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Farewell Blues

R.I.P. HRH Queen Elizabeth ll (1926 - Sept. 8, 2022).
R.I.P. Trevor Tomkins (1941 - Sept. 9, 2022).
R.I.P. Gordon McGregor (Sept. 11, 2022).
R.I.P. Ramsey Lewis (1935 - Sept. 12, 2022).
R.I.P. Pharoah Sanders (Oct. 13, 1940 - Sept. 24, 2022).
R.I.P. Sue Mingus (April 2, 1930 - Sept. 24, 2022).

Bebop Spoken There

Larry Klein: "- in a certain way - Leonard [Cohen] is the greatest songwriter ever." - (Jazzwise October 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14602 (and counting) posts since we started blogging 14 years ago. 880 of them this year alone and, so far, 80 this month (Sept. 26).

From This Moment On ...

September

October

Sat 01: Dale Storr @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 01: Nicole Mitchell & Alexander Hawkins @ The Lit & Phil, Newcastle. 1:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Sat 01: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Pete Churchill. £25.00. Enrol at: www.jazz.coop.
Sat 01: Orphy Robinson (in conversation); Beck Hunters w John Pope & Laura Cole; Daniel Levin; Black Top w Mariam Rezaei @ Lit & Phil, Newcastle. 6:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Sat 01: Simon O'Byrne @ Prohibition Bar, Newcastle. 8:00pm. Free. Solo guitar & vocals.
Sat 01: King Bees @ Grainger Market, Newcastle. 9:00-9:45pm. A Great Market Caper multi-bill event. Superb Chicago blues band. Doors: 6:30pm. Tickets: £10.00. + bf.

Sun 02 RUTH LAMBERT TRIO @ Spanish City, Whitley Bay. 12 noon.
Sun 02: Helena Anahita Wilson @ Lit & Phil, Newcastle. 1:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Sun 02: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 02: Zoë Gilby Trio w Noel Dennis + John Garner & John Pope + Dilutey Juice @ The Globe, Newcastle. 2:00pm. £7.00.
Sun 02: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 02: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 02: Lindsay Hannon's 'Tom Waits for No Man' @ Three Tanners Bank, North Shields. 6:00pm. Free.
Sun 02: Celebrating the Life & Music of Pharoah Sanders @ Prohibition Bar, Newcastle. 7:00pm. £8.00. on the door. Feat. Sue Ferris, Paul Gowland, Tom Atkinson, Jude Murphy, Jeff Armstrong.
Sun 02: Shifa + Bex Burch & Leafcutter John + Farida Amadou @ Lit & Phil, Newcastle. 7:00pm. A Newcastle Festival of Jazz & Improvised Music event.

Mon 03: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 04: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (to reserve a table phone 0191 386 5556).
Tue 04: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Dean Stockdale, Paul Grainger, Tim Johnston.
Tue 04: Blue Jazz Quartet w Rivkala @ The Ship Isis, Sunderland. 7:30pm. Free.

Wed 05: Hot Club du Nord @ St Wilfred's Church, Kirkharle, Northumberland. 1:00pm. SOLD OUT! Waiting list open.
Wed 05: Hot Club du Nord @ St Wilfred's Church, Kirkharle, Northumberland. 4:00pm.
Wed 05: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 05: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 05: 4B @ The Exchange, North Shields. 7:00pm.
Wed 05: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 05: Rat Pack - Swingin' at the Sands @ Darlington Hippodrome. 7:30pm.

Thu 06: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 06: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 6:30-9:00pm.
Thu 06: Thursday Night Prayer Meeting @ The Globe, Newcastle. 8:00pm. Free admission (donations).
Thu 06: Paul Skerritt Duo @ Tomahawk Steakhouse, High St., Yarm. 8:00pm. Paul Skerritt & James Harrison residency.
Thu 06: Brass Funkeys + Baghdaddies @ The Cluny, Newcastle. 8:00pm.
Thu 06: Mo Scott Band @ The Schooner, South Shore Road, Gateshead. 8:00pm.
Thu 06: Lindsay Hannon Trio @ Harbour View, Roker, Sunderland. 8:00pm. 'Tom Waits for No Man'. A Harbour View Speakeasy event.
Thu 06: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm. Garry Hadfield (keys) Bill Watson (trumpet) Josh Bentham (sax) Mark Hawkins (drums) Adrian Beadnell (bass)

Fri 07: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 07: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 07: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 07: Hannabiell & the Midnight Blue Collective + Knats @ Dance City, Newcastle. 7:00pm. £15.00. (£12.50. student).
Fri 07: Dean Stockdale Quartet @ Saltburn Community Hall. 7:30pm. 'Celebrating Oscar'.
Fri 07: TBA @ Prohibition Bar, Newcastle. 8:00pm. Free (donations). Blind Pig Blues Club.
Fri 07: Anth Purdy @ Waterford Arms, Seaton Sluice. 8:00pm.
Fri 07: Rob Heron & the Tea Pad Orchestra @ Forum Music Centre, Darlington. 8:30pm.

