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Bebop Spoken There

Francis Tulip: ''Music speaks louder than words''. (Jazzwise, June 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17,550 (and counting) posts since we started blogging 17 years ago. 514 of them this year alone and, so far, 92 this month (June 28).

From This Moment On ...

JULY 202

Sat 12: Jazz Stage @ Mouth of the Tyne Festival. From 12 noon. Free. Vieux Carré Jazzmen (12 noon); Rendezvous Jazz (1:00pm); Mississippi Dreamboats (2:00pm); Classic Swing (3:00pm); Abbie Finn Trio (4:00pm). Stage adjacent to Tynemouth Priory.
Sat 12: Making Music Seminar: Latin American Music v. Music of Latin America @ The Glasshouse, Gateshead. 1:00pm. £15.00. (£5.00. online). Jason Holcomb, Alix Shepherd & Carlos Luis Rivera.
Sat 12: Edison Herbert Trio @ The Vault, Darlington 7:00pm. Free.
Sat 12: Jude Murphy & Dan Stanley @ Lovaine Community Garden, North Shields. 7:00pm (doors 6:40pm). £6.00. Limited places, booking essential (via the Community Garden website). BYOF&D.
Sat 12: Hot Club du Nord @ The Glasshouse, Gateshead. 8:00pm. Hall Two.
Sat 12: Sleep Suppressor @ Repas 7 by Night, Berwick. 8:00pm.
Sat 12: Anth Purdy @ Prohibition Bar, Newcastle.8:00pm. Free. ‘Swing Jazz Guitar’. A ‘Jar on the Bar’ gig.

Sun 13: Jazz Stage @ Mouth of the Tyne Festival. From 11:00am. Free. Trilogy of Four (11:00am); East Coast Jazzmen (12:10pm); Delta Prophets Trio (1:20pm); House of the Black Gardenia (2:30pm); Mouth of the Tyne All Stars (3:40pm). Stage adjacent to Tynemouth Priory.
Sun 13: Giles Strong Quartet @ The Sele, Hexham. 12 noon. Free. ‘The Bandstand Sessions’.
Sun 13: Julie Dexter @ The Cluny, Newcastle. 12:30pm (doors). £20.00. ‘The Cluny Matinee Jazz Club’.
Sun 13: ’58 Jazz Collective, Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 13: Tyne Valley Big Band @ Bishop Auckland Town Hall. 2:00pm. Tea Dance. SOLD OUT! A Durham Brass Festival event.
Sun 13: Ferg Kilsby @ Queen’s Hall, Hexham. 3:00pm. Kilsby (trumpet, flugelhorn); Luis Verde (alto sax); Ben Lawrence (piano); Andy Champion (double bass); John Hirst (drums).
Sun 13: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 13: Sloth Racket @ The Globe, Newcastle. 8:00pm. JNE.

Mon 14: Harmony Brass @ Cullercoats Crescent Club (1:00pm). Free.
Mon 14: Brass Bash @ Hardwick Park, Co. Durham. 6:00-8:00pm. Free. Various bands. A Durham Brass Festival event.
Mon 14: Brass Bash @ The Story, Mount Oswald, Co. Durham. 6:00-8:00pm. Free. Various bands. A Durham Brass Festival event.

Tue 15: Vieux Carré Hot 4 @ The Victoria & Albert Inn, Seaton Sluice. Tel: 0191 237 3697. 12:30pm. ‘July Jazz Barbecue’. Tickets: £15.00.
Tue 15: Brass Bash @ Hackworth Park, Shildon, Co. Durham. 6:00-9:00pm. Free. Various bands. A Durham Brass Festival event.
Tue 15: Brass Bash @ The Witham, Barnard Castle, Co. Durham. 6:00-8:00pm. Free. Various bands. A Durham Brass Festival event.
Tue 15: Julian Lage Trio @ 1856 Exchange, North Shields. 7:30pm . Lage (guitar); Jorge Roeder (double bass); Joey Barron (drums).
Tue 15: Jools Holland’s Rhythm & Blues Orchestra @ The Hippodrome, Darlington. 7:30pm.
Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. Stu Collingwood, Paul Grainger, Bailey Rudd.

