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Bebop Spoken There

Orrin Evans: “Now, getting a teaching spot is the new record deal”. (DownBeat, November, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

17523 (and counting) posts since we started blogging 16 years ago. 797 of them this year alone and, so far, 35 this month (Nov. 10).

From This Moment On ...

November

Sun 17: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 17: Liane Carroll: Jazz Vocal Weekend Workshop @ The Globe, Newcastle. 9:00am-5:00pm. £95.00. Day 2/2. SOLD OUT!
Sun 17: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Skerritt (solo) performing with backing tapes.
Sun 17: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 17: Liane Carroll @ The Globe, Newcastle. 8:00pm. SOLD OUT!
Sun 17: Julian Lage @ The Glasshouse, Gateshead. 8:00pm. Lage, solo guitar.

Mon 18: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 18: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.

Tue 19: Christine Tassan et Les Imposteures @ Bowes & Gilmonby Parish Hall, Co. Durham. 7:30pm. £14.00.; £7.00. child.
Tue 19: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Mark Robertson.
Tue 19: Jeremy McMurray & the Pocket Jazz Orchestra @ Billingham Catholic Club. 7:30pm. £5.00. from 07757 062798 or at the door.

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 20: Christine Tassan et Les Imposteures @ Howick Village Hall, nr. Alnwick. 7:30pm. £12.00.; £6.00. child.
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 20: Hot Club of Heaton @ Elder Beer, Heaton, Newcastle. 8:00pm. A ‘third Wednesday in the month’ session.

Thu 21: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. ‘Autumn into Winter Titles (music & songs that go with the change of the seasons)’.
Thu 21: Down for the Count Swing Orchestra @ Newcastle Cathedral. 7:30pm. £25.00., £20.00., £14.00. ‘Swing Into Xmas with the Down for the Count Swing Orchestra’.
Thu 21: Pete Tanton & the Cuban Heels @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 21: Tees Hot Club @ Dorman’s Club, Middlesborough. 8:30pm. Free. Guests: Neil Brodie (trumpet); Donna Hewitt (sax); Josh Bentham (sax); Garry Hadfield (keys); Ron Smith (bass); Mark Hawkins (drums).

Fri 22: Vieux Carré Jazzmen @ The White Swan, Ovingham. 12:30-3:30pm. £15.00. Line-up: Chris Perrin (clarinet, tenor sax); Phil Rutherford (sousaphone); David Gray (trombone, trumpet, vocals); Brian Bennett (banjo). To book a table tel: 01661 833188.
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 22: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 22: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 22: East Coast Swing Band @ The Exchange, North Shields. 7:30pm.
Fri 22: Dilutey Juice @ Independent, Sunderland. 7:30pm. £10.00. + £1.00. bf.
Fri 22: Archipelago @ Poprecs, High St. West, Sunderland. 7:00pm. £10.00. Multi-bill, Archipelago on stage 8:00pm. A Boundaries Festival event.
Fri 22: Groovetrain @ Hoochie Coochie, Newcastle. £15.00. + bf. 8:45pm (7:30pm doors).

Sat 23: Vieux Carré Jazzmen @ Spanish City, Whitley Bay. 11:00-1:00pm. £6.00. at the door, £4.00. advance. Tel: 0191 691 7090. A Spanish City ‘Xmas Market’ event in the Champagne Bar.
Sat 23: Washboard Resonators @ Claypath Deli, Durham. 7:00pm. £12.00.
Sat 23: Paul Skerritt Big Band @ Westovian Theatre, South Shields. 7:30pm.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, April 15, 2020

Bebop Spoken There

Some choice quotes from the Bebop Spoken There archives.

Geri Allen: "Mary Lou Williams was playing bebop when Charlie Parker was still in short pants." - (DownBeat August 2018.).

Bob Brookmeyer: "The group's philosophy? We're saving to buy new uniforms - the ties wore out." - (Crescendo March 1965).

