Bebop Spoken There

Joe Alterman: ''All I wanted to do growing up was to sound like Erroll Garner playing "Poor Butterfly." I thought that was the coolest sound I'd ever heard.'' (DownBeat November, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

19,105 (and counting) posts since we started blogging 18 years ago. 969 of them this year alone and, so far this month (Nov. 14) 39.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

November

Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Jacob Egglestone, Paul Grainger, Joe Deans.
Tue 17: Grammy Season (Laubrock/Seabrook/Lovato/Rainey) @ Central Bar, Gateshead. 8:00pm. JNE.

Wed 18: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 19: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 19: Papa G’s Troves @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 19: Marina Josephina @ Pilgrim, Newcastle. £10.60; £10.60.; £8.50 Early Bird.

Fri 20: Zoë Gilby & Andy Champion: The Music of Duke Ellington @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Customs House Big Band @ Sunderland Minster. 7:30pm.

Sat 21: Pete Tanton Duo @ Awesome Frank’s, West Jesmond Metro Station, Newcastle. 7:30pm. £8.00.
Sat 21: Paul Skerritt Big Band @ The Westovian Theatre, South Shields. 7:30pm. £18.00.

Sun 22: Lewis Watson Quartet @ Central Bar, Gateshead. 2:00pm. £10.00. ‘Celebrating Coltrane’.
Sun 22: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Groovetrain @ Pilgrim, Newcastle. 4:00pm. £18.00.
Sun 22: Red Kites Jazz @ Beat ‘n’ Track Café, High Spen. 5:00pm.
Sun 22: Knats @ The Waiting Room, Eaglescliffe. 7:00pm. SOLD OUT!
Sun 22: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 22: Smiodair @ The Globe, Newcastle. 8:00pm. JNE.

Sunday, May 31, 2020

Jazz Co-op Live Stream: Fergus McCreadie - May 31

Fergus McCreadie (keyboard)

Fergus McCreadie makes interesting viewing, very dramatic and enthusiastic, head bobbing, body bending towards the keyboard, unruly hair. I'm not surprised that he is a prize-winning performer as he played mostly original compositions with great aplomb.

Unfortunately the first 20 minutes or so of tonight's gig was marred by cutouts after every few notes. After Fergus made some technical adjustments this was sorted but it was rather frustrating and people may wish to catch up on the YouTube recording.

I missed the title of the first tune and Fergus is softly-spoken so I may have missed other titles. The piece began with very low left hand notes, fragmented, until the tune emerged, but stayed mostly in a powerful left hand. A tune played by Bill Evans, possibly composed by Harold Arlen, we were told. Next came Young and Foolish, sweet and flowing, but foreshortened by a 2 minute break to sort out the sound. No problems from then on.

This was followed by an original from his second CD, a tune called Across The Flatlands (I think) my favourite of the night, very Scottish and atmospheric, a 3-note repeated riff with a highland dance tune above it and short bagpipe-like swirls of sound, becoming more jazz-like, before the tune ends, seemingly in the middle. Then a tune composed during lockdown, as yet untitled, a slower meditative folky love song type of tune.

Fergus said that only 30 per cent of his listening is jazz, (good to get other influences) and he enjoys singer-songwriters, so he did a cover of the song Forgotten Eyes, a very singable melody, with improvisation and full use of the keyboard.  A request from the chat list next, Ardbeg  from the album Turas, another Highland influenced tune. The final offering was a tune with the working title Glasgow, a slow melody which could be a love song, very enjoyable but nothing at all like the Glasgow I remember from my last visit there, many years ago. You'd expect a tune from that city to have more punch!

A very enjoyable music session, despite the sound problems at the beginning.
Ann Alex

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