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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17719 (and counting) posts since we started blogging 17 years ago. 39 of them this year alone and, so far, 39 this month (Jan. 15).

From This Moment On ...

January 2025

Sun 19: Glenn Miller Orchestra UK @ Glasshouse, Gateshead. 3:00pm. ‘Glenn Miller & the Rat Pack Era’.
Sun 19: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 19: Spilt Milk @ St James’ STACK, Newcastle. 5:15-7:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 19: Tenement Jazz Band @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 19: Nick Ross Orchestra @ Queen’s Hall, Hexham. 7:30pm.
Sun 19: Freight Train (Tobin/Noble/Clarvis) @ The Globe, Newcastle. 8:00pm.
Sun 19: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 20: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 21: ???

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free. Fortnightly.
Thu 23: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Obituaries 2024.
Thu 23: Jason Isaacs @ St James’ STACK, Newcastle. 4:30-6:30pm. Free. Vocalist Isaacs working with backing tapes.
Thu 23: Pedal Point Trio @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 24: Zoë Gilby Quartet @ The Gala, Durham. 1:00pm.
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Creakin’ Bones & the Sunday Dinners @ Lindisfarne Social Club, Wallsend. 9:00pm. Admission: TBC. Jazz, blues , jump jive, rock ‘n’ roll.

Sat 25: Boys of Brass @ St James’ STACK, Newcastle. 3:30-5:30pm. Free.
Sat 25: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 25: Jack & Jay’s Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, May 31, 2020

The Life of Ella Fitzgerald: BBC2 – May 30

As I've said before, we never sleep here at BSH, so Saturday night found me watching TV from 9.30pm until midnight, on BSH duty. More of midnight later. The Ella Fitzgerald offering gave us an interesting account of Ella's life and career, aided by observations from the likes of Smokey Robinson, Johnny Mathis, Tony Bennett, Jamie Cullum, Laura Mvulu and also Ella's friend Norma Miller, and her adopted son Ray Brown Jnr. There were of course examples of her music and the atmospheric black and white cuts showing the singer performing were especially evocative.

Ella's achievements are truly amazing! Coming from an unpromising background to international star who earned 13 Grammy awards and who was loved even by those outside of the jazz world.

Her mother died when Ella was only 13 years old, and she ended up in reform school in Harlem in 1933, where she misbehaved. She left there and from that time she knew she'd have to earn a living somehow.

She wanted to be a dancer so she went for an audition at the Apollo. She was too nervous to dance so she sang instead, and was judged to be the best performer of the night. She joined the Chick Webb orchestra as a singer and he became a sort of father figure. She performed with success all over the USA and on radio and had her first hit record in 1936. She did many novelty songs with Webb, including the famous A-Tisket A-Tasket. She said 'it's where you're going that counts' and she refused to be held back by being overweight. Her singing was influenced by musical theatre, blues and of course, the Gasbook .We saw clips of her at the Cotton Club, singing to an all-white audience.

She took over Webb's orchestra when he died, but it was disbanded when the USA entered WW2. Then the bebop revolution came along, which she embraced with more success, singing with Dizzy Gillespie. She married bebop bass player Ray Brown and they adopted a son. We heard part of her amazing 5-minute scat How High The Moon which included references to about 40 other pieces of music, including folk and classical works. She certainly knew her music.

She was divorced in 1953 and also acquired a new manager, Norman Granz, which was the real beginning of her international career. She made albums of Gasbook songs with orchestral accompaniment including strings. She still suffered from the prejudice against black performers in the southern states of the USA. She enjoyed time at home with her son but never remarried, she seemed to be wedded to her performing. Her son became a musician in the 1970's.

Ella had sung for more than 60 years by the time she died of heart failure on June 15, 1996, so the anniversary of her death occurs shortly. She had by then set up a foundation to help children from disadvantaged backgrounds to succeed in life.

The song clips we saw included Sweet Georgia Brown; Crazy Rhythm; Take the A Train; Just One Of Those Things; Love For Sale; The Man I Love; Summertime and also the classic clip of Mack The Knife when Ella forgot the lyrics and simply sang her way out of trouble by singing about forgetting words and making personal references.

Then came the icing on the cake, the next programme – reviewed by Russell - was a selection of Jazz Divas Gold, which included songs by Peggy Lee, Cleo Laine, Annie Ross (God Bless The Child), Eartha Kitt, Nina Simone and of course Ella. The item I enjoyed most was a flirtatious performance by Marion Montgomery with Dudley Moore at the piano. Oddly I can't remember the actual song as I was so entranced by the underappreciated playing of Moore. There was also, almost an onscreen seduction when Eartha Kitt sang Let’s Do It!

What you could call a great night's viewing.
Ann Alex 

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