Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tuesday, August 18, 2020

Charlie Parker Centennial approaches

The day approaches - only eleven more days until we celebrate the Charlie Parker centennial. August 29 is the date and, although we have to wait a week longer (Sept. 6) for the online celebration by the Jazz Coop at the Globe with Jordan Alfonso and the Alan Law Trio to play their own tribute we, at BSH, as befits the blog name, intend to ensure that the name of Charlie Parker is at the forefront.

To enable us to commemorate the flawed genius we'd appreciate your thoughts be it favourite albums, tunes, solos whatever. It will be difficult, I know. In his short life he produced so much wonderful music that it is difficult to discard anything.

Is there anyone still alive - apart from Sheila Jordan and Roy Haynes - who actually played with Bird?

Here are a couple of my favourites.
Just Friends. "With Strings", in the late 1940s/early1950s was usually guaranteed to be the kiss of death by the jazz critics of the time. Strings? Bring back Paul Whiteman all is forgiven! Fortunately, there were such as Norman Granz who recorded the album and Leonard Feather who included it in his list of all-time favourites in the 1953 Metronome yearbook. 

Listen to Parker's devastating alto intro to the tune and the subsequent exposition. This is the greatest since Louis' West End Blues!

Earlier, before Granz took Bird "under his wing", the alto saxist was out in California recording with Howard McGhee, Wardell Gray, Barney Kessel. Dodo Marmarosa, Red Callender and Don Lamond. It wasn't a happy trip - and I use the word intentionally - but Stupendous was just that!

Let's have your posts, comments etc.,, 
Lance

2 comments :

Russell said...

Sonny Rollins is another living link with Parker.

Steve T said...

Finally got everything together for the big day/ week/ month. Early on I decided Massey Hall (complete) would go in the car, though I haven't yet checked what journeys I'm likely to make that day.
I've still got the Dial Masters double CD but comparable sets on Savoy and Verve seem to have moved on, though I played the Verve Jazz Masters on Verve 15 yesterday as a warmup. I bought some cheap ones a couple of years back, including that and Early Bird by the Jay McShann Orchestra featuring Charlie Parker. There may have been others but I can't find any. Nor have I found Blue Bird which is all Bird and Miles, but I've played it quite recently anyway. If all else fails, Francis has a ten disc boxset with absolutely no accompanying information, though I think it only cost as many quids.
One of the first (non jazz funk) jazz albums I ever bought was by Bird, but it was just the one in the record shop in the early eighties. It took me years to realise it wasn't just people trying to play as many notes as quickly as possible. I got the Duke before I got Bird, though Satchmo took even longer, presumably because it's even older.

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