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Bebop Spoken There

Spasmo Brown: “Jazz is an ice cream sandwich! It's the Fourth of July! It's a girl with a waterbed!”. (Syncopated Times, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17346 (and counting) posts since we started blogging 16 years ago. 630 of them this year alone and, so far, 35 this month (Sept. 11).

From This Moment On ...

September

Fri 13: Jeff Barnhart & Neville Dickie @ The Lit & Phil, Newcastle. 1:00pm. Two pianos, two pianists! SOLD OUT!
Fri 13: Noel Dennis Quartet @ The Old Library, Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Dilutey Juice @ Old Coal Yard, Byker, Newcastle. 7:30pm. £11.00. adv..
Fri 13: Ray Stubbs R & B All-stars @ The Forum, Darlington. 7:30pm. Classic blues.

Sat 14: Jeff Barnhart’s Silent Film Fest @ St Augustine's Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Sat 14: Customs House Big Band w. Ruth Lambert @ St Paul’s Centre, St Paul’s Gardens, Spennymoor DL16 7LR. 7:00pm (6:45pm doors). Tickets £10.00. from the venue or tel: 01388 813404. A ‘BYOB’ event.
Sat 14: Emma Wilson @ Claypath Deli, Durham. 7:00pm. £12.00. Acoustic blues.
Sat 14: Rat Pack - Swingin’ at the Sands @ Billingham Forum. 7:30pm.

Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Jude Murphy, Steve Chambers & Sid White @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 15: Tweed River Jazz Band @ Barrels Ale House, Berwick-upon-Tweed. 7:00pm. Free.
Sun 15: Panharmonia @ The Globe, Newcastle. 8:00pm.

Mon 16: Swing Manouche @ Yamaha Music School, Blyth. 1:00pm. £9.00.
Mon 16: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: John Hallam with the James Birkett Trio @ The Black Bull, Blaydon. 8:00pm. £10.00. A Blaydon Jazz Club 40th anniversary concert!

Tue 17: Vieux Carré Hot 4 @ The Victoria & Albert Inn, Seaton Delaval. 12:30pm. £13.00. Tel: 0191 237 3697. ‘Indian Summer Afternoon Tea’.
Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels (guitar); Paul Grainger (double bass); Abbie Finn (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 18: Hot Club of Heaton @ Elder Beer, Heaton, Newcastle. 8:00pm. A ‘third Wednesday in the month’ session.

Thu 19: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 19: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 19: Tees Hot Club @ Dorman’s Club, Middlesborough. 8:30pm. Free. THC with guests Kevin Eland, Dan Johnson, Jeremy McMurray, Ron Smith.

Saturday, August 22, 2020

Album review: Tigran Hamasyan - The Call Within

Tigran Hamasyan (piano/keys/vocal); Evan Marien (bass); Arthur Hnatek (drums) 

The eagerly awaited fourth album on Nonesuch records from the 33-year old Armenian piano messiah Tigran, appearing here with a trio as for Mockroot  (2015), rather than solo as for his other Nonesuch albums For Gyumri (2018) and An Ancient Observer (2017), and on his date at Sage Two last year    

Tigran’s music is as genre-defying as you could ask for, and while he has a distinct voice and is instantly recognisable, many readers here will instantly recognise it as “other” than their familiar blues/bebop jazz tradition – indeed Tigran himself refers to it as “electro-acoustic Armenian rock”!  However, mainstream jazz luminaries are falling over themselves to laud his genius and fearless forging of his won distinct path. When Herbie Hancock says, “Now, Tigran, you are my teacher” that’s good enough for me to give him a serious listen 

Tigran evokes fanatical responses from a highly knowledgeable following, which is not unique in jazz circles but seems now to be at an apex of technical expertise and understanding, as well as level of devotion.

An example is the video of Arthur Hnatek playing the drum part at the recording of the track New Maps released on YouTube (ase date) which received 11,000 views (in a month).  Transcriptions of the piano, bass and drum parts were posted on YouTube within days, and with similarly high views. Transcriptions are time consuming at the best of times, but for music of this complexity, and with note by note video reveal, these are works of art stemming from dedication beyond any human reason.  For what it’s worth, the piece is analysed as either alternating bars of 9/8 and 11/8, or as 20/16. The in-house drummer tells me to think of it as “almost like 4/4 but with every 'crotchet' made up of 5 beats rather than 4 semi quavers”.  

While Tigran’s complex rhythmic patterns and unfamiliar time signatures, with their origin in Armenian folk and dance music with a splash of prog-metal, provoke glee and fascination with young “Time Lords”, there is, thankfully, far more to his music than mind-bending technical virtuosity and precision.  Tigran seems to operate on a spiritual plane transcending the usual physical limits of instruments (think Mahavishnu or late Coltrane) - in his words “where the moment of the unconscious creation is the way to feel conscious”.

His inspirations are drawn widely here from maps poetry, Christian and pre-Christian Armenian folk stories and legends, and beyond! 

This is all very well – but what do the ten new compositions here sound like?   There is a sustained intensity and emotion well beyond even Tigran’s norm, so this is no casual, dinner party jazz album.  Once any attempt to count through the bars is abandoned, the pulse of the music drives and surges in an engaging (although never, to me, truly comfortable) groove, e.g. the opener 21 Levitation drives along in rhythmic groups of 21 (!) The repetitive intensity and rhythmic programmed precision of dissonant chords is darkbut never angry, as much modern “prog” and “metal” sounds to my earsUnderneath the harsh trappings, there beats the heart of piano trio, and ethereal melodies transcend the Sturm und Drangoften achieving peacefuleven joyous, catharsis after the turmoil.  

For every section of high tempo repetitive grooving set up by block chord piano, with doubling on bass, there are relaxed interludes of lyrical piano and synth on Space of Your Existenceand even whistling on Our Filmaugmented by vocals and cello 

The Dream Voyager and Old Maps evoke more of Tigran’s alter egoless frenetic and with sustained legato allowing the haunting melodies to break through.   The high energy returns for a prog-metal track, Vortex, driven harder by guest Tosin Abasi on 8 string electric guitar.  

37 Newlyweds is the most relaxed track, with eastern chanting intoning ominously over chiming piano chords.  

New Maps closes out the album in some style, and even has an art house video to match. After a while the fluctuating and cyclical beat is hypnotically relaxing  - sit back and say goodbye to 4:4! 

Overall a stunning new statement by Tigran and his remarkable band, who give as good as they get,  further charting hiunique path - not entirely removed from the mainstream tradition but sitting across other folk, classical and rock in spiritual and technical communion. Not for the fainthearted or those wedded to the familiar perhaps, but as an initial sceptic, I’d recommend investing in some  listening, as the rewards are deep and intense.  
Chris K 

Release date August 28. Preview and pre-order

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