Bebop Spoken There

Dominick "Domo" Branch: ''Most people say drummers can't write, they're just time-keepers only beating on things. But I have a very musical brain.'' (DownBeat February, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18288 (and counting) posts since we started blogging 18 years ago. 142 of them this year alone and, so far this month (Feb. 14), 42

From This Moment On ...

February

Fri 20: Alex Clarke w. Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT! Clarke w. Dean Stockdale, Mick Shoulder, Abbie Finn.
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Squabble @ Warkworth Memorial Hall. 7:00pm. Steve Chambers (organ); Jude Murphy (double bass, vocals); Sid White (drums).
Fri 20: Jive Aces @ Queen’s Hall, Hexham. 7:00pm (6:30pm doors).
Fri 20: Alex Clarke w. Dean Stockdale Trio @ Sunderland Minster. 7:30pm. Clarke w. Dean Stockdale, Mick Shoulder, Abbie Finn.

Sat 21: ???

Sun 22: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 22: Joe Steels Group @ Queen’s Hall, Hexham. 3:00pm. A Blue Patch album tour.
Sun 22: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Harben Kay Quartet @ The Globe, Newcastle. 8:00pm.

Mon 23: Joe Steels Group @ Yamaha Music School, Blyth. 1:00pm. A Blue Patch album tour.
Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 24: Finn-Keeble Group @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00.
Tue 24: Liam Oliver & Shayo Oshodi @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 25: Geordie Jazz Jam @ Pilgrim, Newcastle. 7:30pm. Free. Newcastle University jam session. All welcome.
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 26: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £6.50.
Thu 26: Shalala @ The Globe, Newcastle. 8:00pm. £7.00 adv.
Thu 26: Mick Cantwell Band @ The Harbour View, Roker, Sunderland. 8:00pm. Blues.

Fri 27: Joe Steels Group @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT! A Blue Patch album tour.
Fri 27: Alan Barnes w. Mick Shoulder Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Trio: Rick Laughlin (piano); Mick Shoulder (double bass); Tim Johnston (drums).
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 27: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 27: Radio Hito + Eddie Prévost, Silvain Schmid & Tom Wheatley @ Cobalt Studios, Newcastle. 7:00pm (doors). £12.22., £10.10., £8.00.
Fri 27: Giacomo Smith w Strictly Smokin’ Big Band @ The Glasshouse, Gateshead. 8:00pm.
Fri 27: Alan Barnes w. Mick Shoulder Trio @ The Traveller’s Rest, Darlington. 8:00pm. £15.00. Trio: Rick Laughlin (piano); Mick Shoulder (double bass); Tim Johnston (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, August 10, 2020

Pianist releases a feel-good parcel

(Press release)

An eighteenth-century protest song is the inspiration behind Scottish pianist Dave Milligan’s catchy and deeply grooving download single, Parcel of Rogues, which is released today, Monday 10th August.

Such a Parcel of Rogues in a Nation is a poem attributed to Robert Burns in 1791 to decry the members of the Parliament of Scotland who signed the 1707 Act of Union with England. In the 1960s and 1970s it was taken up by political singers including Ewan MacColl and Dick Gaughan and the folk groups The Dubliners and Steeleye Span. More recently it has come to be regarded as an international anthem.

“The melody has stayed with me since I first played it with The Unusual Suspects many years ago,” says Milligan. “It’s a powerful tune, with a kind of anthemic quality. When I was given the opportunity to record with two outstanding Italian musicians, the bassist Danilo Gallo and drummer U.T. Gandhi in Italy, I wanted to try some Scottish themes with them to see how they would respond.”  

The versatile Milligan, whose recent work has encompassed jazz, folk music and theatre, explored Parcel of Rogues with the Italians - along with a handful of other traditional melodies, including the late Hamish Henderson’s Freedom Come All Ye. “I thought those two songs worked particularly well - I had to include them in the new album, Momento,” he said. Radio producers and presenters who were sent early copies have almost unanimously selected Parcel of Rogues as the featured track.

The phrase ‘parcel of rogues’ has been used in relation to the current political situations in the UK and the US and even recently in Lebanon, and Milligan is aware of its potency.  

“It didn’t really occur to me that broadcasters might be drawn to Parcel of Rogues for non-musical reasons - some might not even be aware of the political connection,” says Milligan.

His recording doesn’t reveal the words but the narrative of the song depicts a sense of indignation at the abuse of power which led to a massive socio-political shift. “That was well over 200 years ago and people still feel it, probably more than ever,” he says. “Just look around at some of the political establishments today - the word ‘rogues’ doesn’t quite cover it.” 

Milligan has no problem with whatever associations people attribute to the track. “You make your own connection with art,” he says. “I set out to make music and that’s what this is about for me; the strength of the melody, the groove that Danilo and Gandhi created, and how good instrumental music can make people feel.”

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