Bebop Spoken There

Art Blakey (to Terence Blanchard): ''You ain't Miles find your own shit to do!'' (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18504 (and counting) posts since we started blogging 18 years ago. 368 of them this year alone and, so far this month (May 7 ) 22

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

May

Wed 13: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 13: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 13: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 13: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 13: Hey Remember This @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 14: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Philip Larkin’s Jazz Experiment.
Thu 14: Jerron Paxton @ Gosforth Civic Theatre, Newcastle. 7:30pm (doors). Superb country blues.
Thu 14: Solcade @ the Bridge Hotel, Newcastle. 7:00pm. EP launch. Rivkala & co..
Thu 14: Jacob Egglestone @ The Black Swan, Newcastle. 7:30pm. Free. Egglestone (guitar); Jamie Watkins (bass); Jack Littlewood (drums) & guests.
Thu 14: 58 Jazz Collective @ The Blacksmith’s Arms, Hartlepool. 8:00pm. Free.
Thu 14: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 15: Conor Emery Quartet @ The Lit & Phil, Newcastle. 1:00pm. Line-up Emery (trombone); Alix Shepherd (piano); John Pope (double bass); Abbie Finn (drums). SOLD OUT!
Fri 15: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 15: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 15: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 15: Gerry Richardson Quartet @ Sunderland Minster. 7:30pm. £13.01 adv., £15.00 on the door. Old Black Cat Jazz Club.
Fri 15: Puppini Sisters @ The Glasshouse, Gateshead. 8:00pm. CANCELLED!

Sat 16: Sing Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Alexia Gardner. God Bless the Child - Lady Day!. Enrol at: learning@jazz.coop.
Sat 16: Kaberry Big Band @ the Seahorse Pub, Hillheads Rd., Whitley Bay NE23 8HR. From 7:30pm. £15.00
Sat 16: Lady Nade @ Arc, Stockton. 8:00pm. ‘Lady Nade sings Nina Simone’.

Sun 17: Glenn Miller & Big Band Spectacular @ Forum Theatre, Billingham. 7:30pm.
Sun 17: QOW Trio @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Spike Wells, Riley Stone-Lonergan & Eddie Myer.

Mon 18: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 18: Mark Williams Trio @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 19: GoGo Penguin + Daudi Matsiko @ Wylam Brewery, Newcastle. 7:00pm (doors). £22.00 + £4.40 bf.
Tue 19: Danny Lowndes’ Hot Club @ The Cluny, Newcastle. 7:30pm (doors). £15.00 + £5.00 bf.
Tue 19: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young (piano); Paul Grainger (double bass); Mark Robertson (drums).

Monday, August 10, 2020

Pianist releases a feel-good parcel

(Press release)

An eighteenth-century protest song is the inspiration behind Scottish pianist Dave Milligan’s catchy and deeply grooving download single, Parcel of Rogues, which is released today, Monday 10th August.

Such a Parcel of Rogues in a Nation is a poem attributed to Robert Burns in 1791 to decry the members of the Parliament of Scotland who signed the 1707 Act of Union with England. In the 1960s and 1970s it was taken up by political singers including Ewan MacColl and Dick Gaughan and the folk groups The Dubliners and Steeleye Span. More recently it has come to be regarded as an international anthem.

“The melody has stayed with me since I first played it with The Unusual Suspects many years ago,” says Milligan. “It’s a powerful tune, with a kind of anthemic quality. When I was given the opportunity to record with two outstanding Italian musicians, the bassist Danilo Gallo and drummer U.T. Gandhi in Italy, I wanted to try some Scottish themes with them to see how they would respond.”  

The versatile Milligan, whose recent work has encompassed jazz, folk music and theatre, explored Parcel of Rogues with the Italians - along with a handful of other traditional melodies, including the late Hamish Henderson’s Freedom Come All Ye. “I thought those two songs worked particularly well - I had to include them in the new album, Momento,” he said. Radio producers and presenters who were sent early copies have almost unanimously selected Parcel of Rogues as the featured track.

The phrase ‘parcel of rogues’ has been used in relation to the current political situations in the UK and the US and even recently in Lebanon, and Milligan is aware of its potency.  

“It didn’t really occur to me that broadcasters might be drawn to Parcel of Rogues for non-musical reasons - some might not even be aware of the political connection,” says Milligan.

His recording doesn’t reveal the words but the narrative of the song depicts a sense of indignation at the abuse of power which led to a massive socio-political shift. “That was well over 200 years ago and people still feel it, probably more than ever,” he says. “Just look around at some of the political establishments today - the word ‘rogues’ doesn’t quite cover it.” 

Milligan has no problem with whatever associations people attribute to the track. “You make your own connection with art,” he says. “I set out to make music and that’s what this is about for me; the strength of the melody, the groove that Danilo and Gandhi created, and how good instrumental music can make people feel.”

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