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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17719 (and counting) posts since we started blogging 17 years ago. 39 of them this year alone and, so far, 39 this month (Jan. 15).

From This Moment On ...

January 2025

Sun 19: Glenn Miller Orchestra UK @ Glasshouse, Gateshead. 3:00pm. ‘Glenn Miller & the Rat Pack Era’.
Sun 19: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 19: Spilt Milk @ St James’ STACK, Newcastle. 5:15-7:00pm. Free. Nolan Brothers (vocal harmonies).
Sun 19: Tenement Jazz Band @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 19: Nick Ross Orchestra @ Queen’s Hall, Hexham. 7:30pm.
Sun 19: Freight Train (Tobin/Noble/Clarvis) @ The Globe, Newcastle. 8:00pm.
Sun 19: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 20: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 21: ???

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free. Fortnightly.
Thu 23: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Obituaries 2024.
Thu 23: Jason Isaacs @ St James’ STACK, Newcastle. 4:30-6:30pm. Free. Vocalist Isaacs working with backing tapes.
Thu 23: Pedal Point Trio @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 24: Zoë Gilby Quartet @ The Gala, Durham. 1:00pm.
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Creakin’ Bones & the Sunday Dinners @ Lindisfarne Social Club, Wallsend. 9:00pm. Admission: TBC. Jazz, blues , jump jive, rock ‘n’ roll.

Sat 25: Boys of Brass @ St James’ STACK, Newcastle. 3:30-5:30pm. Free.
Sat 25: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 25: Jack & Jay’s Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, April 25, 2020

CD Review: Bruno Heinen Trio - Out of Doors

Bruno Heinen (piano/Fender Rhodes); Andrea Di Biase (bass); 
Gene Calderazzo  (drums) 
(Review by Chris K)  

Make no mistake, some clever and significant stuff here from the Professor of Jazz Piano at Trinity Laban.  Heinen’s erudition is well established: his parents worked with Stockhausen in the 1970s, and a previous album saw his sextet work over Stockhausen’s Tierkreis (12 Signs of the Zodiac). With the pianist’s roots in impressionist classical music, this album is a suite using the same eight Hungarian folk melodies used by Bartók for his 1920 Op. 20, 8 Improvisations.   

So, you might imagine my trepidation listening to this new CD, and new trio, for the first time – thanks Lance!  

My fears were confirmed by the first track, What Happens Now?,  with sparse and repetitive piano over free drums, held together by the smoother bass of classically trained Di Biase, who also has a top pedigree in European jazz, having been part of Kenny Wheeler’s last group. 

The second, Devils’ Ditty,  is also far from straight ahead, with a nursery-rhyme scale tossed between piano and bass and twisted in time and structure, building to a frenzied drums and bass work out. Fool in the Grave stretches to long sections of arco bass, stretching my patience in the process.

The Wave, followed working a conversation between fragmented bass and piano over militaristic snare patterns from the lively Calderazzo.  

The second four tracks are a revelation though – and much easier listening, thank God! Look Before You Leap reprises the scale motif, but this time with a groove and lively counterpoint between Fender Rhodes and bass.  Past/present showcases Heinen’s distinctive playing style: blocky chords interspersed with right hand chords and runs – all in dreamily shifting metres, yet retaining a groove.  

The best is kept till last: the final tracks are up there with the most engaging and beautiful you could hope to hear. Mirror indulges Heinen’s solo piano, with limpid meanders evoking a pastoral Kit Downes. The closer, Homecoming, is a skipping and swirling romp in five (and/or seven?!) with the band intimately locked in to the catchiest tune you could imagine – most unexpected after the early numbers! 

Optimistically, the band plan to tour,  passing through Gosforth Civic Theatre on Thursday 2 July although that remains to be seen. I’d certainly give them a go on the basis of the second half of this album!  
Chris Kilsby 
Release date: 22.05.2020 Heinen Records HRBHCD01     Recorded September 2019  

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