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Bebop Spoken There

Steve Fishwick: “I can’t get behind the attitude that new is always somehow better than old”. (Jazz Journal, April 15, 2019).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16542 (and counting) posts since we started blogging 16 years ago. 422 of them this year alone and, so far, 29 this month (June 17).

From This Moment On ...

June

Fri 21: Alan Barnes with Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 21: Joe Steels’ Borealis @ The Gala, Durham. 1:00pm. £8.00.
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 21: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 21: Soznak @ The Bike Garden, Nunsmoor, Newcastle NE4 5NU. 5:00-9:00pm. Free.
Fri 21: Errol Linton + Michael Littlefield & Scott Taylor (King Bees) @ Gosforth Civic Theatre, Newcastle. 7:30pm. £20.00. Blues double bill.
Fri 21: Alan Barnes with the Dean Stockdale Trio @ Seventeen Nineteen, Sunderland. 7:30pm.
Fri 21: Strictly Smokin’ Big Band @ Alnwick Playhouse. 8:00pm. ‘Ella & Ellington’.
Fri 21: Mark Toomey Quartet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Sat 22: Jason Isaacs @ Stack, Seaburn SR6 8AA. 12:30-2:30pm. Free.
Sat 22: Abbie Finn Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 22: Hejira: Celebrating Joni Mitchell @ The Cluny, Newcastle. 7:30pm (doors). £22.50.
Sat 22: Rockin’ Turner Bros. @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Matt Carmichael @ St Mary’s Church, Wooler. 3:00pm. Carmichael (saxophone), Fergus McCreadie (piano), Charlie Stewart (fiddle). ‘Scottish jazz, folk-roots & landscape’ Wooler Arts: Summer Concerts.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 23: Bede Trio @ The Globe, Newcastle. 8:00pm.
Sun 23: Leeway @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 23: Jazz Jam @ Fabio’s Bar, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Remy CB @ The Hoppings, Newcastle Town Moor NE2 3NH. 5:00-7:00pm.

Tue 25: Louise Dodds & Elchin Shirinov @ The Black Swan, Newcastle. 8:00pm.

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 27: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 27: The Joni Project @ The Globe, Newcastle. 8:00pm. Joni Mitchell.
Thu 27: Lindsay Hannon’s Tom Waits for No Man @ Harbour View, Roker, Sunderland. 8:00pm.
Thu 27: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 27: Loco House Band @ Bar Loco, Newcastle. 8:00pm. Free.
Thu 27: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass)

Monday, October 19, 2020

Roly Veitch remembers René Thomas (1927 – 1975)

Many years back I bought a vinyl album ‘The Bobby Jaspar Quartet’ at Ronnie Scott’s recorded in 1962. It was on the Mole Jazz label and issued in 1986. Alongside Thomas were: Bobby Jaspar (tenor sax/flute); Benoit Quersin (bass) and Daniel Humair (drums)

At that time I regularly bought jazz albums, usually at good old JG Windows, and I guess I just took a chance on this one as I had other Mole albums - the wonderful Art Pepper & Milcho Leviev LPs. Well, it turned out to be a very good choice, an exciting live session with great players and a guitarist who absolutely stood out as someone up there with the best.

Thomas had a very fluent, freewheeling, adventurous approach to soloing – melodic yet exciting. Great solo building in a quite modern, boppish style and a very distinct woody tone, a sound that had warmth yet bite and attack. Rather different from the classic warm toned, full bodied, mellow sound of many archtop guitar players of the day.

His instrument was an old Gibson 150, non-cutaway, with a Charlie Christian bar pick up. I loved his playing and really should have searched out more recordings then but never did. Recently I happened to see a CD by Chet Baker (Chet is Back) and bought it because it was the same quartet that played Ronnie’s plus Armadee Tommasi piano and Chet as leader of the sextet. A good CD and more top guitar playing. This has caused me to look up more information about Thomas. There is not much on Wikipedia but I found this very informative link which readers might find interesting.

I think I’ll now search out more of his recordings although it seems some of his best work is no longer available. Lots on YouTube though. It just strikes me that here is a guitarist who sadly died aged only 47 who would have achieved so much more and who is recognised by those who know his work as one of Europe’s great jazz players. Perhaps some readers will know more about him? He doesn’t seem to get much of a mention in the jazz press these days.

Does René Thomas deserve to be better known? What do readers think? I think he would be a good subject for any young music graduate guitarist to research for a thesis with transcriptions, if it hasn’t already been done by someone. 

The images are of the Mole album front cover together with drummer Daniel Humair’s rather telling handwritten note from the album rear cover.

Roly

See also ...

1 comment :

Maurice J.Summerfield said...

I was pleased to see Roly Veitch's post reminding us of René Thomas. René was not fully recognised for his great jazz artistry outside of France and Belgium. His too early death aged 47 meant that he was soon forgotten by many in the jazz world. I was fortunate to see Thomas at Ronnie Scott's around 1970. My old friend the late Tom Charlton was a great Jimmy Raney fan and he insisted that I join him at Scott's to hear Thomas live. Thomas's guitar style and sound was indeed greatly influenced by Raney. He in fact played the same Gibson E150 model guitar as Raney. However, the influence of Django Reinhardt was also evident at times. As Roly confirms there are many René Thomas recordings on You Tube, both audio and video. Included is the full CD album -'René Thomas - Guitar Genius'. All recommended.

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