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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17719 (and counting) posts since we started blogging 17 years ago. 39 of them this year alone and, so far, 39 this month (Jan. 15).

From This Moment On ...

January 2025

Sun 19: Glenn Miller Orchestra UK @ Glasshouse, Gateshead. 3:00pm. ‘Glenn Miller & the Rat Pack Era’.
Sun 19: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 19: Spilt Milk @ St James’ STACK, Newcastle. 5:15-7:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 19: Tenement Jazz Band @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 19: Nick Ross Orchestra @ Queen’s Hall, Hexham. 7:30pm.
Sun 19: Freight Train (Tobin/Noble/Clarvis) @ The Globe, Newcastle. 8:00pm.
Sun 19: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 20: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 21: ???

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free. Fortnightly.
Thu 23: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Obituaries 2024.
Thu 23: Jason Isaacs @ St James’ STACK, Newcastle. 4:30-6:30pm. Free. Vocalist Isaacs working with backing tapes.
Thu 23: Pedal Point Trio @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 24: Zoë Gilby Quartet @ The Gala, Durham. 1:00pm.
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Creakin’ Bones & the Sunday Dinners @ Lindisfarne Social Club, Wallsend. 9:00pm. Admission: TBC. Jazz, blues , jump jive, rock ‘n’ roll.

Sat 25: Boys of Brass @ St James’ STACK, Newcastle. 3:30-5:30pm. Free.
Sat 25: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 25: Jack & Jay’s Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, August 18, 2020

Charlie Parker Centennial approaches

The day approaches - only eleven more days until we celebrate the Charlie Parker centennial. August 29 is the date and, although we have to wait a week longer (Sept. 6) for the online celebration by the Jazz Coop at the Globe with Jordan Alfonso and the Alan Law Trio to play their own tribute we, at BSH, as befits the blog name, intend to ensure that the name of Charlie Parker is at the forefront.

To enable us to commemorate the flawed genius we'd appreciate your thoughts be it favourite albums, tunes, solos whatever. It will be difficult, I know. In his short life he produced so much wonderful music that it is difficult to discard anything.

Is there anyone still alive - apart from Sheila Jordan and Roy Haynes - who actually played with Bird?

Here are a couple of my favourites.
Just Friends. "With Strings", in the late 1940s/early1950s was usually guaranteed to be the kiss of death by the jazz critics of the time. Strings? Bring back Paul Whiteman all is forgiven! Fortunately, there were such as Norman Granz who recorded the album and Leonard Feather who included it in his list of all-time favourites in the 1953 Metronome yearbook. 

Listen to Parker's devastating alto intro to the tune and the subsequent exposition. This is the greatest since Louis' West End Blues!

Earlier, before Granz took Bird "under his wing", the alto saxist was out in California recording with Howard McGhee, Wardell Gray, Barney Kessel. Dodo Marmarosa, Red Callender and Don Lamond. It wasn't a happy trip - and I use the word intentionally - but Stupendous was just that!

Let's have your posts, comments etc.,, 
Lance

2 comments :

Russell said...

Sonny Rollins is another living link with Parker.

Steve T said...

Finally got everything together for the big day/ week/ month. Early on I decided Massey Hall (complete) would go in the car, though I haven't yet checked what journeys I'm likely to make that day.
I've still got the Dial Masters double CD but comparable sets on Savoy and Verve seem to have moved on, though I played the Verve Jazz Masters on Verve 15 yesterday as a warmup. I bought some cheap ones a couple of years back, including that and Early Bird by the Jay McShann Orchestra featuring Charlie Parker. There may have been others but I can't find any. Nor have I found Blue Bird which is all Bird and Miles, but I've played it quite recently anyway. If all else fails, Francis has a ten disc boxset with absolutely no accompanying information, though I think it only cost as many quids.
One of the first (non jazz funk) jazz albums I ever bought was by Bird, but it was just the one in the record shop in the early eighties. It took me years to realise it wasn't just people trying to play as many notes as quickly as possible. I got the Duke before I got Bird, though Satchmo took even longer, presumably because it's even older.

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