Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, May 22, 2020

Carefree Fred & Ginger

In these lockdown times the Beeb has probably attracted larger than usual weekday, daytime audiences. The best part of two hours of Fred Astaire and Ginger Rogers on a Friday afternoon was just what the doctor - a psychoanalyst at that - ordered. First, excerpts of Fred and Ginger singing the GASbook, then Carefree a late-period Fred and Ginger RKO movie.   

The plot to any Fred and Ginger film is all but immaterial, what counts is the music (invariably written by some of the great songwriters of the time - Irving Berlin, Jerome Kern, the Gershwins et al) and, of course, the dancing. The plot: Fred (Tony) falls in love with...hang on a minute! On this occasion Ginger (Amanda) falls for Fred, comic capers ensue as Stephen (played by Ralph Bellamy) thinks he's in with a chance of marrying Amanda. Tony, a psychoanalyst, treats his patient (Amanda) and, as if we couldn't guess, they live happily ever after. The End. 

Well, yeah, but what about the set-piece dance routines? Sensational, that's what! The first humdinger of a scene finds Fred on the golf course and he literally comes out swinging as he tees-off (in real life Astaire was a keen golfer) hitting golf balls, as Bing said: straight down the middle. It took Astaire two weeks of rehearsal time with his long-time associate, choreographer Hermes Pan, to get it right with much more editing than he would normally tolerate. This was Fred Astaire the perfectionist at work.

Victor Baravalle orchestrated Irving Berlin's material with a magical slow motion dream sequence particularly effective as Fred and Ginger danced to I Used to Be Color Blind. The 1938 RKO studio production attracted three Academy Award nominations, one of which was Best Song for Change Partners. It didn't win an Oscar yet it has proven to be one of Berlin's enduring numbers. 

It could be said that Astaire didn't have matinee idol looks. Did this add to the appeal? Did the cinema-goer focus more on the dancing? And how great was that?! 

Earlier, half an hour of song and dance in Astaire and Rogers Sing the Great American Songbook was simply fabulous. As much song as dance, the timeless melodies flowed from the pen(s) of the GASbook composers...A Fine RomanceTop HatPick Yourself UpCheek to Cheek and more. BSH editor-in-Chief LL was in Hebburn/Heaven - literally and metaphorically. On Monday (May 25, bank holiday) BBC 2 offers more goodies. At 2:00pm in Fred Astaire and Ginger Rogers: Talking Pictures the duo can be heard doing just that in archive interviews followed at 2:50 by an all time classic - Top Hat!        
Russell 

1 comment :

Lance said...

I watched the half hour programme whilst working out on the exercise bike and the faster the dance routines the harder I pushed the pedals round. By the end I had quite a sweat on and burned off a couple of 100 calories!

Watching the Astaire/Rogers' movies always brings to mind the famous quote by Ginger: "I was doing everything he did - backwards and wearing high heels!"

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