Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, April 22, 2020

Tonight's Blue Note: Bud Powell - The Scene Changes


Bud Powell (piano); Paul Chambers (bass); Art Taylor (drums).

One of Powell's lesser known recordings which has, by some, been compared unfavourably with his earlier recordings which, given his mental problems at the time (1959) would be understandable - if it were true!

Fortunately it isn't and, for most of the time, it bears comparison with his greatest work. Admittedly there are moments when he occasionally is a little stilted in his playing but they are few and far between and don't detract from this album of originals. They just prove he is human. Paradoxically there are times when he actually seems to surpass himself - Crossin' the Channel is one such track, the title track another as well as the short  Borderick where he bursts into a stride chorus.

What is ever constant are his chord voicings. Fat and filling like a three- tier sandwich with plenty of mustard.

Chambers and Taylor provide adequate support although, for me, the former's arco solos seem slightly out of context. Taylor, however, is excellent and may well have been one of the most underrated drummers of the bop and beyond era.

Well worth checking out if you thought Bud Powell's star had waned.
Lance

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