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Bebop Spoken There

Noah Preminger: "The U.S.A - the greatest country in the world - didn't lift a finger to help their 3ooo-plus citizens in Morocco. We were abandoned by our own government." - (DownBeat June 2020).

Dave Rempis:Ten years from now, I can see musicians streaming concerts in real time and charging a minimal amount for people to watch.” - (DownBeat September 2013)

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Monday, May 11, 2020

CD Review: Samoa Wilson w. Jim Kweskin Band - (I Just Want to be) Horizontal.

There's a real twenties/thirties feel to this that manages to blend classic jazz with just a suggestion of Americana resulting in as delightful an album as you're likely to hear either side of the Mason/Dixon Line.

Bessie, Billie and Ella rub shoulders with The sons of the Pioneers, Something Smith and the Redheads - even Danny Kaye - who all inspired a lot of the material. Samoa also sings the verse to some not overworked standards. However, the most intriguing number is the title track originally recorded in 1946 by the Pat Flowers Band with vocal by Bunty Pendleton in what was, amazingly, her only known recording.

Samoa Wilson has the ideal voice for it - New Orleans meets Nashville in NYC. It's raunchy and yet sultry on the ballads.

Leader Kweskin, 80-year-old when it was recorded and better known as the leader of a Jim Kweskin Jug Band, adds his own vocal chops to Samoa's on a couple of numbers as well as playing rhythm guitar and some fingerpicking solos that were fingerpickin' good!

Mike Davis is a name familiar to those who attended last year's Classic Jazz Party in the Village Inn and he's equally impressive here. Lichtman has a lovely, fluid clarinet sound and Paloma Ohm plays alto with an almost Johnny Hodges-like grace. Drummer Brown, the blurb tells us, worked in his own band with Samoa for two years playing standards and torch songs in a mob joint in Boston, lighting up happy hour. But why am I singling out individuals? It's a band that gels and all combine to make this an album that will appeal to fans of several different genres.
Lance
Available June 12 (Kingswood Records, LLC).

Samoa Wilson (vocals); Jim Kweskin (vocals/rhythm guitar); Titus Vollmer (guitars/ukulele); Mike Davis (trumpet); Paloma Ohm (alto sax); Dennis Lichtman  (clarinet/fiddle/mandolin/alto sax); Sonny Barbato (piano/accordion); Matthew Berlin (bass); Jeff Brown (drums) + Sean Read & Mattie Read Clarke (backing vocals on At Ebb Tide)

After You've Gone; (I Just Want to be) Horizontal; Trust in Me; I Cried For You; The Candy Man; Inch Worm; That's Life I Guess; Until the Real Thing Comes Along; Me, Myself, and I; Our Love is Here to Stay; Kitchen Man; At Ebb Tide, Lover Come Back to Me; Easy to Love; He Ain't Got Rhythm; I Wished on the Moon; Someone Turned the Moon Upside Down.

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