Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 19: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Stephen Joshua Sondheim.
Thu 19: FILM: Köln 75 @ Forum Cinema, Hexham. 7:30pm. £10.00., £7.00., £3.00. Dir. Ido Fluk. Fictional account of Keith Jarrett’s 1975 Köln concert. A Tyne Valley Film Festival preview screening.
Thu 19: Ransom Van @ The Black Swan, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, May 06, 2020

CD Review: Rachel Sutton – A Million Conversations


Rachel Sutton (vocals); Roland Perrin (piano); Michael Curtis Ruiz (bass); Paul Robinson (drums); Stuart Brooks (trumpet on Brother Can You Spare A Dime)

I'll be keeping this CD and playing it often, a high compliment from a reviewer. Why? Because of the high quality lyrics of these songs, mostly original, especially A Million Conversations and The Space, both very moving songs about mothers, which had me close to tears.

 The former song is about missing your mother who has died, thus: 'a million conversations since you left this world, and every single one upon my own'. And this song has a sort of clinch at the end: 'I know I see your face when I look at mine'. The Space concerns the words of an adopted child who is imagining what sort of life the birth mother had, and wishing that they had met. These two songs are contemporary rather than jazz style, with very sensitive accompaniment, especially from piano.


The rest of the songs are also well worth the listening. When Love Was New reflects sadly about a past love affair; Pick Myself Up by contrast is all about recovering, a fast lively jazzy song with a steady 4/4 piano backing and ascending and descending scales and a romping piano/bass duet; Kiss My Baby Goodbye is a Latin number with a rhythm I couldn't quite name (dum diddle diddle dum dum dum, people who know about Latin rhythms will recognise this I hope).

The two non- originals  are Brother Can You Spare A Dime? (a rather dramatic version which swings, with a skilled trumpet solo); and Evil Gal Blues, which tells of a woman enjoying herself mightily, a jazz blues with a bluesy piano solo, ending with a satisfied laugh from our singer. The song about adoption ends the CD reflectively.   

Rachel Sutton hails from Kent and grew up listening to jazz and the popular music of such as Stevie Wonder and Joni Mitchell. She trained as an actor and has performed leading roles in Shakespeare. She is now a singer full-time and she has sung at the Edinburgh and New York Fringe festivals, as well as at top London jazz clubs and jazz venues in the UK and abroad.

The instrumentalists are all well experienced and play with other bands and I especially noticed that Perrin, who leads instrumentally on this CD, has also played with Brotherhood Of Breath, who were mentioned in the recent BBC series about Black Music In Europe.

Ann Alex

2 comments :

Lance said...

Yes Ann, I thought you'd like this one. However, what impressed me most was the rich fullness of Rachel Sutton's voice which I thought was deserved of special mention (and praise). Just saying ...

Anonymous said...

Yes Lance, I agree about the voice but I was so keen on the songwriting that I forgot to mention it, Ann

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