Bebop Spoken There

Dominick "Domo" Branch: ''Most people say drummers can't write, they're just time-keepers only beating on things. But I have a very musical brain.'' (DownBeat February, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18288 (and counting) posts since we started blogging 18 years ago. 142 of them this year alone and, so far this month (Feb. 14), 42

From This Moment On ...

February

Fri 20: Alex Clarke w. Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT! Clarke w. Dean Stockdale, Mick Shoulder, Abbie Finn.
Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: Squabble @ Warkworth Memorial Hall. 7:00pm. Steve Chambers (organ); Jude Murphy (double bass, vocals); Sid White (drums).
Fri 20: Jive Aces @ Queen’s Hall, Hexham. 7:00pm (6:30pm doors).
Fri 20: Alex Clarke w. Dean Stockdale Trio @ Sunderland Minster. 7:30pm. Clarke w. Dean Stockdale, Mick Shoulder, Abbie Finn.

Sat 21: ???

Sun 22: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 22: Joe Steels Group @ Queen’s Hall, Hexham. 3:00pm. A Blue Patch album tour.
Sun 22: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Harben Kay Quartet @ The Globe, Newcastle. 8:00pm.

Mon 23: Joe Steels Group @ Yamaha Music School, Blyth. 1:00pm. A Blue Patch album tour.
Mon 23: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 24: Finn-Keeble Group @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00.
Tue 24: Liam Oliver & Shayo Oshodi @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 25: Geordie Jazz Jam @ Pilgrim, Newcastle. 7:30pm. Free. Newcastle University jam session. All welcome.
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 26: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £6.50.
Thu 26: Shalala @ The Globe, Newcastle. 8:00pm. £7.00 adv.
Thu 26: Mick Cantwell Band @ The Harbour View, Roker, Sunderland. 8:00pm. Blues.

Fri 27: Joe Steels Group @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT! A Blue Patch album tour.
Fri 27: Alan Barnes w. Mick Shoulder Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Trio: Rick Laughlin (piano); Mick Shoulder (double bass); Tim Johnston (drums).
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 27: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 27: Radio Hito + Eddie Prévost, Silvain Schmid & Tom Wheatley @ Cobalt Studios, Newcastle. 7:00pm (doors). £12.22., £10.10., £8.00.
Fri 27: Giacomo Smith w Strictly Smokin’ Big Band @ The Glasshouse, Gateshead. 8:00pm.
Fri 27: Alan Barnes w. Mick Shoulder Trio @ The Traveller’s Rest, Darlington. 8:00pm. £15.00. Trio: Rick Laughlin (piano); Mick Shoulder (double bass); Tim Johnston (drums).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, April 22, 2020

Black Music In Europe: A Hidden History: BBC Radio 4 - April 21


The last programme in the series concerned black music influences mainly in Spain, the Netherlands and Britain during the 1970's. Franco died in 1975 and flamenco music had been encouraged as part of Spanish heritage, though actually this music was from diverse roots, having Jewish, African and other elements. Franco's death brought new freedoms in music.

Portugal's dictator was toppled in 1974 and the colonies such as Mozambique and Cape Verde became independent and repression was lifted. Cape Verdeans arrived in Portugal to find that they had access to modern instruments such as synthesisers and drum machines which had been unavailable back home. They embraced this wider musical world, especially by holding dances.


One third of the population of Suriname emigrated to the Netherlands on gaining independence and they started to play jazz/funk, notably a skilled flute player who enjoyed the music of James Brown, Cliff Richard, Elvis Presley and the Beatles. In 1977 Ronald Snijders produced an album of jazz/funk which had elements of classical music. He also played a fusion of funk with Surinamese native music which was not generally popular because of racist prejudice.

1970's Britain saw the rise of the National Front and the opposing Rock Against Racism movement, with bands such as the Jamaican Steel Pulse. Similar movements arose in Germany and France. Remember the song Young, Gifted And Black  from this period, sung by Bob Andy and Marcia Griffiths? From London came the 'Willesden Sound' which was a combination of Jamaican music overlayed with string instruments. 'Lovers' Rock' was born in London, a mix of soul and pop, which was especially popular with female listeners, producing songs such as I'm So Sorry (Louise Marks) and Janet Kay's  Silly Games. The latter had a complex drum pattern and some very high notes for the singer, as we heard in the recording.

In conclusion Clarke Peters emphasised that black music was an indelible part of European music and the listener would surely add that this trend has continued to the present day. Jazz is a large part of that continuation.
Ann Alex

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