Bebop Spoken There

Christian McBride: ''We knew back in the day that Emmet [Cohen] had it.'' (DownBeat July, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18767 (and counting) posts since we started blogging 18 years ago. 631 of them this year alone and, so far this month (July 31) 95.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Sun 02: Jazz Weekend workshop @ The Globe, Newcastle. 9:30am. £95.00. Tutors: Nel Begley & Paul Edis: Enrol at: learning@jazz.coop. Day 2/2.
Sun 02: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 02: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Sue Ferris.
Sun 02: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 02: Milne Glendinning Band @ Leonard’s Coffee House, Durham. 6:20pm. £7.00. A Durham Fringe Festival event. 2/2.
Sun 02: Nel Begley & Paul Edis @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00.

Mon 03: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 03: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Tue 04: Jam session @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 05: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 05: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 05: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 06: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 06: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 06: Wild Women of Wylam @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 06: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Feat. guest Zoë Gilby.
Thu 06: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 06: Bridget Metcalfe Sextet @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 07: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 07: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 07: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 08: ???

Friday, August 07, 2020

Emma Smith's A Portrait of Ella @ Ronnie Scott's - August 6

Emma Smith (vocals); Jamie Safir (piano); Conor Chaplin (double bass); Luke Tomlinson (drums)

Live streaming of indoor performance continues apace pending further government announcements. It is possible indoor gigs will resume a week tomorrow (Saturday 15), we shall see. Ronnie Scott's live streams, as one would expect, have been of the highest quality, ranging from the house trio led by James Pearson to Ronnie's regulars Liane Carroll and Ian Shaw to last night's quartet, Emma Smith's Ella Fitzgerald revue.  


Emma Smith is a life-long fan of Ella - who isn't?! - and this live stream attracted hundreds of listeners/viewers from around the world. The band - Jamie Safir, piano (superb, swinging piano playing), Conor Chaplin, bass (great sound, in demand across the spectrum) and drummer Luke Tomlinson (young, supremely talented) - swung non-stop on a veritable treasure trove of GASbook gems. 

An Ella medley centred round A-Tisket, A-Tasket set the standard. Four young musicians, each of them possessing more than their fair share of chops,  this was great to see and hear. Ms Smith referred to Ella's live album recorded in 1974 on the very stage she was standing. Ella in London on the Pablo label (Ella, Joe Pass, Keter Betts and Bobby Durham, is, to this day, often on your reviewer's turntable) inspired Smith and, indeed, more than one selection from the album made this live stream set.

Smith's assured vocals were quite something, at times recalling Cleo Laine, Sarah Vaughan and the recently departed Annie Ross. Ev'ry Time We Say Goodbye, Ray Noble's The Very Thought of You (Jamie Safir noting he'd recently discovered the composer studied at the Royal College of Music just as he and Emma did, although Mr Noble's student days were back in the late 1920s!), Cheek to Cheek, a cuplet, Makin' Whoopie and a swinging original titled Monogamy Blues, this was a well-paced set with plenty of space for the boys to demonstrate their undoubted abilities as soloists. 

One Note Samba may well be rooted on one note but, good musicians as they are, the quartet did a lot with it! Safir and Tomlinson departed the stage as Smith sidled up to Conor (they're from the same household 'bubble') to put their stamp on Satin Doll. Smith and her band's interpretation of the Ella Songbook didn't take liberties (how dare they/anyone?!) yet their twenty first century lived experience brought something fresh to the tunes and all the better for it.

As the one hour plus live stream neared its end Emma did Ella proud with a breakneck take - à la Ella - on How High the Moon? Ella could sing, that's a statement of the bleedin' obvious, and on the evidence of this performance at Ronnie Scott's, Emma Smith is one of the finest singers of our times.      
Russell

1 comment :

Jen said...

Yes I agree with Russell that this was a superb show. Performances by all musicians was top notch but particularly Emma and Jamie. Also the sound and video was excellent - their technicians must be working with expensive technology! No problems whatsoever were apparent to the listener.

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