Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, August 22, 2020

Lindsay Hannon sings the blues @ Prohibition Bar - August 21

Lindsay Hannon (vocals, ukulele, shakers)

Chaplin had the run of the place. First in, dodging the track and trace formalities at the door, Lindsay Hannon's canine companion staked out his territiory. Later he would be joined by his four-legged friend Elvin and his well-behaved master (a drummer of renown on his adoptive Tyneside). Proprietor Mitch had thought it through, unobtrusive Covid-secure measures were in place, this was as relaxed an environment as one could expect given the on-going pandemic.

Shown to a stage-side table by the ever-obliging Mitch, the beer of choice just had to be Prohibition Bar's Prohibition 33 Pale Ale (Allendale Brewery, 4%) brewed to commemorate and  celebrate the end of America's National Prohibition Act on Dec 5, 1933. Cheers! As Lindsay took to an adapted, Covid-secure, stage (a perspex screen separating performer from audience) the audience was shocked, yes, shocked, to learn our blues mama was drinking Diet Coke!  

No introduction, straight in, Lindsay was singin' the blues. Standing behind the screen, was she in the dock? In the pen? Oh, what had she done to deserve this?! In these stange, Covid-secure times, the idea was for the musician to perform at  'background' level volume and we, the audience, were to applaud quietly, politely. At the conclusion of the first number a collective amnesia set in as cheers, hollers and whistles reverberated around the room. Oops! Sorry guv'nor, we simply forgot ourselves! 

Vera Hall, Ozella Jones, names flagged-up during Lindsay's series of superb online, lockdown performances, were in the house, in spirit, of course. What had these women done to be treated so bad? Lindsay sang their song, telling it like it was/is. I'd Rather Go BlindJohn Henry (he of the hammer), Gallows Pole (traditional, from Leadbelly to Led Zeppelin) with audience participation, Lindsay interpreting Don't Explain, this is what we'd been missing, live performance, the connection between performer and audience.

Here we were in a Newcastle juke joint just off the mainline, listening to the story tellers - Bessie Jones, Tom Waits, Lindsay Hannon - digging deep, turning stones, revealing the oft hidden worlds of many across the US of A, across the globe and right here in our own backyard. Time for another bottle of the 33.     
Russell

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