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Bebop Spoken There

Spasmo Brown: “Jazz is an ice cream sandwich! It's the Fourth of July! It's a girl with a waterbed!”. (Syncopated Times, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17328 (and counting) posts since we started blogging 16 years ago. 612 of them this year alone and, so far, 17 this month (Sept. 5).

From This Moment On ...

September

Tue 10: ???

Wed 11: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 11: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 11: The Tannery Jam Session @ The Tannery, Gilesgate, Hexham. 7:00-9:00pm. Free. A ‘second Wednesday in the month’ jam session.
Wed 11: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 12: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 12: Gateshead Jazz Appreciation Society @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:30pm. £4.00. ‘A Great Day in Harlem’.
Thu 12: The Cuban Heels @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Pete Tanton & co.
Thu 12: Tees Hot Club @ Dorman’s Club, Middlesborough. 8:30pm. Free. THC with guests Donna Hewitt, Bill Watson, Dave Archbold, Adrian Beadnell, Mark Hawkins.

Fri 13: Jeff Barnhart & Neville Dickie @ The Lit & Phil, Newcastle. 1:00pm. Two pianos, two pianists! SOLD OUT!
Fri 13: Noel Dennis Quartet @ The Old Library, Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Dilutey Juice @ Old Coal Yard, Byker, Newcastle. 7:30pm. £11.00. adv..
Fri 13: Ray Stubbs R & B All-stars @ The Forum, Darlington. 7:30pm. Classic blues.

Sat 14: Jeff Barnhart’s Silent Film Fest @ St Augustine's Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Sat 14: Customs House Big Band w. Ruth Lambert @ St Paul’s Centre, St Paul’s Gardens, Spennymoor DL16 7LR. 7:00pm (6:45pm doors). Tickets £10.00. from the venue or tel: 01388 813404. A ‘BYOB’ event.
Sat 14: Emma Wilson @ Claypath Deli, Durham. 7:00pm. £12.00. Acoustic blues.
Sat 14: Rat Pack - Swingin’ at the Sands @ Billingham Forum. 7:30pm.

Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Jude Murphy, Steve Chambers & Sid White @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 15: Tweed River Jazz Band @ Barrels Ale House, Berwick-upon-Tweed. 7:00pm. Free.
Sun 15: Panharmonia @ The Globe, Newcastle. 8:00pm.

Mon 16: Swing Manouche @ Yamaha Music School, Blyth. 1:00pm. £9.00.
Mon 16: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: John Hallam with the James Birkett Trio @ The Black Bull, Blaydon. 8:00pm. £10.00. A Blaydon Jazz Club 40th anniversary concert!

Thursday, April 16, 2020

Tonight's Blue Note: Eric Dolphy - Out to Lunch

Freddie Hubbard (trumpet); Eric Dolphy (alto sax/bass clarinet/flute); Bobby Hutcherson (vibes); Richard Davis (bass); Anthony Williams (drums)

I have to own up, despite the high regard this record is held in by many, it's never been one of my favourites and I hate to think how many years it is since I bought it. If I have played it twice in that time then this is the second time.

Listening again I can understand my initial revulsion. What I can't understand is why it now seems acceptable to me! Possibly because what seemed outrageous in 1964 or whenever I actually bought it has, in the ensuing years, become, for better or for worse, firmly embedded in the contemporary jazz vocabulary. Indeed there are fleeting moments when it sounds almost mainstream.


Dolphy is without doubt a fine instrumentalist capable of holding his own in more conventional settings e.g. Oliver Nelson's Prestige album Screaming the Blues being a good example. On this one he is much more outré.

The others are all A-listers and, once I got my head around it (or out of the sand some might say), I found myself wanting to listen again - Damascus here I come, I'm only 56 years late!
Lance

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