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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Tue 24: Lindsay Hannon & Mark Williams @ Ernest, Ouseburn, Newcastle. 11:00am-1:00pm. Free.
Tue 24: Paul Skerritt @ Mambo Wine & Dine, South Shields. 1:00pm. Free. Vocalist Skerritt working with backing tapes.

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 30: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.
Mon 30: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, January 27, 2021

Album review Laura Toxværd - Calling – Graphic Notation in 3 Parts

Laura Toxværd, Maria Faust (alto sax); Jacob Anderskov (piano and preparations).

The number on this album is NEWJAIM1 so I guess this this must be the first album of the admirable New Jazz and Improvised Music Recording label setup during the height of the current pandemic giving musicians the creative opportunity to be able to record whilst their live options are severely limited.

The album Calling – Graphic Notation in 3 Parts was recorded in February 2020 live from the Copenhagen Winterjazz Festival just before lockdown began there. The music is improvised using a graphic score developed by Laura Toxværd. Joining the composer are pianist Jacob Anderskov with whom she recorded a duet album some years ago and alto player Maria Faust.

As the title suggests there are 3 parts to the record CA, LL and ING. You don’t need to be capable of completing The Times cryptic crossword to work out that that spells out the album title.

This performance is one of free  improvisation and full concentration is required to get the most out of the album but having done this I can assure you it’s well worth the effort. The interplay between the 2 altos is breath-taking. The piano playing is quite minimal as the saxes dominate. However, I assume that where it says ‘preparations’ alongside pianist Anderskov’s name on the liner notes that this accounts for the very effective percussive elements that can be heard throughout the album. The music ebbs and flows from loud and strident to soft and subtle. Every so often one is caught by a particular passage which really resonates.

I always enjoy attending live gigs of this genre of music where you can see the musicians interact with one another. However, although I was only being able to listen to this performance l was still able to detect the wonderful improvisation between the players.

So, not an easy listening album by a long chalk but well worth the investment if improvised free jazz is your CA, LL, ING.

Steve H    

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