Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Monday, May 11, 2020

CD Review: Samoa Wilson w. Jim Kweskin Band - (I Just Want to be) Horizontal.

There's a real twenties/thirties feel to this that manages to blend classic jazz with just a suggestion of Americana resulting in as delightful an album as you're likely to hear either side of the Mason/Dixon Line.

Bessie, Billie and Ella rub shoulders with The sons of the Pioneers, Something Smith and the Redheads - even Danny Kaye - who all inspired a lot of the material. Samoa also sings the verse to some not overworked standards. However, the most intriguing number is the title track originally recorded in 1946 by the Pat Flowers Band with vocal by Bunty Pendleton in what was, amazingly, her only known recording.

Samoa Wilson has the ideal voice for it - New Orleans meets Nashville in NYC. It's raunchy and yet sultry on the ballads.

Leader Kweskin, 80-year-old when it was recorded and better known as the leader of a Jim Kweskin Jug Band, adds his own vocal chops to Samoa's on a couple of numbers as well as playing rhythm guitar and some fingerpicking solos that were fingerpickin' good!

Mike Davis is a name familiar to those who attended last year's Classic Jazz Party in the Village Inn and he's equally impressive here. Lichtman has a lovely, fluid clarinet sound and Paloma Ohm plays alto with an almost Johnny Hodges-like grace. Drummer Brown, the blurb tells us, worked in his own band with Samoa for two years playing standards and torch songs in a mob joint in Boston, lighting up happy hour. But why am I singling out individuals? It's a band that gels and all combine to make this an album that will appeal to fans of several different genres.
Lance
Available June 12 (Kingswood Records, LLC).

Samoa Wilson (vocals); Jim Kweskin (vocals/rhythm guitar); Titus Vollmer (guitars/ukulele); Mike Davis (trumpet); Paloma Ohm (alto sax); Dennis Lichtman  (clarinet/fiddle/mandolin/alto sax); Sonny Barbato (piano/accordion); Matthew Berlin (bass); Jeff Brown (drums) + Sean Read & Mattie Read Clarke (backing vocals on At Ebb Tide)

After You've Gone; (I Just Want to be) Horizontal; Trust in Me; I Cried For You; The Candy Man; Inch Worm; That's Life I Guess; Until the Real Thing Comes Along; Me, Myself, and I; Our Love is Here to Stay; Kitchen Man; At Ebb Tide, Lover Come Back to Me; Easy to Love; He Ain't Got Rhythm; I Wished on the Moon; Someone Turned the Moon Upside Down.

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