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Bebop Spoken There

Trevor Mires: ''My mum is a Dean Martin fan: I'm not, so I would grab my skateboard and get out of the house whenever I heard "Everybody Loves Somebody, Sometime." ". (Jazzwise, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17957 (and counting) posts since we started blogging 17 years ago. 278 of them this year alone and, so far, 34 this month (April 14).

From This Moment On ...

April 2025.

Sun 20: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 20: Salty Dog @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 20: Spilt Milk @ STACK, Exchange Sq., Middlesbrough. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 20: Tweed River Jazz Band @ The Barrels Ale House, Berwick-upon-Tweed. 7:00pm. Free.
Sun 20: C.A.L.I.E @ The Globe, Newcastle. 8:00pm.

Mon 21: Newcastle Record Fair @ Copthorne Hotel, Newcastle. 10:00am. Going in search of the Buddy Bolden cylinder…
Mon 21: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 22: Abbie Finn Trio @ Newcastle House Hotel, Rothbury. 7:30pm. Coquetdale Jazz.

Wed 23: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 23: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 23: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. CANCELLED!

Thu 24: Mary Coughlan @ The Glasshouse, Gateshead. 8:00pm. £33.80. Blues, jazz etc.
Thu 24: Darlington Big Band @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 25: Vasilis Xenopoulos & Paul Edis @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT! Duo performance.
Fri 25: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 25: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 25: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 25: Andrea Vicari Trio @ The Gala, Durham. 1:00pm. £8.00. Vicari (piano); Andy Champion (double bass); Russ Morgan (drums).
Fri 25: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Fri 25: Red Kites Jazz @ Land of Oak & Iron, Winlaton Mill. 6:00-9:00pm. Free.
Fri 25: Vasilis Xenopoulos & Paul Edis @ Yamaha Music School, Blyth. 7:30pm. £15.00. at the door; £14.35. (inc £0.35 bf) online, in advance.
Fri 25: Struggle Buggy @ The White Room, Stanley. 7:45pm. Rhythm & blues.
Fri 25: Paul Skerritt Big Band @ The Glasshouse, Gateshead. 8:00pm. £20.30., £18.00. All-star big band.
Fri 25: Andrea Vicari Trio @ Traveller’s Rest, Darlington. 8:00pm. Vicari (piano); Andy Champion (double bass); Russ Morgan (drums). An Opus 4 Jazz Club event.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, October 20, 2021

Book: Michael Connelly - Void Moon.

Although not part of the Harry Bosch series of novels, Void Moon still has a jazz feel to it. It's a casino heist caper set in Las Vegas that certainly has the edge on the various reincarnations of Ocean's Eleven although, given the setting, Sinatra is often mentioned and the only jazz reference is somebody wearing a hat and trying to look like Art Pepper. When a guy was being shot and buried in the desert, I did think about Wardell Gray.

But Connelly's jazz isn't in the name-dropping, it's in the writing. You sense it in the dialogue, the structured plotting - as complex as a Gil Evans orchestration - the characters as individual as the various Ellington soloists.

Chandler, Hammett, Thompson, Woolrich, Spillane all walked down the mean streets without indication that they knew a yardbird from a game bird although they did meet up with a few of the latter.

The point I'm coming to, apart from mentioning that this is one helluva book is that, like it or not, jazz is the supreme American artform even if not every American realises it. As such, although European, Latin, Asian and African musicians have produced many outstanding jazz moments, at the root, they are dialects.

Admittedly, with globalisation, the gaps are becoming closer but the spoken language is the big giveaway. Talk to northeast American expatriate trumpet player Dave Weisser for the first time and be given the option of deciding if he was (a) teacher (b) doctor or (c) jazz musician you'd opt for (c). With, say, someone who'd just been awarded an Arts Council Grant (or similar) you may not have been so sure. The gist of this is that the American drawl, whether northern or southern, suggests music be it jazz, country, rock or blues. Likewise English, German, French, Italian etc. their musical identities are defined by symphonies and operas and their actual manner of speech tends to go along with it although, in fairness, they all have indigenous jazz musicians of their own capable of making it on the international stage.

The gist of all this is that Michael Connelly writes like a jazz musician plays - full of surprises - Lance

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