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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17719 (and counting) posts since we started blogging 17 years ago. 39 of them this year alone and, so far, 39 this month (Jan. 15).

From This Moment On ...

January 2025

Sun 19: Glenn Miller Orchestra UK @ Glasshouse, Gateshead. 3:00pm. ‘Glenn Miller & the Rat Pack Era’.
Sun 19: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 19: Spilt Milk @ St James’ STACK, Newcastle. 5:15-7:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 19: Tenement Jazz Band @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 19: Nick Ross Orchestra @ Queen’s Hall, Hexham. 7:30pm.
Sun 19: Freight Train (Tobin/Noble/Clarvis) @ The Globe, Newcastle. 8:00pm.
Sun 19: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 20: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 21: ???

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free. Fortnightly.
Thu 23: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Obituaries 2024.
Thu 23: Jason Isaacs @ St James’ STACK, Newcastle. 4:30-6:30pm. Free. Vocalist Isaacs working with backing tapes.
Thu 23: Pedal Point Trio @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 24: Zoë Gilby Quartet @ The Gala, Durham. 1:00pm.
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Creakin’ Bones & the Sunday Dinners @ Lindisfarne Social Club, Wallsend. 9:00pm. Admission: TBC. Jazz, blues , jump jive, rock ‘n’ roll.

Sat 25: Boys of Brass @ St James’ STACK, Newcastle. 3:30-5:30pm. Free.
Sat 25: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 25: Jack & Jay’s Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, May 16, 2020

CD Review: Ron Davis' Symphronica - Instrumental Music Liberation Front

Ron Davis (piano); Kevin Barrett (guitars/ loops); Aline Homzy, Brielle Goheen (violins); Mike Downes/Louis Simào (bass); Steve Heathcoate (drums/perc.); Laurence Schaufele (viola); Beth Silver (cello).

Ron Davis is a man with a mission - to liberate instrumental music. He points out that the history of western music is one of the instrumental living in harmony with the vocal whilst also stressing that, in recent years, instrumental music has become almost invisible in comparison to vocal music.

This is an interesting opinion and one that I am sure many, myself included, will contest.

Certainly the pop world is 99% vocally loaded but this is nothing new. You only have to go back to the 1940s when the then President of the American Federation of Musicians James Petrillo called the first of two recording bans which saw musicians sidelined from the studios and led to singers such as Sinatra recording with choirs as opposed to bands and orchestras. The Sinatra phenomenon led the way for vocalists such as Como, Laine, Mitchell, Ray, Elvis and, ultimately, The Beatles to sound the death knell for, with the occasional exception - The Shadows and the occasional trad band - instrumental combos in the charts.

However, the jazz world is a wholly different ball game and jazz instrumentals far outnumber jazz vocal recordings. Not that I'm advocating one against the other - just making an observation.

Ron Davis' Symphronica not only seeks equality for instrumental music but he also attempts to merge jazz with classical music(s), i.e. European, Québecois, Sephardic, Manouche etc.

Do they succeed? I think they do. Rather than approaching this with any pre-conceived ideas, I came to this as an album to listen to and enjoy rather than study the blurb which may have put me off from even listening to it! I'm glad I didn't. There's some lovely piano playing from Davis - his Sergio's Shuffle, inspired by Prokofiev, is pure barrel-house - and some fine fiddling from Homzy. Brahms, Django, Stravinsky and Handel are just some of the other 'names' that figure in the mix - Paul Whiteman it isn't!

It's currently available via the usual suspects or, if you live in Canada, a record store near you (if there is one and it's open!)
Lance

1 comment :

Ron Davis said...

I want to thank you for your review of my new record "Instrumental Music Liberation Front" on bebop spoken here. Not because it was complimentary. That's a bonus. Rather because it was crafted with such thought. I'm grateful that you took the time and devoted the mindshare to put it into words.

So, thank you.

I should add that I agree with your point about jazz being predominantly instrumental at present. My greater point is that jazz itself (like classical - also predominantly instrumental) has been squeezed out of the popular music marketplace. As you know, jazz was THE popular music for many decades. Then, although it had to make room for Elvis, The Beatles and their successors, it remained fairly present in the 60s and 70s (Herbie, Miles and others had pop chart hits). Once the 80s come along however, boom. Jazz becomes marginalized. So, while jazz today may be 75% (let's say) instrumental, it holds only 2% of the listening market.

I could go on and on, but I shall spare you my ranting.

Keep up the great work on your blog. Please look me up if you are ever in Toronto. Pints are on me.

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