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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16462 (and counting) posts since we started blogging 16 years ago. 342 of them this year alone and, so far, 54 this month (May 18).

From This Moment On ...

May

Sun 19: BTS Trombone Day @ Mark Hillery Arts Centre, Collingwood College, Durham University DH1 3LT. 11:00am-5:00pm. Free to British Trombone Society members (£10.00. & £5.00. to non-members). Recitals, workshops and mass blows.
Sun 19: Anth Purdy @ The Links, Blyth. 12:30-1:00pm. Free. ‘Blyth Battery: Blyth Goes to War Weekend’.
Sun 19: Women Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £25.00. Tutor: Andrea Vicari. Enquiries: learning@jazz.coop.
Sun 19: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free. Sun 19: Ransom Van @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 19: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 19: Andrea Vicari Trio @ The Globe, Newcastle. 8:00pm.

Mon 20: Harmony Brass @ the Crescent Club, Cullercoats. 1:00pm. Free.
Mon 20: Michael Young Trio @ The Engine Room, Sunderland. 6:00-8:00pm. Free. Opus de Funk: Horace Silver.
Mon 20: Joe Steels-Ben Lawrence Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: The Doris Day Story @ Phoenix Theatre, Blyth. 7:30pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Monday, October 19, 2020

Q & A with Dave Weisser & Jude Murphy - Part 2 of 3.

BSH: Dave, you are probably best known these days for the Take it to the Bridge sessions which, prior to these strange times, ran for many years at a variety of venues before becoming established at The Globe.

Dave: Yes, it started off when we came back from working abroad.  Terry Ellis and Bazz Ascroft were also at loose ends at the time, and I got them together at the Beamish Mary pub in No Place, County Durham.  That ran as a very popular jam session for several years before a change of pub management meant we were looking for other venues.  A short stint at the Bridge led to a really long residency at Jesmond’s Bluebell, then we moved on to the Egypt Cottage, the Tyne Bar, and eventually, The Chillingham Arms in Heaton.  Only when the Chilli was refurbishing did we find our way to the Globe, where we’re very happy.

BSH: As the recent interview with Matt Mackellar proved you have been a great one for nurturing young talent. Not in an academic way but giving them the chance to play in the real world of the jam session or, as you prefer, the jazz workshop. Apart from Matt, would you like to name any others who found their feet at, so to speak, your feet?

Dave: Well, there’s another very talented young drummer Matt Fairhurst, and Mike Papapavlou on guitar, and there was the late and much-lamented Darren Grainger on sax.  More recently we’ve had a couple of young international players showing up, Salvatore di Novo on clarinet and Fabio Vernuccio on bass.  And that’s not to mention our fantastic long term regulars, who may not count as “young talent” as such, but hey!  Of course we also had lots of people passing through who were already well established jazz players and who are very much local names, like Alan Law, Paul Gowland, Pete Gilligan, the list is endless really.

BSH: Dave, do you remember the Take it to the Bridge session at the Tanners' Arms when Claude Werner turned up and sat-in? It was like: Wow! Who's this?!  And again at the Egypt Cottage when David Carnegie walked in. It must be a thrill when such great players, new to the scene, seek out your workshop session. 

Dave: Yes, it’s always a privilege and it emphasises how the session is open to all ability and experience levels.

BSH: For as long as I can remember, Barrie Ascroft was on keyboards or bass guitar. His passing must have been a tremendous blow to you both.

Dave: We miss him so much.  He wrote a tune with a title that summed him up perfectly, Mr Rascal! We go back a very long way, to the late 1970s, when I went to see a very highly rated band called Technique at a club in Gateshead.  Little did I know I’d be flat sharing with the keyboard player a few years later and that we’d work together on a cruise.

Jude: Dave and Barrie were like the odd couple!

Bazz was such a huge loss.  Yes, he could be irascible, but that was all part of the hugely talented package – he was equally brilliant on keyboards and bass, and of course his writing was superb.  I personally have so much to thank him for.  He taught me lots about reading chord charts, and tolerated my first faltering steps at walking bass with the comment “It wasn’t TOO painful”, he even used to record regular editions of Coronation Street for me any time we were away and he was home!

BSH: Jude, correct me if I’m wrong, but you seemed to be a relatively late comer to the workshops. I remember you turning up at The Chilli one night and blowing everyone off the stand with your flute playing. Where had you been hiding? Next thing we knew you were blowing alto, playing bass and singing better than most of the so-called jazz singers!

Jude: When we came back from working the hotels, it was to have our daughter.  For a long time, apart from the occasional paid restaurant gig, I was primarily Jess’s mam, while simultaneously studying for an MA and PhD in History and starting out on a career in academia and adult ed.  So the only jams I got to were maybe one a year, when I could sort out babysitting!  But I did get to the Sage’s first jazz workshops, where I met Stu and Fiona Finden, and now we’re all in Budtet together.

BSH: You’ve also been playing in a few different bands. Soznak is one that springs to mind tell us about them.

Jude: I feel so privileged to be part of the Newcastle institution that is Soznak.  Paul Miskin, the band leader, has done so much through the decades to keep street arts vibrant, and nothing really compares with playing a tune and watching everyone around the Monument starting to move along with the beat.  This works with disco classics, reggae, jazz standards, out and out rockers, we just all love playing together and I think it’s infectious.  Somehow it helps you forget the sometimes sub-zero temperatures. Favourite moments: when we had a huge protest group in Anonymous masks boogying on down to One Step Beyond; and when I shared a mic with Lulu (yes, THE Lulu) on Steve Miller’s The Joker. 

BSH: Dave, over the years you’ve switched from trumpet to cornet – any particular reason? Plus you seem to have an amazing ear for a tune and I’ve never known you to forget a lyric

Dave: I found the cornet was easier to blow.  I’ve also played flugelhorn and love the tone of it, but the cornet is my long term favourite.  Ironic, because it’s by far my cheapest instrument.  I picked it up for £32 from the Quayside Market. It didn’t even have a case.  It was Terry Lambert, from the Barracudas, who spotted it and negotiated a discount for me because he was a stallholder at the time.

I don’t know where my memory for lyrics comes from.  Years of listening, I suppose.

(Continued tomorrow)

Part 1

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