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Brass Bash @ Willington Town Park, Co. Durham. 6:00-8:00pm. Free. Various bands. A Durham Brass Festival event.
Wed 16: Brass Bash @ Market Place, Spennymoor, Co. Durham. 6:00-8:00pm. Free. Various bands. A Durham Brass Festival event.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 17: Brass Bash @ Trimdon Community College, Co. Durham. 6:00-9:00pm. Free. Various bands. A Durham Brass Festival event.
Thu 17: Brass Bash @ Blackhill & Consett Park, Co. Durham. 6:00-8:00pm. Free. Various bands. A Durham Brass Festival event.
Thu 17: NONUNONU @ Elder Beer, Heaton, Newcastle. 7:00pm (doors). £11:55 (inc bf).

Fri 18: Greg Abate w. Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Brass Bash @ Town Park, Newton Aycliffe, Co. Durham. 6:00-9:00pm. Free. Various bands. A Durham Brass Festival event.
Fri 18: Brass Bash @ North Terrace, Seaham, Co. Durham. 6:00-9:00pm. Free. Various bands. A Durham Brass Festival event.
Fri 18: Zoë Gilby Quartet @ Sunderland Minster. 7:30pm.
Fri 18: Knats: Masterclass & jam session @ The Glasshouse, Gateshead. 7:30pm. £15.00.
Fri 18: Rat Pack - Live in Concert @ Tyne Theatre, Newcastle. 7:30pm.
Fri 18: Greg Abate w. Dean Stockdale Trio @ Traveller’s Rest, Darlington. 8:00pm. £15.00.
Fri 18: Front Porch Three @ Prohibition Bar, Newcastle. A Hoodoo Blues dance class & social. Social & Front Porch Three only from 8:30pm. £5.00.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, August 23, 2020

Charlie Parker – The Golden Era Bebop Five.


On May 7, 1949, Charlie Parker and his Quintet flew to France to take part in that year’s Paris International Jazz Festival together with a star-studded line-up of American jazz stars of the era including Sidney Bechet, Hot Lips Page, Miles Davis, Big Chief Russell Moore, Pete Johnson, and Tadd Dameron among others. On May 5, Bird and his group were in the studio taping tracks for Norman Granz’ Mercury label.

A musically successful session, but the results were never released in any logical format until decades later. As a result, the tracks have been overlooked by many reviewers, discographers and commentators down the years owing to the chaotic, error-strewn, piece-meal naming and releasing of the songs and by the incompetence of the various music organisations, mainly Granz, involved.


However, thanks to Phil Schaap (a Parker ‘authority’ who has spent his life researching all aspects of  Bird’s music in minute detail), all the material recorded on that day has been correctly released “warts-and-all” on Unheard Bird: Charlie Parker The Unissued Takes on Verve 00602547846587. The three tracks are now known as Tune X (Segment/Diverse) Tune Y (Blues) and Tune Z (Passport) and throughout, Charlie’s playing is amazing. He is confident, unbelievably imaginative, playful, daring and fully in control of the situation. One can tell that the whole group were also looking forward to this prestigious event in Paris.

Al Haig, in my opinion, Bird’s best accompanist – his comping was so musical, apposite and supportive that it would inspire the front line players. Max Roach, equally impressive, prompting, cajoling, guiding and thoughtfully kicking the whole session along.

Trumpeter Kenny Dorham’s playing was somewhat uneven, however, it must be remembered that he was a young man learning his trade in the shadows of Gillespie and Navarro in the crucible of the Parker Quintet and who, later in his career, became a fluent first-rate player with a lovely burnished tone.

Tommy Potter on bass was Bird’s ‘Mr Dependable’ providing accurate, bouncy, bebop bass-lines completing the ideal rhythm section. There is a photograph taken at the Salle Pleyel where Tommy is playing at the front of the group and Bird and Kenny are standing behind – it looks as though Bird wanted the bass lines to be picked up by the house sound system (there were no amps for the bass in those days).

From the numerous alternate takes provided by Phil Schaap it’s possible to hear Charlie trying out ideas, improving or discarding them. There are several examples of him using a favourite device where he begins his phrase a bar or two before the conventional sequence leaving the listener (and possibly the rhythm section) disconcerted – this was groundbreaking in 1949! He also gets himself into musical tight corners in his solos but always seems ‘to get away with it’ naturally. The aural fidelity of the session is surprisingly high for the time and Charlie’s own tone was captured fully ranging from gentle, warm, beguiling and sensuous to harsh, electrifying and demanding.

Bird, vous etes formidable, Bravo!
Dave B.                                                                   

1 comment :

Anonymous said...

Love 💕 The Bird!

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