Bebop Spoken There

Gary Bartz: ''Music is nature's gift to man. It's the only religion. We're living in a terrible era, but what a beautiful thing music is. Look how it brings us together like religion is supposed to; and with no language barriers.'' (Jazzwise September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18897 (and counting) posts since we started blogging 18 years ago. 761 of them this year alone and, so far this month (Sept. 11.) 40.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

September.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Lawrence, Paul Grainger, Bailey Rudd.

Wed 16: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 17: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 17: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 17: Front Porch Blues @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 17: Miles 100 @ The Globe, Newcastle. 8:00pm. £12.00., £10.00., £7.00. Jack Courtney (trumpet); Sue Ferris (tenor sax); Tom Atkinson (guitar); Alan Law (piano); Deon Krishnan (bass); Jeff Armstrong (drums). A night of Miles Davis.
Thu 17: Amphitrio @ Pilgrim, Newcastle. 7:30pm. £7.00. Andrei Petrache (piano); Mike Alex (double bass); Philip Goron (drums).

Fri 18: Danny Lownes’ Hot Club @ The Lit & Phil, Newcastle. 1:00pm. £8.00. SOLD OUT!
Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Mark Williams Trio @ Sunderland Minster. 7:30pm. Old Black Cat Jazz Club.
Fri 18: Emma Fisk’s Hot Club du Nord @ St Cuthbert’s Centre, Crook. 7:30pm. £10.00., £5.00. student.
Fri 18: Rivkala + Beccy Sloan @ Pilgrim, Newcastle. 7:30pm (doors). £10.00.

Sat 19: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal. All welcome.
Sat 19: Sing Jazz! workshop @ The Globe, Newcastle. 2:00-5:00pm. £27.50. Tutor: Alexia Gardner: Nina Simone. Enrol at: learning@jazz.coop.
Sat 19: Ray Stubbs’ R&B All Stars @ Billy Bootleggers, Newcastle. 7:00pm. Free.

Sat 19: Tees Bay Swing Band @ The Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal. All welcome.

Sun 20: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 20: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 20: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.

Mon 21: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 21: Lewis Watson Quartet @ The Black Bull, Blaydon. 8:00pm. Coltrane centenary.

Saturday, April 11, 2020

Enrico Tomasso: Live Stream - April 11

Enrico Tomasso (trumpet/cornet); Martin Wheatley (guitar/banjo).
(By Lance)

There I was having a flagon of London Pride and, guess what, Enrico was having the same brew! I raised my glass and clinked it against the screen without doing any harm - apart from to my liver.

This evening's session began with Someday You'll be Sorry with Rico giving a brief example of how Bix and Louis would have approached the song. From an undisclosed location, somewhere in England, Martin Wheatley brought his banjo to the ball and provided the foundation for I Ain't Got Nobody. The banjo was played at an acceptable volume - pianissimo - and it sounded good.


A visit to the Louis Armstrong Museum in the Queens' district of NYC* gave our man, in between slurping Pride and talking about mouthpieces and things, of how he got to play four of Louis' actual trumpets. This eventually led to a tune neither of us were familiar with - Was I to Blame for Falling in Love With You? It's a lovely tune (Martin was now on the more respectable guitar) and even the vocal didn't harm it too much. I often wonder why trumpet players (and pianists) feel the need to sing. You don't get Tony Bennett playing the trumpet or Elvis playing the guitar (yes, I know he did but he shouldn't have unless he had Barney Kessel round to help him out with the hard bits). Having said that, Enrico does it as good as any of them.

An Armstrong related big band number from the 1930's - Cuban Pete - brought this entertaining vignette to a close. One thing was obvious, he has, to speak in the trumpet player's vernacular, got his lip back in!

You know something, I'm starting to enjoy these streaming sessions so much that I may never go out again. Spontaneous music, cheap beer and social distancing voided thanks to emails, texts and what have you. I could become a recluse - no chance! At the end of the day if I, and the world, survive, I'll be at the head of the queue when the first gig is announced and the other two will just have to wait in line!
Lance

*Queens' district sounds like NYC's version of Newcastle's Pink Triangle!
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