Bebop Spoken There

Dominick "Domo" Branch: ''Most people say drummers can't write, they're just time-keepers only beating on things. But I have a very musical brain.'' (DownBeat February, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18288 (and counting) posts since we started blogging 18 years ago. 142 of them this year alone and, so far this month (Feb. 14), 42

From This Moment On ...

February

Fri 20: Alex Clarke w. Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT! Clarke w. Dean Stockdale, Mick Shoulder, Abbie Finn.
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Squabble @ Warkworth Memorial Hall. 7:00pm. Steve Chambers (organ); Jude Murphy (double bass, vocals); Sid White (drums).
Fri 20: Jive Aces @ Queen’s Hall, Hexham. 7:00pm (6:30pm doors).
Fri 20: Alex Clarke w. Dean Stockdale Trio @ Sunderland Minster. 7:30pm. Clarke w. Dean Stockdale, Mick Shoulder, Abbie Finn.

Sat 21: ???

Sun 22: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 22: Joe Steels Group @ Queen’s Hall, Hexham. 3:00pm. A Blue Patch album tour.
Sun 22: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Harben Kay Quartet @ The Globe, Newcastle. 8:00pm.

Mon 23: Joe Steels Group @ Yamaha Music School, Blyth. 1:00pm. A Blue Patch album tour.
Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 24: Finn-Keeble Group @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00.
Tue 24: Liam Oliver & Shayo Oshodi @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 25: Geordie Jazz Jam @ Pilgrim, Newcastle. 7:30pm. Free. Newcastle University jam session. All welcome.
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 26: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £6.50.
Thu 26: Shalala @ The Globe, Newcastle. 8:00pm. £7.00 adv.
Thu 26: Mick Cantwell Band @ The Harbour View, Roker, Sunderland. 8:00pm. Blues.

Fri 27: Joe Steels Group @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT! A Blue Patch album tour.
Fri 27: Alan Barnes w. Mick Shoulder Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Trio: Rick Laughlin (piano); Mick Shoulder (double bass); Tim Johnston (drums).
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 27: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 27: Radio Hito + Eddie Prévost, Silvain Schmid & Tom Wheatley @ Cobalt Studios, Newcastle. 7:00pm (doors). £12.22., £10.10., £8.00.
Fri 27: Giacomo Smith w Strictly Smokin’ Big Band @ The Glasshouse, Gateshead. 8:00pm.
Fri 27: Alan Barnes w. Mick Shoulder Trio @ The Traveller’s Rest, Darlington. 8:00pm. £15.00. Trio: Rick Laughlin (piano); Mick Shoulder (double bass); Tim Johnston (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, May 31, 2020

Jazz Co-op Live Stream: Fergus McCreadie - May 31

Fergus McCreadie (keyboard)

Fergus McCreadie makes interesting viewing, very dramatic and enthusiastic, head bobbing, body bending towards the keyboard, unruly hair. I'm not surprised that he is a prize-winning performer as he played mostly original compositions with great aplomb.

Unfortunately the first 20 minutes or so of tonight's gig was marred by cutouts after every few notes. After Fergus made some technical adjustments this was sorted but it was rather frustrating and people may wish to catch up on the YouTube recording.

I missed the title of the first tune and Fergus is softly-spoken so I may have missed other titles. The piece began with very low left hand notes, fragmented, until the tune emerged, but stayed mostly in a powerful left hand. A tune played by Bill Evans, possibly composed by Harold Arlen, we were told. Next came Young and Foolish, sweet and flowing, but foreshortened by a 2 minute break to sort out the sound. No problems from then on.

This was followed by an original from his second CD, a tune called Across The Flatlands (I think) my favourite of the night, very Scottish and atmospheric, a 3-note repeated riff with a highland dance tune above it and short bagpipe-like swirls of sound, becoming more jazz-like, before the tune ends, seemingly in the middle. Then a tune composed during lockdown, as yet untitled, a slower meditative folky love song type of tune.

Fergus said that only 30 per cent of his listening is jazz, (good to get other influences) and he enjoys singer-songwriters, so he did a cover of the song Forgotten Eyes, a very singable melody, with improvisation and full use of the keyboard.  A request from the chat list next, Ardbeg  from the album Turas, another Highland influenced tune. The final offering was a tune with the working title Glasgow, a slow melody which could be a love song, very enjoyable but nothing at all like the Glasgow I remember from my last visit there, many years ago. You'd expect a tune from that city to have more punch!

A very enjoyable music session, despite the sound problems at the beginning.
Ann Alex

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