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Bebop Spoken There

Tineke Postma: “ I had a huge crush on him [Sting] when I was a teenager ". Jazzwise, June 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16476 (and counting) posts since we started blogging 16 years ago. 356 of them this year alone and, so far, 68 this month (May 24).

From This Moment On ...

May

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Baghdaddies @ Spanish City Plaza, Whitley Bay. 3:00pm. Whitley Bay Carnival (outdoor stage).
Sat 25: Northern Monkey Brass Band @ Spanish City Plaza, Whitley Bay. 4:30pm. Whitley Bay Carnival (outdoor stage).
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Bellavana @ Spanish City Plaza, Whitley Bay. 11:00am. Whitley Bay Carnival (outdoor stage).
Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: Bold Big Band @ The Black Swan, Newcastle. 8:00pm.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Jazz Night @ The Tannery, Hexham. 7:00-9:00pm. Free. The first night of a new jam session!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 30: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 30: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests Josh Bentham (sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass);

Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Fri 31: Borealis @ The Witham, Barnard Castle. 7:30pm.
Fri 31: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Saturday, August 15, 2020

Album review: The Dime Notes - Daylight Savin'

Andrew Oliver (piano); David Horniblow (clarinet); Dave Kelbie (guitar); Louis Thomas (bass).

The name that sprung to my mind after the opening bars was Good Time Jazz. The label based on the West Coast that operated from 1949 - 1969 and featured Dixie bands such as The Firehouse Five + Two, Turk Murphy, Bob Scobey and other American revivalists. Bands who, if nothing else, made a fair fist of recapturing the feel of New Orleans better the European bands who were, despite the inconvenience of the Atlantic Ocean, working the same side of the street.

And so they should, Frisco and L.A are closer to New Orleans than say, London, Bristol or even Newcastle. 

That was then. This is now and, whilst America may still hold the crown at the very highest level, there are plenty snapping at their heels and, in the more historic idioms such as this fine album, the contenders are way past the heels and heading for the jugular!

Good Time Jazz indeed and, just as the aforementioned revivalists took their inspiration from Louis Armstrong, King Oliver and Jelly Roll Morton so do The Dime Notes with Jelly Roll being their prime influence. Not surprising as Oliver has assimilated Jelly Roll in everything but the braggadocio and the gold teeth. In Horniblow he has a running mate with the feel of Jimmy Noone and the technique of Barney Bigard - in traditional circles that is a lethal combination. With Kelbie and Thomas rounding off the quartet the result is both tight and yet loose at the same time. 

If that seems to be a contradiction in terms so be it. The Dime Notes are tight like that when they want it to be like that and yet there's a sense of freedom in that they know that whatever happens they have a safety net in each other.

You don't have to be a purist to enjoy this foot-tapping album. As Oliver points out in his notes, Morton's Fickle Fay Creep foreshadowed the extended one chord vamp innovation of Miles and Gil in the 1950s.

Other Morton tunes on the album are Grandpa's Spells, Pep and Why? (The sleeve omits the question mark although Cusack's JRM discography includes it). The Chant was composed by Mel Stitzel but will forever be remembered by the version recorded by the Red Hot Peppers in 1926 - chances are this version will too achieve immortality.

El Rado Scuffle (Jimmy Noone); Daylight Savin' Blues (Perry Bradford); The Dream (Jesse Pickett); Worried & Lonesome Blues (James P. Johnson); Jubilee Stomp (Ellington); San (McPhail & Michels) and Ten Cent Rhythm (an Andrew Oliver original) complete a most enjoyable album.
Lance
PS: Special mention for Kelbie's solo on Grandpa's Spells and Loui Thomas' bass playing throughout.

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