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Bebop Spoken There

Mark Turner: "Practice should never be mindless or careless. You will sound like that on the gig!" - (DownBeat May 2021)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,204 (and counting) posts since we started blogging 13 years ago. 623 of them this year alone and, so far, 31 this month (May 8).

2021 APPJAG (All Party Parliamentary Jazz Appreciation Group)

Coming soon ...



May 6: Vieux Carré Jazzmen at The Holystone. (CANCELLED!).

May 13: Vieux Carré Jazzmen at The Holystone (weather permitting).
May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 21: Jazz in the Afternoon are back at Cullercoats Crescent Club. (Revised date).
June 23: Vieux Carré Jazzmen are back at Cullercoats Crescent Club. (Revised date).

Monday, January 18, 2021

Ivo Neame: Live stream from Ronnie Scott's - Jan. 18

Ivo Neame (piano); George Crowley (tenor sax); Tom Farmer (bass); James Maddren (drums).

(Screenshots by Ken Drew).

I'd convinced myself I wasn't going to like this latest live stream from Ronnie's so I approached it with a degree of trepidation.

I hold my hand up and admit that I was wrong to have doubts!

I should have known better. Neame is a fine pianist, composer and raconteur.

As the blurb says: Ivo Neame who's music is an exploration of contrast and represents an ongoing quest to house multiple styles and influences under one roof. This varied mix of sonic landscapes springs from a desire to find emotional resonances with audiences in as many ways as possible. The styles of the pieces range from serene, calm and reflective atmospheres to intense, high-octane poly-rhythmic grooves.

Which more or less sums it up apart from failing to mention Crowley's pre/post Coltrane solos that really raised the bar. He was on fire - best I've ever heard him!

The other two weren't coasting either!

I didn't log the titles. It didn't matter, what was important was the rendition and those numbers were well and truly rendered!

Lance

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