Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18799 (and counting) posts since we started blogging 18 years ago. 663 of them this year alone and, so far this month (Aug. 12) 32.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Thu 13: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 13: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 13: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free. CANCELLED! Back on Aug. 27.
Thu 13: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: John Settle Quartet @ Bishop Auckland Methodist Church. 1:00pm. £9.00. John Settle (vibes); Rick Laughlin (piano); Mick Shoulder (double bass); Tim Johnston (drums).
Fri 14: Bold Big Band @ Pilgrim, Newcastle. 8:00pm. £8.00 + bf.

Sat 15: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 15: Jake Leg Jug Band @ The White Room, Stanley. 7:45pm. £16.26.

Sun 16: Vintage Explosion @ Cliffe Park, Roker, Sunderland SR6 8DB. 5:00-10:30pm. £44.00 (inc. bf).

Mon 17: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Abbie Finn.

Wed 19: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Saturday, October 10, 2020

Album review: Paul Edis Trio - Snakes and Ladders

Paul Edis (piano, Fender Rhodes); Andy Champion (double bass); Russ Morgan (drums)

Snakes and Ladders is the latest offering from Paul Edis. Composer, pianist, bandleader, London based Edis juggles several projects and this digital download album comprises eight original compositions recorded in November 2019 in the company of Andy Champion and Russ Morgan. The piano, bass, drums format places Snakes and Ladders firmly in the tradition of the straight ahead jazz piano trio.  

Much of the material was honed on gigs in pre-pandemic times. The opening track - Whiskers - sets the highest of standards, the trio heard in full flight, a match for any piano trio either side of the Atlantic. It Ain't Broke encompasses so many wonderful contrasting and complimentary elements it simply has to be heard: languorous swing, Monk, Dr Billy Taylor, stride, Oscar P, the elegance of Nat Cole. 

The title track takes us into ballad territory with Russ Morgan's exquisite brush work to the fore alongside Andy Champion's beautifully resonant bass playing. From the quietude of Snakes and Ladders to the gospel-to-funk Fender Rhodes of Of Mice and Men and on to The Long Way Round. The title of the latter references Tyne and Wear's Metro rapid transit system. There's a Latin lilt to the number and the reader familiar with the rail network's many stations could well imagine Edis the passenger daydreaming of somewhere like Belo Horizonte as he travelled through Benton or Byker! 

Lucky Eleven (this could be one about counting and time signatures) features Morgan's impeccable brush-on-snare work, Champion's sublime bass solo and, this really does need to be said, the final ringing note on the piano is testament not only to Edis the pianist playing a fine studio piano, but also to Adam Sinclair's peerless abilities engineering, mixing and mastering the album. 

Madeira is a bright, uplifting composition and, at 4 mins 16 seconds, the shortest track. A Moog-like intro comes as a surprise, as does a fade out, the latter a most unusual occurrence! The bit in between features more sparkling, uptempo playing by the trio. To close the album, Lies opens with a lazy, swingtime feel ahead of the trio effortlessly negotiating a series of boppish twist and turns, another exemplary solo from Champion and Morgan's concise fours before returning to the swing feel to take it out. 

Snakes and Ladders is a masterful work: three A-list musicians, familiar, varied, yet original compositions. The Paul Edis Trio performing the music from this album late night at Ronnie Scott's or the Village Vanguard, NYC would go down a storm. For further details and to download the album (cover art by Lynsey Gray) visit: www.pauledis.co.uk and check out Bandcamp.          
     
      
The Paul Edis Trio will be playing an album launch gig at Gosforth Civic Theatre in Newcastle on Saturday October 17. The concert is a sell out, however, there is the option to watch a live stream of the performance, see: www.gosforthcivictheatre.co.uk
Russell

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