Sunday, October 11, 2020

Film preview: "Ronnie's"


If you profess to be a jazz fan and haven't been to Ronnie Scott's at least once in your lifetime  then your street cred is questionable and if you have been only once then your cred is open to even further investigation as Ronnie's isn't a one off drop in place unless you're from the Antipodes or maybe Mars and even then the chances are you will be back.

It's that kind of place.

If you doubt my word then check out a new documentary that's about to premiere on Friday Oct. 23 on the Everyman Cinema circuit - God and Boris permitting.

It's probably the best factual jazz film since Jazz on a Summer's Day and, over the years, most of the artists who appeared in that film have, along with just about every other great jazz musician, performed at Ronnie Scott's. Many of them can be seen and heard via rare archived footage, during the course of the film

It relates the story of the club and its founders, Pete King and Ronnie Scott, who set out to bring the atmosphere of the modern jazz clubs on New York's 52nd St. to London's Soho. First on Gerrard St and then at it's current location in Frith St. However, readers of BSH will know all this so let's cut to the film.

Written and directed by Oliver Murray it's a compelling story of a man and his dream. A dream that came true and continues to this day 20 years after his death. Of course Ronnie Scott was more than just a club owner he was also one of the great British tenor saxophone players. That too is an important part of the story.

To list the who's who of artists seen and heard on the film is near impossible however, the IMDb listing below provides that information and more - much more. 

Put October 23 in your diary now - underline the entry, put it in bold CAPITAL LETTERS. Fingers crossed, it's not to be missed!

Lance

Trailer.

IMDb link.

2 comments :

Dave said...

I’ve only been once and wasn’t impressed. I’ve always been annoyed by the way Ronnies distorts jazz in this country. It’s too small, yet attracts the biggest names so then it has to overcharge for tickets. I suspect that half the audience are journalists on freebies and they’re not going to complain, are they? That also bumps up the prices. When you add on at least a 100 quid for travel and accommodation it’s even less affordable for those of us in the North East. I’d rather be at Sage 2, the Lit and Phil or the Bridge and leave Ronnies to the southerners and their funny ways.
Cheers
Dave

Anonymous said...

One reason for the two different views of Ronnie Scott's club is that in fact there are two 'Ronnie's' (not to be confused with 'the' two Ronnies). Ronnie the First is now a mythical place but it did actually exist in the old days where you could get in for free if you arrived at 9pm when it opened and could stay until 3am listening to the best jazz musicians in the world. Two impecunious Dublin teenagers, myself and my jazz-loving mate, Bren thought nothing of getting the bus down to Dun Laoghaire to catch the overnight mail boat to Holyhead and then an assortment of trains to London and tube to Leicester Square to get to Ronnie the First. The first time we went we, of course, arrived at 9pm and bagged a front row table and heard three staggeringly good sets by Ben Webster until 3am. And we were left completely undisturbed by management or staff even though we could just afford a coke each at what seemed then the extortionate price of half a crown a glass. What made the experience even more memorable was that Ronnie Scott himself was the compere and in the flesh he was even funnier than in his hilarious autobiography 'Some of My Best Friends Are Blues'.
Our accommodation that night was in what could only be described as a doss house in Covent Garden.
Since that time anyone who risked travelling with me through London ended up in Ronnie the First unless they were deaf or had a certificate proving they would turn into a pumpkin if they were out after midnight.

What the previous commentator needs to realise is that without the dedication of Ronnie Scott (and Pete King) in bringing over established US jazz giants and having a club where they could play, in the early days we wouldn't have been able to hear these people live as there was no reciprocal arrangement for musicians from the US to play in the UK, and vice versa.

However, my guess is that he actually visited Ronnie the Second which came into being when Pete King sold the club in 2005 (Ronnie Scott had died some years earlier). It is true that the prices are much more expensive and the atmosphere inside is not nearly as good but, too be fair, the club does still get very high quality musician and you can experience them in a 'club' setting (rather than the concert hall set-up of the Sage, for instance). However the biggest changes for me are that it is now much more 'corporate' and having two sessions each evening means you can just hear one set of the main artist/band. Some of these changes are, of course, inevitable in our financialised world and it is obviously expensive to run a club in a city like London so it is still great that Ronnie the Second exists even if some of us pine for Ronnie the First (but I would now be happy to give the doss house a miss).

JC

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