Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Monday, August 24, 2020

Live stream @ Ronnie Scott's - Polly Gibbons w. James Pearson Trio - August 24

Polly Gibbons (vocal); James Pearson (piano); Tom Mason (bass); Saleem Ramon (drums).

Remembering Polly's knockout gig with SSBB at Hoochie back in 2018, I looked forward to her live stream at Ronnie's. I checked in at Facebook - briefly - before, along with other disgruntled punters, we made our way to the warm, inviting arms of YouTube.

Polly was on stage, exquisitely gowned and trainered, singing Don't Be on the Outside. I remembered this as a bonus track from her album Is It Me? - It was her alright and, once I'd wiped the traces of F/b off my shoes I settled back to enjoy a splendid session. I sighed when the camera angled to shoot from James Pearson's left hand. In the distance you could see the very bar stool where I'd sat so many times - I wanted to be sitting there tonight.


The songs rolled so beautifully off her tongue and from the fingers of the boys.

Your Love is Enough For me; Say, Will You Be Mine?; Oh What a Beautiful Morning; Comes Love - this was a killer! voice and bass intro, clever update to lyric: 

Comes a Covid you can quarantine a room, Comes a mousie you can hit it with a broom: Comes love etc. Some fab piano from Pearson - tell me what's new?

A little funky number was how Polly described A Little Funky Number which was an apt description. Saleem took a drum solo that threatened to last forever as drum solos often, and sometimes do. Half of the audience (when there is an audience) gasp in awe and the other half go to the bar.  Despite my decision to open a virtual can, I think it was maybe 60-40 pro Saleem.

Then came the clinchers - the extra time goals that move your team into Europe.

Prince's Nothing Can Compare to You was good, I Want a Little Sugar in my Bowl even sweeter and Anything Goes simply fantastic. This was the ball that hits the back of the net from 40 yards out!

Oh yes, and just to clinch matters,  a groove on Swanee River made sure the world wasn't sad and weary - at least the old folks at home in this house weren't!
Lance

1 comment :

Russell said...

Agreed - Comes Love was tremendous with Pearson's piano playing a match for anyone.

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