland. 8:00pm. Free. Superb blues singer!
Thu 28: Tees Hot Club @ Dorman’s Club, Middlesborough. 8:30pm. Free. Guests: Richie Emmerson (tenor sax); Dan Johnson (alto sax); Graham Thompson (keys); Adrian Beadnell (bass)

Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 29: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 29: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 29: Jamie Cullum @ The Glasshouse, Gateshead. 7:00pm. SOLD OUT!
Fri 29: Jive Aces @ Alnwick Playhouse. 7:30pm.
Fri 29: Living in Shadows (Zoë Gilby Quintet) + OUTRI @ Central Bar, Gateshead. 8:00pm. £10.00. + bf. Tickets: www.wegottickets.com. Zoe & Andy + Ian Paterson’s OUTRI solo bass project.
Fri 29: Jude Murphy & Dan Stanley @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, January 27, 2021

Album review Laura Toxværd - Calling – Graphic Notation in 3 Parts

Laura Toxværd, Maria Faust (alto sax); Jacob Anderskov (piano and preparations).

The number on this album is NEWJAIM1 so I guess this this must be the first album of the admirable New Jazz and Improvised Music Recording label setup during the height of the current pandemic giving musicians the creative opportunity to be able to record whilst their live options are severely limited.

The album Calling – Graphic Notation in 3 Parts was recorded in February 2020 live from the Copenhagen Winterjazz Festival just before lockdown began there. The music is improvised using a graphic score developed by Laura Toxværd. Joining the composer are pianist Jacob Anderskov with whom she recorded a duet album some years ago and alto player Maria Faust.

As the title suggests there are 3 parts to the record CA, LL and ING. You don’t need to be capable of completing The Times cryptic crossword to work out that that spells out the album title.

This performance is one of free  improvisation and full concentration is required to get the most out of the album but having done this I can assure you it’s well worth the effort. The interplay between the 2 altos is breath-taking. The piano playing is quite minimal as the saxes dominate. However, I assume that where it says ‘preparations’ alongside pianist Anderskov’s name on the liner notes that this accounts for the very effective percussive elements that can be heard throughout the album. The music ebbs and flows from loud and strident to soft and subtle. Every so often one is caught by a particular passage which really resonates.

I always enjoy attending live gigs of this genre of music where you can see the musicians interact with one another. However, although I was only being able to listen to this performance l was still able to detect the wonderful improvisation between the players.

So, not an easy listening album by a long chalk but well worth the investment if improvised free jazz is your CA, LL, ING.

Steve H    

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