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Bebop Spoken There

Art Blakey: "You [Bobby Watson] don't want to play too long, because you don't know they're clapping because they're glad you finished!" - (JazzTimes, Nov. 2019)..

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15867 (and counting) posts since we started blogging 15 years ago. 874 of them this year alone and, so far, 72 this month (Sept. 25).

From This Moment On ...

September

Thu 28: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 28: Alice Grace Quartet @ King's Hall, Newcastle University. 1:15pm. Free.
Thu 28: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm. All welcome.
Thu 28: Faye MacCalman + Snape/Sankey @ Cobalt Studios, Newcastle. 7:00pm.
Thu 28: Zoe Rahman @ Jesmond United Reformed Church, Jesmond, Newcastle. 7:30pm. A Newcastle Festival of Jazz & Improvised Music event.
Thu 28: '58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Speakeasy @ Queen's Hall, Hexham. 7:30pm. £15.00. A Southpaw Dance Company presentation. Dance, audio-visuals, Count Basie, Benny Goodman, swing dancers etc.
Thu 28: Mick Cantwell Band @ Harbour View, Sunderland. 8:00pm. Free. Ace blues band.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 29: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 29: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.

Sat 30: John Pope Quintet + Late Girl + Shapeshifters @ Bobik's, Jesmond, Newcastle.
Sat 30: Papa G's Troves @ Prohibition Bar, Newcastle. 8:00pm. A 'Jar on the Bar' gig.

OCTOBER

Sun 01: Smokin' Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 01: Dulcie May Moreno sings Portrait of Sheila @ Central Bar, Gateshead. 2:00pm. £10.00. Moreno sings Sheila Jordan with Giles Strong, Mick Shoulder & John Bradford.
Sun 01: Middlesbrough Jazz & Blues Orchestra @ Saltburn Community Hall. 2:00pm.
Sun 01: The Easy Rollers @ Prohibition Bar, Newcastle. 7:00pm. £13.70., £11.55.
Sun 01: Brand/Roberts/Champion/Sanders @ Blank Studios, Newcastle. 8:00pm. A Newcastle Festival of Jazz & Improvised Music event.
Sun 01: Papa G's Troves @ The Globe, Newcastle. 8:00pm.

Mon 02: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 02: FILM: Wattstax; 50th Anniversary @ Forum Cinema, Hexham. 8:00pm.

Tue 03: Paul Skerritt @ The Rabbit Hole, Hallgarth St., Durham DH1 3AT. 7:00pm. Paul Skerritt's (solo) weekly residency.
Tue 03: Jam session @ The Black Swan, Newcastle. 7:30pm. House trio: Michael Young (piano); Paul Grainger (double bass); Paul Wight (drums).

Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 04: Paul Skerritt @ Vespa Italian Bar & Steakhouse, Primrose Hill, Jarrow. From 7:00pm. To book a table - 0191 483 3355.
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Monday, October 04, 2021

Newcastle Festival of Jazz and Improvised Music 2021 - Pat Thomas plays the music of Duke Ellington + Alina Bzhezhinska HipHarp Quartet @ The Lit and Phil October 2nd


Pat Thomas (solo piano)

(All pics © Ken Drew)

Pat Thomas’s solo tribute to the music of Duke  Ellington was a masterclass of free improvisation. First performed at London’s Cafe Oto in 2019 to mark the 120th anniversary of the Duke’s birth. On Saturday night he left a captivated audience at the Lit and Phil spellbound. Thomas sees Duke not only as one of the great composers but also as one of great improvisers. The Ellington songbook was placed on the Lit and Phil’s grand piano and Thomas leafed backwards and forwards through the book during  the entire recital.  


What was delivered contained everything one could wish for in a performance of this type - crazy, wild, quiet, gentle, melodic and even humorous passages. The music swung, challenged, and enthralled. I have seen many pianists play the piano's strings but Thomas’s effort here was truly by far the best I have seen. The set simply flew by and at the end the rapturous crowd demanded and were rewarded with an encore but, for this, the Ellington songbook was firmly shut.

Preceding the concert we were treated to a fascinating conversation between Pat Thomas and jazz writer/critic Andy Hamilton. Many topics were discussed such as Pat’s influences (amongst them Oscar Peterson, Cecil Taylor, Horace Silver and obviously, Duke). His recollection of his  emergence on the free jazz scene in his home town Oxford with the late Derek Bailey was most entertaining. 


Hamilton then asked about the Black Lives Matter and again Thomas was extremely eloquent describing the obstacles people of colour experienced but he also was very strident about how hard it was for female performers to gain the recognition they deserved. Applause was drawn from the  crowd when he cited Marilyn Crispell as someone  who deserves far more respect from the music world for her outstanding ability. Only time constraints forced this very enjoyable session to end although an old friend of Pat’s - Paul Bream - when invited to ask a question declined the offer saying ‘Pat had told him everything he knew already’.  

 

Alina Bzhezhinska’s HipHarp Quartet: Alina Bzhezhinska (harp); Mikele Montolli (electric bass); Adam Teixeira (drums); Joel Prime (percussion)


And now for something completely different. Alina Bzhezhinska’s HipHarp Quartet was a very bright and breezy affair paying tribute to previous jazz harpists Dorothy Ashby and Alice Coltrane. Not surprisingly with a drummer and a percussionist there was plenty of funk in the set. Bzhezinska’s harp has been modified with effect pedals and electronics so the already amazing range of sounds the harp produces is further enhanced although the tune, An Annoying Semitone, does not refer to her instrument but rather to an irritating friend. 


Most of the pieces were very uptempo but one of the final pieces that I believe to be by Alice Coltrane was rather mournful and beautiful. 


Fittingly for a typical Saturday night in the Toon the last piece was a fast poppy electronic number which Jean Michel Jarre would have been proud of. Although now in the mood for some clubbing I decided not to join the queuing masses in the pouring rain outside  many of Newcastle’s trendy hotspots. Steve H

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