Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Sun 23: Tyne Valley Big Band @ Royal Quays Marina, North Shields. 2:00-4:00pm. Free.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free..
Sun 23: Blue Note Quintet @ Queen’s Hall, Hexham. 3:00pm. £12.00., £10.00..
Sun 23: Timmy Allan Quartet @ The Globe, Newcastle. 8:00pm.

Mon 24: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sunday, August 09, 2020

Adrian Cox Quartet Live - August 9

Adrian Cox (clarinet/vocal); Denny Ilett (guitar/vocal); Dave Newton (piano); Ferg Ireland (bass).

As Groucho Marx famously said, “Either this woman is dead or my watch has stopped!”
When it got to ten past three it occurred to me that maybe Adrian or I needed a new watch or one of us was dead!

By the time they eventually turned up I was elsewhere listening to Mainly Two who did get there at the time announced. But, as they are predominately a classical duo, it would seem, I guess, that jazz time is somewhat more flexible than classical time. Three o’clock? Nah the punters will still be in the bar…

About 3:18 the word was out that they were on air – BT the ones accused for the delay.

When I arrived, Cox was working out on Oh Lady be Good! and, I must admit he did the lady proud. Sugar Blues was a hit way back for Clyde McCoy who gave what was probably the most tasteless use of a trumpet mute ever. Cox didn’t need any gimmicks, instead, he chose to sing. I can almost certainly say that Adrian is probably the best clarinet playing singer I’ve heard. This puts him ahead of Benny Goodman in that classification. Wisely, to the best of my knowledge, Artie Shaw never chose to go down that road.

Lull at Dawn brought to mind, as intended, Barney Bigard.  You’re Nobody 'til Somebody Loves You had Denny Ilett deciding that he too wanted to sing before making way for Adrian and Dave Newton to come up with as a good a version of Stardust as I’ve heard since maybe now and possibly for many years to come.

China Boy and Poor Butterfly showed the gamut of Cox’ emotions. China Boy, which was close to breaking the sound barrier and Butterfly which broke through the tear barrier.

To finish, Jump For Joy, had me too jumping for joy – despite the delayed start. Still that’s jazz and the crazy world we’re living in.
Lance

PS: Some great (though not enough) piano from Newton and solid support from Ireland.

1 comment :

Russell said...

A real time, live gig! Clarinetist Adrian Cox just happens to know the people who run Gun Hill Studios in Sussex and they kindly offered the facility to Adrian's quartet to play a live YouTube set. A near fifteen minutes' delay thanks to internet connections going down in the local area didn't spoil matters, on the contrary it simply served to further whet the appetite.

Ten tunes in an hour and a quarter with each member of the band afforded solo space, Adrian Cox, at the age of 37, is at the top of his game as an engaging personality and a stupendous clarinetist. From the opening Tea for Two (as hot as you like) through to a joyous Jump for Joy, this afternoon set was as good as anything heard during lockdown. Aiding and abetting Cox were three of the very best around; multi award-winning Dave Newton at Gun Hill's Yamaha upright; swinging guitarist Denny Ilett (heard recently as accompanist to Rico Tomasso) and, from the coming generation, bassist Ferg Ireland.

Cox counted in Oh, Lady Be Good! and off they went at a ferocious tempo - tremendous! Ellington's A Lull at Dawn (a one time feature for Barney Bigard) took it down, Ilett kept it there singing You're Nobody 'til Somebody Loves You paving the way for Cox to play his favourite number - Stardust - as a duo with Newton. Marvellous.

Time to up the tempo, then some, on China Boy. Newton's stonking solo couldn't be bettered, or could it? Well, first Ilett, then Cox himself, did their level best to match the quartet's pianist. The virtual audience must have been applauding long and hard! As and when the 'new normal' makes way for 'old school normal' be sure to catch Cox in action, he's the business!

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