Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18818 (and counting) posts since we started blogging 18 years ago. 682 of them this year alone and, so far this month (Aug. 20) 51.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 25: Michael Young Trio @ The Black Swan, Newcastle. 7:30pm. Free. CANCELLED!

Wed 26: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 27: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 27: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 27: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free.
Thu 27: Shalala @ The Globe, Newcastle. 8:00pm. £7.00.

Fri 28: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 28: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 28: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 29: Brian Jackson @ Pilgrim, Newcastle. 8:30pm (doors). £32.00.

Sun 30: Musicians Unlimited @ West Hartlepool RFC. 1:00pm. Free.
Sun 30: Tango Jazz Quartet @ The Globe, Newcastle. 8:00pm.

Mon 31: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Saturday, April 11, 2020

Digital release: Mainly Two - Squirrels in Matchboxes

John Garner, Marie Schreer (violins).
(Press release)


Squirrels in Matchboxes is the third album from UK-based contemporary violin duo Mainly Two. Recorded live at Blank Studios, Newcastle upon Tyne, the record features new works from three British composers who straddle the border between jazz and classical music, as well as two free improvisations by the duo. From the playful to the melancholic, the brutal to the plain silly, Mainly Two are rejuvenating the world of two violins, summoning a universe of colour from eight strings. 

…captivating and inventive compositions - superbly played with an exceptional sense of beauty, imagination and fun” - Bradley Creswick, former concert master of Philharmonia, Royal Opera House and Royal Northern Sinfonia. 

In 1931, Béla Bartók composed his 44 Duos for Two Violins, a set of miniatures rooted in folk traditions spanning Eastern Europe, including numerous dances. Initially conceived as teaching pieces, Bartók's suite explores a broad array of textures achievable in the violin duo format. In Duo Dances, James Brady has begun a companion set which expands on Bartók's by drawing on musical forms beyond Eastern Europe and on an expanded palette of...  more... 
credits
Released April 10, 2020

Performed by Mainly Two (Marie Schreer & John Garner).
Produced by Mainly Two and James Brady.
Recorded on 30 October 2019 at Blank Studios, Newcastle upon Tyne.
Recorded by John Martindale.
Mixed and mastered by Josh Green.

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