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Bebop Spoken There

Rickie Lee Jones: "There's lots of music and not so much celebrity. I guess I'll stay here [New Orleans] for a while if it doesn't get washed away in the flood." - (The Observer 18.04.21)

Archive quotes.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Postage

13,107 (and counting) posts since we started blogging 13 years ago. 526 of them this year alone and, so far, 81 this month (April 16).

Bar Manager Required

The Jazz Co-op are looking for an experienced bar manager who can be available to start when The Globe reopens in May.

Preference will be given to a suitably qualified person who lives relatively near to The Globe, 11 Railway St., Newcastle NE4 7AD.

Interested parties please follow this link.

Coming soon ...

April 29: Vieux Carré Jazzmen are back at The Holystone.

May 20 Maine Street Jazzmen are back at Sunniside Social Club.
May 23: Vieux Carré Hot Four are back at The Spanish City.

June 2: Vieux Carré Jazzmen are back at Cullercoats Crescent Club.
June 7: Jazz in the Afternoon are back at Cullercoats Crescent Club.

Thursday, April 16, 2020

Tonight's Blue Note: Eric Dolphy - Out to Lunch

Freddie Hubbard (trumpet); Eric Dolphy (alto sax/bass clarinet/flute); Bobby Hutcherson (vibes); Richard Davis (bass); Anthony Williams (drums)

I have to own up, despite the high regard this record is held in by many, it's never been one of my favourites and I hate to think how many years it is since I bought it. If I have played it twice in that time then this is the second time.

Listening again I can understand my initial revulsion. What I can't understand is why it now seems acceptable to me! Possibly because what seemed outrageous in 1964 or whenever I actually bought it has, in the ensuing years, become, for better or for worse, firmly embedded in the contemporary jazz vocabulary. Indeed there are fleeting moments when it sounds almost mainstream.


Dolphy is without doubt a fine instrumentalist capable of holding his own in more conventional settings e.g. Oliver Nelson's Prestige album Screaming the Blues being a good example. On this one he is much more outré.

The others are all A-listers and, once I got my head around it (or out of the sand some might say), I found myself wanting to listen again - Damascus here I come, I'm only 56 years late!
Lance

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