An emotional meditation by Jason Moran on James Reese Europe and the Harlem Hellfighters. The black American army unit attached to the French army in WWI. The band credited with introducing jazz to France and, ultimately beyond.
Moran cleverly integrated songs associated with the band and compositions of his own. The pianist made it work brilliantly not least with his own stride cum ragtime cum Cecil Taylor type playing. It was an eyeopener,
Despite the fact that most of the songs were over 100 years old - they had to be as Europe was murdered by one of his own band members in 1919 - the solos were very much of today and occasionally tomorrow.
There were moments of great solemnity particularly on the funereal Flee as a Bird and there was also much joyousness on dance numbers such as Ballin' the Jack; Russian Rag; Darktown Strutters' Ball - Moran left the piano to blow slide whistle on that one - That Moaning Trombone; Memphis Blues and a killer St. Louis Blues that had the two saxes wailing like they had the enemy in their sights. Hesitating Blues featured some incredible trumpet effects and the one-stepping finished with Castle House Rag.
The breathless hour ended as it begun, gently fading amid black and white film of the troops return to America and harsh reality.
Moran spoke eloquently at both the start and the end.
It was quite an experience.
The concert took place at Kennedy Center in Washington D.C. in 2018 and was part sponsored by Serious.
It can be watched here until Feb. 28.
Lance
Jason Moran (piano/slide whistle); Daryl Harper (clarinet); Immanuel Wilkins (alto sax); Brian Settles (tenor sax); David Adewumi (trumpet); Chris Bates (trombone); Reginald Cyntje (bass trombone/tuba); Jose Davila (tuba); Tarus Mateen (bass); Nasheet Waits (drums).
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