Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18602 (and counting) posts since we started blogging 18 years ago. 466 of them this year alone and, so far this month (June 8) 17

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Sat 13: Ladies of Midnight Blue + Northern Monkey Brass Band @ Northumberland Miners’ Picnic, Woodhorn Museum, Ashington NE63 9YF. Free. From 10:00am. Ladies of Midnight Blue (3:00-3:45pm); Northern Monkey Brass Band (4:00-4:45pm).
Sat 13: Sarah Spencer’s Transatlantic Jazz Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 13: Tees Bay Swing Band @ Saltburn Bandstand. 2:30-4:30pm. Free.
Sat 13: Courtney Pine @ The Glasshouse, Gateshead. 8:00pm. £35.80. Pine (saxophones); Robert Mitchell (piano); Rio Kai (double bass); Romarna Campbell (drums). ‘A Modern-Day Jazz Story 1986 - 2026’.

Sun 14: Front Porch Band: Swing Tyne’s Swing Social @ The Cluny, Newcastle. 12 noon (doors). Donations (£5.00. - £10.00. suggested). Swing dance event w. taster class (12:30pm).
Sun 14: 58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00-3:00pm. Free.
Sun 14: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 14: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 14: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 14: Doctor Jazz @ The Old Church, Sacriston, Durham. 3:00-5:00pm . Free (donations welcome). New Orleans, blues & classic 20th century songs. Food & soft drinks available, BYOB.
Sun 14: Eddie Gripper Trio @ The Globe, Newcastle. 8:00pm. Gripper (piano); Clem Saynor (double bass); Patrick Barrett-Donlon (drums). Americana album tour.

Mon 15: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 15: Dan Johnson w. Dean Stockdale Trio @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 16: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 16: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Stu Collingwood, Paul Grainger, Abbie Finn.

Wed 17: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 17: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 17: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 18: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 18: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 18: Lindsay Hannon: Tom Waits for No Man @ Harbour View, Roker, Sunderland. 8:00pm. Free.
Thu 18: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 19: Joe Steels Group @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Ferg’s Imaginary Big Band @ Cobalt Studios, Newcastle. 7:00pm. £14.33., £11.16., £8.00.
Fri 19: Martin Litton @ Sunderland Minster. 7:30pm. £13.01 (inc. bf); £6.50 (inc. bf); £15.00 on the door. Solo piano. CANCELLED!
Fri 19: Jools Holland’s R&B Orchestra @ Hippodrome, Darlington. 7:30pm. Joe Webb support set.
Fri 19: Hot Club du Nord @ Warkworth Memorial Hall. 7:30pm.
Fri 19: Jive Aces: The Roots of Rock & Roll @ The Cluny, Newcastle. 7:30pm (doors). £20.00 + bf.

Monday, August 10, 2020

Pianist releases a feel-good parcel

(Press release)

An eighteenth-century protest song is the inspiration behind Scottish pianist Dave Milligan’s catchy and deeply grooving download single, Parcel of Rogues, which is released today, Monday 10th August.

Such a Parcel of Rogues in a Nation is a poem attributed to Robert Burns in 1791 to decry the members of the Parliament of Scotland who signed the 1707 Act of Union with England. In the 1960s and 1970s it was taken up by political singers including Ewan MacColl and Dick Gaughan and the folk groups The Dubliners and Steeleye Span. More recently it has come to be regarded as an international anthem.

“The melody has stayed with me since I first played it with The Unusual Suspects many years ago,” says Milligan. “It’s a powerful tune, with a kind of anthemic quality. When I was given the opportunity to record with two outstanding Italian musicians, the bassist Danilo Gallo and drummer U.T. Gandhi in Italy, I wanted to try some Scottish themes with them to see how they would respond.”  

The versatile Milligan, whose recent work has encompassed jazz, folk music and theatre, explored Parcel of Rogues with the Italians - along with a handful of other traditional melodies, including the late Hamish Henderson’s Freedom Come All Ye. “I thought those two songs worked particularly well - I had to include them in the new album, Momento,” he said. Radio producers and presenters who were sent early copies have almost unanimously selected Parcel of Rogues as the featured track.

The phrase ‘parcel of rogues’ has been used in relation to the current political situations in the UK and the US and even recently in Lebanon, and Milligan is aware of its potency.  

“It didn’t really occur to me that broadcasters might be drawn to Parcel of Rogues for non-musical reasons - some might not even be aware of the political connection,” says Milligan.

His recording doesn’t reveal the words but the narrative of the song depicts a sense of indignation at the abuse of power which led to a massive socio-political shift. “That was well over 200 years ago and people still feel it, probably more than ever,” he says. “Just look around at some of the political establishments today - the word ‘rogues’ doesn’t quite cover it.” 

Milligan has no problem with whatever associations people attribute to the track. “You make your own connection with art,” he says. “I set out to make music and that’s what this is about for me; the strength of the melody, the groove that Danilo and Gandhi created, and how good instrumental music can make people feel.”

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