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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17719 (and counting) posts since we started blogging 17 years ago. 39 of them this year alone and, so far, 39 this month (Jan. 15).

From This Moment On ...

January 2025

Sun 19: Glenn Miller Orchestra UK @ Glasshouse, Gateshead. 3:00pm. ‘Glenn Miller & the Rat Pack Era’.
Sun 19: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 19: Spilt Milk @ St James’ STACK, Newcastle. 5:15-7:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 19: Tenement Jazz Band @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 19: Nick Ross Orchestra @ Queen’s Hall, Hexham. 7:30pm.
Sun 19: Freight Train (Tobin/Noble/Clarvis) @ The Globe, Newcastle. 8:00pm.
Sun 19: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 20: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 21: ???

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free. Fortnightly.
Thu 23: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Obituaries 2024.
Thu 23: Jason Isaacs @ St James’ STACK, Newcastle. 4:30-6:30pm. Free. Vocalist Isaacs working with backing tapes.
Thu 23: Pedal Point Trio @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 24: Zoë Gilby Quartet @ The Gala, Durham. 1:00pm.
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Creakin’ Bones & the Sunday Dinners @ Lindisfarne Social Club, Wallsend. 9:00pm. Admission: TBC. Jazz, blues , jump jive, rock ‘n’ roll.

Sat 25: Boys of Brass @ St James’ STACK, Newcastle. 3:30-5:30pm. Free.
Sat 25: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 25: Jack & Jay’s Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, August 19, 2020

Album Review: Ashley Locheed & Chris Rottmayer – So in Love


Ashley Locheed (voice); Chris Rottmayer (piano); Chuck Archard (electric bass) Keith Wilson (drums)

(Recorded in 2011, So in Love is dedicated to the band's drummer Keith Wilson who died in 2014 aged 55.)

Ashley Locheed, vocalist and bandleader, performs internationally with her quartet, tours regularly with Michael Bolton and has worked with Engelbert Humperdinck as well as playing with artists such as Richard Drexler and Allan Vaché.

Chris Rottmayer, a pianist for Walt Disney World since 1999, is at present a jazz piano instructor at the University of South Florida. 


These two lead on this very fine, stylish, more-than-competent, album, which gives us mostly standards including two different renditions of So in Love, but also provides variety in the form of The Windmills of Your Mind; Paul Simon's Something So Right and La Vie En Rose.

The opening So in Love is intimately sung over a Latin beat with a strong rhythmic bass, in contrast to the same song on the final track, a swing version with a fuller sound and a lighter bass. Both acceptable but I preferred it swinging. Agua De Beber has pleasing lyrics which I hadn't noticed before, maybe because it's often sung in the original language. 'Round Midnight, feelingly sung, getting across the tension of being unsure in love. It helped that I was listening at around midnight (we never sleep at BSH).

I Love Paris ended with a quick chorus of C'est Ci Bon, a neat touch. The cleverly arranged Summer Wind, with effective images of cymbals sounding like the wind and the piano flowing like wind. The Windmills of Your Mind, sung as a slow ballad making it all the better to enjoy the imagery of the lyrics and Piaf’s La Vie En Rose over an effectively steady drumbeat rounded off an excellent choice of tunes.

I did have one reservation... I've come to the conclusion that the electric bass is not nearly as good for jazz of this nature as the lovely big wooden double bass. The former is more suited to the contemporary side of jazz and, on this album, I found it a bit too loud and insistent on some of the tracks.

The album is available from September 4 on the Timucua Arts Foundation label. See www.chrisrottmayer.com
Ann Alex

So in Love; Agua De Beber; 'Round Midnight; Day in Day Out; I Love Paris; Something So Right (Paul Simon); Summer Wind; Sailing; The Windmills of Your Mind (Michel Legrand); La Vie En Rose; So in Love (take two).

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