Brian Clough: "There's nothing worse than a great performer losing some of his appeal when he puts on a different hat. [Trevor] Francis in management was like watching Frank Sinatra attempting to become a juggler..." (Cloughie, Walking on Water - My Life. Headline Book Publishing 2002).

Dottie Dodgion: "He [Buddy Rich] plays good for a man." -  (DownBeat March 20, 1969.)

Duke Ellington: "We starved for 5 weeks and once we split a hot dog 5 ways." – (DownBeat July 1936).

Vin Foy: “The instructor was amazed at how quickly I'd picked up on Morse Code. 'It's just crotchets and quavers' I replied!" – (Conversation).

Dexter Gordon: "We must assume that if they are music critics, then they must know something about music." - (DownBeat June 22, 1972).

Johnny Hodges: "They [most saxophone players] go around like gunfighters trying to cut each other down."(DownBeat December 1, 1966).

David Izenzon: "I know more about what I don't know than about what I do know" (DownBeat June 2 1966).

Elvin Jones: "Let's just say he [Rashid Ali] has a unique conception of time." - (DownBeat March 24, 1966).

Miles Kington: "If the intake of alcohol fails to improve a jazz players performance, why do jazz listeners think it improves their appreciation?" - (Jazz Express October 1982).

Humphrey Lyttleton: "At a concert in Rouen, I stamped in a number on the neck of Freddy Legon's banjo and smashed it to smithereens. The front rows actually rose to their feet and accorded me a special ovation." -  (Second Chorus by Humphrey Lyttleton - MacGibbon & Kee Ltd. 1958.)

Wingy Manone: "One hock-shop guy had my horn so much he learned to play it and took gigs away from me!" -  (DownBeat April 7, 1966).

Red Norvo: "I was stumped too when the whole music business seemed to fall apart. I didn't know whether to try something with a band, go back to my vaudeville act, or open a hot dog stand. I decided to take a shot with a trio- (DownBeat August 11, 1950).

Arturo O’Farrill: “I like to put a younger musician next to a veteran and hope each will influence the other’s thinking.” – (DownBeat September 2014).

Art Pepper: "I found that every time I went to jail I came out and I was a little more in tune. I had more depth, more soul." - (DownBeat June 5, 1975).

Q (Quincy Jones): “Michael Caine taught me how to speak Cockney.” – (Jazzwise September 2015).

Sonny Rollins: "These guys who only play their own tunes, they can cover up a lot of things, but if you play the melody of Stardust, everybody can tell whether you're doing it right or not." - (DownBeat August 26, 1965).

George Shearing: "Speaking about Johann Sebastian Bach I think he'd be a real jazzer if he were alive today. I mean any man who has two wives, twenty kids, gets kicked out of the church for being too harmonically radical and drinks beer can't be all wrong can he?" - (Crescendo March 1984).

Joe Temperley: "Of course, I consider myself Scottish. I am Scottish. I still support Cowdenbeath." -  (Jazz Journal July 2012).

James Blood Ulmer: "The role of the guitar used to be limited, you took one or two choruses then the horn player took about 12. Made me want to get my own band, so I could do what I wanted to as a guitar player." -  (Down Beat April 1994).

Joe Venuti: "In America we don't have so many festivals--we have Jazz Parties." - (Crescendo October 1977).

Fred Wesley: "I only met Cannonball Adderley one time. He was in a restaurant and he and Nat were having lunch. So we had a short conversation. Mostly about the waitresses' big butts. We never got to talk about music." -  DownBeat July 2007).

Vasilis Xenopoulos: “I like playing jazz that has form, and structure. That’s what I’ve been doing for years and I like it.” – (Jazzwise July 2015).

Lester Young: “I've got big eyes for Bix" (DownBeat 1956).

Mike Zwerin: "He (Miles) blew Old Folks and a young girl sitting near me said 'He opens up melodies like a flower'." (DownBeat March 10, 1966).
Lance

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