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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Kenny Barron: "During the pandemic I got to do a lot more cooking. As long as you can read you can cook." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14865 (and counting) posts since we started blogging 14 years ago. 1114 of them this year alone and, so far, 20 this month (Dec. 6).

From This Moment On ...

December

Thu 08: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm. Last one of the year, resuming Jan 26.
Thu 08: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 08: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm.
Thu 08: Christmas Crooners @ Alnwick Playhouse. 7:30pm.
Thu 08: Musicians Unlimited @ Dorman’s Club, Middlesbrough. 8:30pm. £5.00. on the door.

Fri 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £25.00. 'Afternoon Jazz with Festive Lunch'.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 09: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 09: Jason Isaacs @ Northern Rugby Club, Gosforth, Newcastle. 7:00pm. £25.00 (inc. two course Xmas meal). Isaacs performing with backing tapes.

Sat 10: Lindsay Hannon & Martin Douglas: Life Drawing & Improvised Music @ Cobalt Studios, Newcastle. 2:00-4:00pm. TBC.
Sat 10: Alan Barnes Octet: A Jazz Xmas Carol @ Black Swan, Newcastle. 8:00pm. £20.00. All-star band!

Sun 11: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 11: Spanish City Rollers @ Northumberland Square, North Shields. 12:30pm. Free. Community band inc. Graham Hardy.
Sun 11: Am Jam @ Prohibition Bar, Newcastle. 3:00pm. Free. Jam session, all welcome.
Sun 11: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm. Xmas party feat. Mick Donnelly Quartet. 4:00pm. Tickets: £6.00 (admission from 12 noon).
Sun 11: Paul Skerritt @ Liberty Brown's, Sunderland. 1:00pm.
Sun 11: Tees Valley Jazzmen @ Hammer & Pincers, Preston le Skerne. 1:00pm. £5.00.
Sun 11: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 11: DC Blues Band @ Tyne Bar, Newcastle. 4:00pm. Free. Blues Band.
Sun 11: Jason Isaacs @ Hoochie Coochie, Newcastle. 5:30pm. SOLD OUT!
Sun 11: Boys of Brass @ Stack, Seaburn. 6:00pm. Free.
Sun 11: Elda with Faye MacCalman + John Pope & John Garner @ The Globe, Newcastle. 8:00pm.

Mon 12: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 12: Central Bar Quintet plays Kind of Blue @ Central Bar, Gateshead. 7:30pm. Concert performance + jam session. £5.00 (free admission to sitters-in).

Tue 13: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (table reservations 0191 386 5556). Feat. Johnny Murphy (keyboards).
Tue 13: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Murray Wankling, John Pope, John Bradford.
Tue 13: Abbie Finn Trio @ Forum Music Centre, Darlington. 7:30pm. Xmas party.
Tue 13: King Bees @ Cumberland Arms, Newcastle. 8:00pm. Superb Chicago Blues Band.

Wed 14: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 14: 4B @ The Exchange, North Shields. 7:00pm.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Monday, October 18, 2021

Vula Viel @ The Globe – Oct. 17

Bex Burch (gyil); Ruth Goller (bass); Jim Hart (drums)

Touring the UK and then onwards to dates in Denmark, Vula Viel’s German-registered tour van had arrived at their northernmost destination, the Globe. The arriving full house, though, was caught up in the deflated efflux from Newcastle United’s eventful but unsuccessful first renaissance attempt, up the road at the soon to be re-branded St James' Park.   As well as their continental connections, with Jim Hart based in France, and Ruth Goller hailing from the Süd Tirol, the band’s name (meaning “Good is Good”) and musical DNA are from even further afield than NUFC’s controversial sponsor, namely Ghana.

Bex Burch’s well documented (https://bexburch.com/vulaviel/) stay with the Dagaare people of  Upper West Ghana resulted in not only building and playing the remarkable gyil (a xylophone fitted with reverb effects)  but in adopting, and adapting, a whole musical structure based on the local tradition.  As well as the obvious distinctive repeated “African” rhythmical claves,  and the fixed pentatonic scale imposed by the gyil’s tuning, the music is strictly structured in long forms of alternating, repeated sections. The rigour of following these “changes” perhaps explains the concentration on the bass player’s face, as she had the continuous job of laying down both harmonic foundation and crunching riffs.  The serious look broke into smiles and laughter occasionally though, perhaps when the ever-inventive human dynamo Jim Hart did something unexpected on drums?

(Collage © Ken Drew)
The band launched straight into a single continuous set nearly two hours long, with almost no full stops and even fewer announcements, just occasionally slowing to a walking pace, making it difficult for the audience to gauge where to applaud! After a while, the crowd got the hang of what was going on, and enthusiastic cheering erupted after the most climactic episodes where all three players combined and interlocked in joyful grooves. These ever-shifting romps transcended the African feel recalling,  to my ear at least, the extended trance-like grooves of Can and other 70s  Krautrock bands.   Given the limited instrumental palette (previous line-ups featured sax and vibes) and rigid form, a surprising variety of intensity and mood was achieved, primarily by Hart’s supple power and ingenious deployment of every trick in the percussionist’s book – stick scrapes, crashes, chokes, shells, brushes, bells and the works!   Burch pulled off some beyond-the-xylophone stunts too, with intriguing searing reverb, and moody forays into vocals and a plucked thumb-harp.  The band finally closed by recruiting audience chanting for an encore of What’s Not Enough About That? from their well-received 2020 album.

Overall, a captivating and enjoyable voyage on a different musical ocean to my usual jazz waters – hats off to Vula Viel and the Globe for reminding us of the diversity and sheer joy of music out there! Chris K

1 comment :

Ken D said...

Just to add to Chris' fine review, it was in fact a co-promotion between Jazz North East and the Jazz.Coop (aka The Globe) re-scheduled from an earlier slot in the year. But its later booking certainly hit the spot in these happier times !!

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