Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Sunday, May 31, 2020

Jazz Co-op Live Stream: Fergus McCreadie - May 31

Fergus McCreadie (keyboard)

Fergus McCreadie makes interesting viewing, very dramatic and enthusiastic, head bobbing, body bending towards the keyboard, unruly hair. I'm not surprised that he is a prize-winning performer as he played mostly original compositions with great aplomb.

Unfortunately the first 20 minutes or so of tonight's gig was marred by cutouts after every few notes. After Fergus made some technical adjustments this was sorted but it was rather frustrating and people may wish to catch up on the YouTube recording.

I missed the title of the first tune and Fergus is softly-spoken so I may have missed other titles. The piece began with very low left hand notes, fragmented, until the tune emerged, but stayed mostly in a powerful left hand. A tune played by Bill Evans, possibly composed by Harold Arlen, we were told. Next came Young and Foolish, sweet and flowing, but foreshortened by a 2 minute break to sort out the sound. No problems from then on.

This was followed by an original from his second CD, a tune called Across The Flatlands (I think) my favourite of the night, very Scottish and atmospheric, a 3-note repeated riff with a highland dance tune above it and short bagpipe-like swirls of sound, becoming more jazz-like, before the tune ends, seemingly in the middle. Then a tune composed during lockdown, as yet untitled, a slower meditative folky love song type of tune.

Fergus said that only 30 per cent of his listening is jazz, (good to get other influences) and he enjoys singer-songwriters, so he did a cover of the song Forgotten Eyes, a very singable melody, with improvisation and full use of the keyboard.  A request from the chat list next, Ardbeg  from the album Turas, another Highland influenced tune. The final offering was a tune with the working title Glasgow, a slow melody which could be a love song, very enjoyable but nothing at all like the Glasgow I remember from my last visit there, many years ago. You'd expect a tune from that city to have more punch!

A very enjoyable music session, despite the sound problems at the beginning.
Ann Alex

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