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Bebop Spoken There

Trevor Mires: ''My mum is a Dean Martin fan: I'm not, so I would grab my skateboard and get out of the house whenever I heard "Everybody Loves Somebody, Sometime." ". (Jazzwise, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17957 (and counting) posts since we started blogging 17 years ago. 278 of them this year alone and, so far, 34 this month (April 14).

From This Moment On ...

April 2025.

Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Jason Isaacs @ St. James’ STACK, Newcastle. 1:00-2:45pm. Free. Vocalist Isaacs working with backing tapes.
Fri 18: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.

Fri 18: Alexia Gardner @ Fika Gallery, Oldgate, Morpeth NE61 1LT. 7:00pm. Trio (Gardner, Alan Law, Jude Murphy).RESCHEDULED FOR JUNE 13

Fri 18: Sarah Jane Morris & Tony Remy: The Sisterhood @ Cluny 2, Newcastle. CANCELLED! 7:30pm (doors). £25.00.

Sat 19: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 1:00-3:00pm. Free. Vocalist Isaacs working with backing tapes.
Sat 19: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 19: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 20: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 20: Salty Dog @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 20: Spilt Milk @ STACK, Exchange Sq., Middlesbrough. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 20: Tweed River Jazz Band @ The Barrels Ale House, Berwick-upon-Tweed. 7:00pm. Free.
Sun 20: C.A.L.I.E @ The Globe, Newcastle. 8:00pm.

Mon 21: Newcastle Record Fair @ Copthorne Hotel, Newcastle. 10:00am. Going in search of the Buddy Bolden cylinder…
Mon 21: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 22: Abbie Finn Trio @ Newcastle House Hotel, Rothbury. 7:30pm. Coquetdale Jazz.

Wed 23: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 23: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 23: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. CANCELLED!

Thu 24: Mary Coughlan @ The Glasshouse, Gateshead. 8:00pm. £33.80. Blues, jazz etc.
Thu 24: Darlington Big Band @ Dorman’s Club, Middlesbrough. 8:30pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, April 22, 2020

Black Music In Europe: A Hidden History: BBC Radio 4 - April 21


The last programme in the series concerned black music influences mainly in Spain, the Netherlands and Britain during the 1970's. Franco died in 1975 and flamenco music had been encouraged as part of Spanish heritage, though actually this music was from diverse roots, having Jewish, African and other elements. Franco's death brought new freedoms in music.

Portugal's dictator was toppled in 1974 and the colonies such as Mozambique and Cape Verde became independent and repression was lifted. Cape Verdeans arrived in Portugal to find that they had access to modern instruments such as synthesisers and drum machines which had been unavailable back home. They embraced this wider musical world, especially by holding dances.


One third of the population of Suriname emigrated to the Netherlands on gaining independence and they started to play jazz/funk, notably a skilled flute player who enjoyed the music of James Brown, Cliff Richard, Elvis Presley and the Beatles. In 1977 Ronald Snijders produced an album of jazz/funk which had elements of classical music. He also played a fusion of funk with Surinamese native music which was not generally popular because of racist prejudice.

1970's Britain saw the rise of the National Front and the opposing Rock Against Racism movement, with bands such as the Jamaican Steel Pulse. Similar movements arose in Germany and France. Remember the song Young, Gifted And Black  from this period, sung by Bob Andy and Marcia Griffiths? From London came the 'Willesden Sound' which was a combination of Jamaican music overlayed with string instruments. 'Lovers' Rock' was born in London, a mix of soul and pop, which was especially popular with female listeners, producing songs such as I'm So Sorry (Louise Marks) and Janet Kay's  Silly Games. The latter had a complex drum pattern and some very high notes for the singer, as we heard in the recording.

In conclusion Clarke Peters emphasised that black music was an indelible part of European music and the listener would surely add that this trend has continued to the present day. Jazz is a large part of that continuation.
Ann Alex

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