Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tuesday, August 18, 2020

Album review: Maria Schneider Orchestra - Data Lords

Maria Schneider's new album is a majestic work spanning some ninety five minutes across two discs. The Artists Share funding platform made it possible to record Data Lords over four days in autumn 2019 and produce physical CD copies of the album. 

Schneider's A-list eighteen piece band is more than up to the mark in realising the composer's vision. The main theme is Schneider's concern with 'the great impact the data-hungry digital world has had on our lives'. 

The first disc, The Digital World, centres around Ben Monder's guitar. In addition to the electric guitar Schneider's sleeve notes pointedly refer to Greg Gisbert's 'trumpet with electronics' on CQ CQ, Is Anybody There? and again on the title track with fellow trumpeter Mike Rodriguez the soloist. Monder's playing on this densely textured album invites comparison with Hiram Bullock's contribution to Gil Evans' later work and John McLaughlin with electric-era Miles Davis.

The companion disc, Our Natural World, purposely shows greater restraint in the writing and in the performance of the six tracks. It is the same group of musicians yet Schneider successfully coaxes a collective lyricism from the ensemble. 

Schneider's stated intention is 'to get away from every device bombarding me with endless chatter, endless things - endless demands'. The distinctive sound of Gary Versace's accordion adds a different dimension and Donny McCaslin, known beyond the jazz world as a collaborator on David Bowie's final recording, makes a telling tenor sax contribution on the album's closing track, The Sun Waited for Me. 

All compositions are by Schneider. Data Lords (Artists Share, cat no. AS0176) is one of the albums of the year and is available exclusively at: www.mariaschneider.com.    
Russell
         
Maria Schneider Orchestra: Maria Schneider (composer, conductor); Steve Wilson (alto sax, soprano sax, clarinet, flute, alto flute); Dave Pietro (alto sax, clarinet, flute, alto flute, piccolo); Rich Perry (tenor sax); Donny McCaslin (tenor sax, flute); Scott Robinson (Bb, bass, contra-bass clarinets, baritone sax, muson); Tony Kadleck, Greg Gisbert, Nadje Noordhuis, Mike Rodriguez (trumpet, flugelhorn); Keith O'Quinn, Ryan Keberle, Marshall Gilkes (trombone); George Flynn (bass trombone); Gary Versace (accordion); Ben Monder (guitar); Frank Kimbrough (piano); Jay Anderson (bass guitar); Johnathan Blake (drums, percussion) 

1 comment :

Dave said...

Maria Schneider’s albums are all consistently good and consistently expensive. By my calculations buying the latest cd would cost about £40 delivered to the UK. On that basis, I won’t be buying it.
Dave

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