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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16434 (and counting) posts since we started blogging 16 years ago. 314 of them this year alone and, so far, 26 this month (May 9).

From This Moment On ...

May

Sat 18: Jam session @ The Black Swan, Newcastle. 7:00-9:00pm. Free. Celebrating ‘10 years of the Jazz Jam!’. House trio: Alan Law, Paul Grainger, Tim Johnston. A Late Shows event.
Sat 18: SH#RP Collective @ Holy Name Parish Church Hall, Jesmond, Newcastle. 7:00-9:00pm. Tickets: £15.00. Bar available, BYO snacks. A Jesmond Community Festival event. All proceeds to Kabuyanda Charity (Ugandan health care).
Sat 18: Red Kites Jazz @ Staithes Café, Autumn Drive, Gateshead. 7:30pm.
Sat 18: Alligator Gumbo @ The Witham, Barnard Castle. 7:30pm.
Sat 18: Rockin’ Turner Brothers @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sun 18: Papa G’s Amigos special summer Latin set @ The Schooner, Gateshead NE8 3AF. 9:00pm. Free.
Sat 18: Late Night Special with Ruth Lambert & special guests @ The Black Swan, Newcastle. 10:00pm-midnight. £5.00. (booking essential). Lambert & surprise jam session guests from down the years.

Sun 19: BTS Trombone Day @ Mark Hillery Arts Centre, Collingwood College, Durham University DH1 3LT. 11:00am-5:00pm. Free to British Trombone Society members (£10.00. & £5.00. to non-members). Recitals, workshops and mass blows.
Sun 19: Women Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £25.00. Tutor: Andrea Vicari. Enquiries: learning@jazz.coop.
Sun 19: Ransom Van @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 19: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 19: Andrea Vicari Trio @ The Globe, Newcastle. 8:00pm.

Mon 20: Harmony Brass @ the Crescent Club, Cullercoats. 1:00pm. Free.
Mon 20: Michael Young Trio @ The Engine Room, Sunderland. 6:00-8:00pm. Free. Opus de Funk: Horace Silver.
Mon 20: Joe Steels-Ben Lawrence Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: The Doris Day Story @ Phoenix Theatre, Blyth. 7:30pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Fri 24: Hot Club du Nord @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Swannek + support @ Hoochie Coochie, Newcastle. Time TBC.

Thursday, October 29, 2020

Album review: Ben Wendel - High Heart

Ben Wendel (tenor sax); Michael Mayo (vocals); Shai Maestro, Gerald Clayton (piano, Fender Rhodes); Joe Sanders (double bass); Nate Wood (drums) 

A high octane fifth album for Ben Wendel, the Canadian tenor maestro based in New York, here with a sextet drawn from that city’s current elite. The album is a showcase not only for Wendel’s prodigious and muscular post-bop technique, but also for his compositions, executed brilliantly and sensitively by a band so much more than the sum of its stellar parts.

The eight substantial and original pieces are integrated in concept and execution, with the band often pairing up (sax vs vocals, piano vs Rhodes, and drums plus bass), but also locking together in clever and effective ways.  Wendel is noted for perhaps putting cerebral playing ahead of emotion and lyricism, and doesn’t miss the opportunity to play twice as many notes as Brecker or Redman would.  He has undoubtedly made space for the band here though, and for more emotions than just the trademark upbeat exhilaration.

This comes out most obviously with the spiritual, wordless vocals of Michael Mayo, soaring sublimely above busy arpeggios and skittering percussion, and trading with Wendel’s own plaintive sax voice.  

The opener, High Heart, sets out with Mayo’s measured hymnal over a hypnotic piano and drums backing, taken up by sax in the same vein, reaching a frenzied sax climax, before relaxing back to calm.  The standout Burning Bright does what its name suggests, with an angular Tigran-esque groove, followed up with flowing piano and sax lines. There is even some gorgeous Fender Rhodes for the 70s' throwbacks amongst us, wrapping up with a joyous anthemic proclamation to finish.   

Kindly takes it down in tempo, and hands a repeated distinctive voice-like phrase around the band to hypnotic effect. Less takes the heat down further, and into ambient territory with pure and aching voice soaring effortlessly over simple piano and effects.  

Drawn Away and Fearsome up the pace again, with swirling and cascading lines, insistent and interlocking, before Darling slows to a yearning and abstract sax reverie over slow piano arpeggios and busy, tapping rim shots and cymbal ricochets.  The album ends peacefully, with Mayo’s soothing balm laid down over circling piano, effects and clatter.  

On this evidence, Wendel has moved on from fiery technique and produced a deeply impressive and moving modern statement. You won’t find swinging, blue notes, or even modern classical here, but you will find an abundance of intelligent and intricate musicality, with a startling range of emotion unexpectedly thrown in.   

Chris K 

Release: October 30
: Personalised vinyl, CD, digital. 

Edition Music EDN1162 

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