Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 12: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Wednesday, April 15, 2020

Bebop Spoken There

Some choice quotes from the Bebop Spoken There archives.

Geri Allen: "Mary Lou Williams was playing bebop when Charlie Parker was still in short pants." - (DownBeat August 2018.).

Bob Brookmeyer: "The group's philosophy? We're saving to buy new uniforms - the ties wore out." - (Crescendo March 1965).

Brian Clough: "There's nothing worse than a great performer losing some of his appeal when he puts on a different hat. [Trevor] Francis in management was like watching Frank Sinatra attempting to become a juggler..." (Cloughie, Walking on Water - My Life. Headline Book Publishing 2002).

Dottie Dodgion: "He [Buddy Rich] plays good for a man." -  (DownBeat March 20, 1969.)

Duke Ellington: "We starved for 5 weeks and once we split a hot dog 5 ways." – (DownBeat July 1936).

Vin Foy: “The instructor was amazed at how quickly I'd picked up on Morse Code. 'It's just crotchets and quavers' I replied!" – (Conversation).

Dexter Gordon: "We must assume that if they are music critics, then they must know something about music." - (DownBeat June 22, 1972).

Johnny Hodges: "They [most saxophone players] go around like gunfighters trying to cut each other down."(DownBeat December 1, 1966).

David Izenzon: "I know more about what I don't know than about what I do know" (DownBeat June 2 1966).

Elvin Jones: "Let's just say he [Rashid Ali] has a unique conception of time." - (DownBeat March 24, 1966).

Miles Kington: "If the intake of alcohol fails to improve a jazz players performance, why do jazz listeners think it improves their appreciation?" - (Jazz Express October 1982).

Humphrey Lyttleton: "At a concert in Rouen, I stamped in a number on the neck of Freddy Legon's banjo and smashed it to smithereens. The front rows actually rose to their feet and accorded me a special ovation." -  (Second Chorus by Humphrey Lyttleton - MacGibbon & Kee Ltd. 1958.)

Wingy Manone: "One hock-shop guy had my horn so much he learned to play it and took gigs away from me!" -  (DownBeat April 7, 1966).

Red Norvo: "I was stumped too when the whole music business seemed to fall apart. I didn't know whether to try something with a band, go back to my vaudeville act, or open a hot dog stand. I decided to take a shot with a trio- (DownBeat August 11, 1950).

Arturo O’Farrill: “I like to put a younger musician next to a veteran and hope each will influence the other’s thinking.” – (DownBeat September 2014).

Art Pepper: "I found that every time I went to jail I came out and I was a little more in tune. I had more depth, more soul." - (DownBeat June 5, 1975).

Q (Quincy Jones): “Michael Caine taught me how to speak Cockney.” – (Jazzwise September 2015).

Sonny Rollins: "These guys who only play their own tunes, they can cover up a lot of things, but if you play the melody of Stardust, everybody can tell whether you're doing it right or not." - (DownBeat August 26, 1965).

George Shearing: "Speaking about Johann Sebastian Bach I think he'd be a real jazzer if he were alive today. I mean any man who has two wives, twenty kids, gets kicked out of the church for being too harmonically radical and drinks beer can't be all wrong can he?" - (Crescendo March 1984).

Joe Temperley: "Of course, I consider myself Scottish. I am Scottish. I still support Cowdenbeath." -  (Jazz Journal July 2012).

James Blood Ulmer: "The role of the guitar used to be limited, you took one or two choruses then the horn player took about 12. Made me want to get my own band, so I could do what I wanted to as a guitar player." -  (Down Beat April 1994).

Joe Venuti: "In America we don't have so many festivals--we have Jazz Parties." - (Crescendo October 1977).

Fred Wesley: "I only met Cannonball Adderley one time. He was in a restaurant and he and Nat were having lunch. So we had a short conversation. Mostly about the waitresses' big butts. We never got to talk about music." -  DownBeat July 2007).

Vasilis Xenopoulos: “I like playing jazz that has form, and structure. That’s what I’ve been doing for years and I like it.” – (Jazzwise July 2015).

Lester Young: “I've got big eyes for Bix" (DownBeat 1956).

Mike Zwerin: "He (Miles) blew Old Folks and a young girl sitting near me said 'He opens up melodies like a flower'." (DownBeat March 10, 1966).
Lance

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