Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, April 29, 2020

Tonight's Blue Note: Horace Silver - The Jody Grind

Woody Shaw (trumpet); James Spaulding (alto sax/flute); Tyrone Washington (tenor sax); Horace Silver (piano); Ben Riley (bass); Roger Humphries (drums).

When Silver left the Jazz Messengers to form his own quintet/sextet it might have been expected that the formula would remain the same and, in a sense, it did. However, without the drive of Blakey it took on a not quite so hard bop feel.

Silver's groups tended to be a little more subtle and, dare I say it?, didn't quite match the excitement of the Blakey team irrespective of who was in the drummer's ever changing ensemble.

Having said that, I've just heard a sizzling trumpet blast by Woody Shaw, followed by Tyler Washington on tenor and Spaulding on alto that bear comparison with any of the Messengers' alumni.

The title track is a funky groove that was probably inspired by - or maybe vice versa - Ramsey Lewis' hit track The In Crowd.

Throughout, Silver's piano is as eloquent as the moment demands. Spaulding blows nice flute on Mary Lou and spiky alto elsewhere. 

But the enigma is Tyrone Washington - the elephant in the corner of  the jazz room - who simply disappeared from the scene. For religious reasons it is said but what a waste for whatever reason. This man could have been a contender and I feel privileged to have some of his work on my shelves. And if I ever come across his lone Blue Note album as a leader - Natural Essence - I'll grab it. It isn't even mentioned in Richard Cook's Blue Note Biography book but, then again, quite a few aren't! 

Yet another magical Blue Note moment.
Lance.
Jody Grind on YouTube.

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