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Bebop Spoken There

Victor Wooten: "People don't expect to have bass players get together and sound like music and not just like a bunch of elephants" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14226 (and counting) posts since we started blogging 14 years ago. 445 of them this year alone and, so far, 45 this month (May 13).

From This Moment On ...

May.

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 18: Four @ The Exchange, North Shields. 7:00pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 19: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 19: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 19: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Thu 19: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 19: 58 Jazz Collective @ Dorman’s Club, Middlesbrough. 9:00pm. TBC.

Fri 20: Andrea Vicari Trio @ Lit & Phil, Newcastle. 1:00pm. Vicari (piano), Andy Champion (double bass), Abbie Finn (drums).
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 20: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 20: Swing Bridge @ Garden House Coffee, Hallgate, Hexham. 4:05pm.
Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Fri 20: Customs House Big Band w Ruth Lambert @ Exchange, North Shields. 7:30pm.
Fri 20: Andrea Vicari Trio @ Traveller’s Rest, Darlington. 8:00pm. £12.00. Opus 4 Jazz Club. Vicari (piano), Andy Champion (double bass), Abbie Finn (drums).

Sat 21: Vieux Carré Hot 4 @ Market Place, Darlington. 11:00am - 3:00pm. All star line-up!
Sat 21: Elkie Brooks @ Whitley Bay Playhouse. 7:30pm.
Sat 21: Jools Holland’s R & B Orchestra @ The Hippodrome, Darlington. 7:30pm.
Sat 21: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm.

Sun 22 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 22: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 22: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 22: Abstract Orchestra plays J Dilla @ Wylam Brewery, Newcastle. 7:30pm.
Sun 22: Panharmonia @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 23: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 25: Four @ The Exchange, North Shields. 7:00pm.
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Saturday, August 15, 2020

Album review: The Dime Notes - Daylight Savin'

Andrew Oliver (piano); David Horniblow (clarinet); Dave Kelbie (guitar); Louis Thomas (bass).

The name that sprung to my mind after the opening bars was Good Time Jazz. The label based on the West Coast that operated from 1949 - 1969 and featured Dixie bands such as The Firehouse Five + Two, Turk Murphy, Bob Scobey and other American revivalists. Bands who, if nothing else, made a fair fist of recapturing the feel of New Orleans better the European bands who were, despite the inconvenience of the Atlantic Ocean, working the same side of the street.

And so they should, Frisco and L.A are closer to New Orleans than say, London, Bristol or even Newcastle. 

That was then. This is now and, whilst America may still hold the crown at the very highest level, there are plenty snapping at their heels and, in the more historic idioms such as this fine album, the contenders are way past the heels and heading for the jugular!

Good Time Jazz indeed and, just as the aforementioned revivalists took their inspiration from Louis Armstrong, King Oliver and Jelly Roll Morton so do The Dime Notes with Jelly Roll being their prime influence. Not surprising as Oliver has assimilated Jelly Roll in everything but the braggadocio and the gold teeth. In Horniblow he has a running mate with the feel of Jimmy Noone and the technique of Barney Bigard - in traditional circles that is a lethal combination. With Kelbie and Thomas rounding off the quartet the result is both tight and yet loose at the same time. 

If that seems to be a contradiction in terms so be it. The Dime Notes are tight like that when they want it to be like that and yet there's a sense of freedom in that they know that whatever happens they have a safety net in each other.

You don't have to be a purist to enjoy this foot-tapping album. As Oliver points out in his notes, Morton's Fickle Fay Creep foreshadowed the extended one chord vamp innovation of Miles and Gil in the 1950s.

Other Morton tunes on the album are Grandpa's Spells, Pep and Why? (The sleeve omits the question mark although Cusack's JRM discography includes it). The Chant was composed by Mel Stitzel but will forever be remembered by the version recorded by the Red Hot Peppers in 1926 - chances are this version will too achieve immortality.

El Rado Scuffle (Jimmy Noone); Daylight Savin' Blues (Perry Bradford); The Dream (Jesse Pickett); Worried & Lonesome Blues (James P. Johnson); Jubilee Stomp (Ellington); San (McPhail & Michels) and Ten Cent Rhythm (an Andrew Oliver original) complete a most enjoyable album.
Lance
PS: Special mention for Kelbie's solo on Grandpa's Spells and Loui Thomas' bass playing throughout.

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