Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 12: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, April 17, 2020

Wild Thorn Jam Gate and the Younger Jazzanation? By Steve H

Many, many years ago I was invited to a wedding on the same day as an important relegation fixture between Brentford and Portsmouth. I came up with the Hitchcockian idea that one could be in two places as once. After getting my wife’s blessing ‘do what you think you must’, I snuck out of the wedding reception while no one was watching, drove to Griffin Park and then returned to the wedding party after the match. My hopes of no once noticing my absence were shot down in flames as soon as I bumped into the first person who asked if I enjoyed the match. Funnily enough, despite getting what I thought was permission to go, this episode is still used against me by my long-suffering partner to this day.

Roll forward a quarter a century and I thought I would try this manoeuvre one more time, albeit in different circumstances. A young colleague was drumming at a gig for his heavy metal band Wild Thorn at Trillians in town and a large group of workmates had gone along to support him. My dilemma was that there was a gig at the Jazz Café on the same night. Time to unroll the Hitchcock manoeuvre once more, surely nothing could possibly go wrong this time. I turned up early at Newcastle’s finest heavy metal emporium saw the first number then snuck out of the now darkened venue down to Pink Lane to enjoy a very enjoyable set from AlexanderBone’s Jam Experiment (see photo courtesy of Mike Tilley). I returned with impeccable timing to Trillians and was able to catch the encore of the rock outfit. Mission accomplished - or so I thought.  Unfortunately, the drummer had clocked me leaving. He was singularly unimpressed. I think the fact I’d gone to a jazz gig added insult to injury.

What is it with the younger generation and jazz? It is a feature of most jazz gigs that I attend that the musicians are the youngest people in the room. In fact, a contemporary jazz audience has so many older attendees I’m surprised Saga don’t get in on the act and start sponsoring gigs. Clearly there is no shortage of young people coming through the UK jazz scene. I doubt if the variety and quality of playing has ever been better. It’s just a shame that so many of their peer group seem to shun the music.

Three months prior to ‘Wild Thorn Jam Gate’ I took a  group of young work colleagues to see The Dead Hedge Trio at the Jazz Café a few years ago. It wasn’t a bad gig (see review) but they hated it; half of them couldn’t wait to leave after the first set. A post-mortem on the gig seemed to focus more on the occasional spittle which had left the enthusiastic saxophonist’s mouth rather what they had listened to. These were clever bright professional people. One of the admirable traits of this generation is their obsession with physical fitness. Obviously, this is a good thing - it’s just a shame they aren’t prepared to exercise their minds in the same way they do their bodies. It is not just music they are blinkered to. Rarely do they visit art galleries, see anything other than Marvel movies or read serious literature. Harry Potter and his Game of Thrones seems to be the cultural zenith for these young professionals. What is wrong with the younger jazzanation?

Something needs to be done to entice these future captains of industry to gigs. Unlike the standard Victor Meldrew style jazz audience, these people drink. So rather than the venue selling at best a single drink each set per customer, bar sales could be exponentially lifted if only we could entice the more youthful element through the jazz doors.  Just as one begins to despair, there appears to be a resurgence of interest in the big cities. Artists such as Kamasi Washington sell out and Camden’s Jazz Café is frequently packed to the rafters with young groovers so maybe all is not lost.  Jazz will never have mass appeal (we wouldn’t like it if it did) but along as enough new people keep on dipping their toes in the improvised waters maybe there is a future for this finest of musical art forms to prosper.

By the way, for anyone interested in the result of the football match we lost one nil and were relegated at the end of the season but as Miles Davis would say ‘So What?’
Steve H

1 comment :

Anonymous said...

Kind of blue then?

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