Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, August 09, 2020

Adrian Cox Quartet Live - August 9

Adrian Cox (clarinet/vocal); Denny Ilett (guitar/vocal); Dave Newton (piano); Ferg Ireland (bass).

As Groucho Marx famously said, “Either this woman is dead or my watch has stopped!”
When it got to ten past three it occurred to me that maybe Adrian or I needed a new watch or one of us was dead!

By the time they eventually turned up I was elsewhere listening to Mainly Two who did get there at the time announced. But, as they are predominately a classical duo, it would seem, I guess, that jazz time is somewhat more flexible than classical time. Three o’clock? Nah the punters will still be in the bar…

About 3:18 the word was out that they were on air – BT the ones accused for the delay.

When I arrived, Cox was working out on Oh Lady be Good! and, I must admit he did the lady proud. Sugar Blues was a hit way back for Clyde McCoy who gave what was probably the most tasteless use of a trumpet mute ever. Cox didn’t need any gimmicks, instead, he chose to sing. I can almost certainly say that Adrian is probably the best clarinet playing singer I’ve heard. This puts him ahead of Benny Goodman in that classification. Wisely, to the best of my knowledge, Artie Shaw never chose to go down that road.

Lull at Dawn brought to mind, as intended, Barney Bigard.  You’re Nobody 'til Somebody Loves You had Denny Ilett deciding that he too wanted to sing before making way for Adrian and Dave Newton to come up with as a good a version of Stardust as I’ve heard since maybe now and possibly for many years to come.

China Boy and Poor Butterfly showed the gamut of Cox’ emotions. China Boy, which was close to breaking the sound barrier and Butterfly which broke through the tear barrier.

To finish, Jump For Joy, had me too jumping for joy – despite the delayed start. Still that’s jazz and the crazy world we’re living in.
Lance

PS: Some great (though not enough) piano from Newton and solid support from Ireland.

1 comment :

Russell said...

A real time, live gig! Clarinetist Adrian Cox just happens to know the people who run Gun Hill Studios in Sussex and they kindly offered the facility to Adrian's quartet to play a live YouTube set. A near fifteen minutes' delay thanks to internet connections going down in the local area didn't spoil matters, on the contrary it simply served to further whet the appetite.

Ten tunes in an hour and a quarter with each member of the band afforded solo space, Adrian Cox, at the age of 37, is at the top of his game as an engaging personality and a stupendous clarinetist. From the opening Tea for Two (as hot as you like) through to a joyous Jump for Joy, this afternoon set was as good as anything heard during lockdown. Aiding and abetting Cox were three of the very best around; multi award-winning Dave Newton at Gun Hill's Yamaha upright; swinging guitarist Denny Ilett (heard recently as accompanist to Rico Tomasso) and, from the coming generation, bassist Ferg Ireland.

Cox counted in Oh, Lady Be Good! and off they went at a ferocious tempo - tremendous! Ellington's A Lull at Dawn (a one time feature for Barney Bigard) took it down, Ilett kept it there singing You're Nobody 'til Somebody Loves You paving the way for Cox to play his favourite number - Stardust - as a duo with Newton. Marvellous.

Time to up the tempo, then some, on China Boy. Newton's stonking solo couldn't be bettered, or could it? Well, first Ilett, then Cox himself, did their level best to match the quartet's pianist. The virtual audience must have been applauding long and hard! As and when the 'new normal' makes way for 'old school normal' be sure to catch Cox in action, he's the business!

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