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Bebop Spoken There

Charles Lloyd: "I'm raring to go out to play, because I know I'll find something to explain the inexplicable." (DownBeat August 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! -- Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14454 (and counting) posts since we started blogging 14 years ago. 732 of them this year alone and, so far, 30 this month (August 11).

From This Moment On ...

August

Thu 18: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 18: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 18: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30-8:30pm.
Thu 18: Newcastle Jazz Festival @ Bridge Hotel, Newcastle. Strictly Smokin’ Big Band. 7:00pm. Free (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Thu 18: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm. Guests: Dave Archbold (keys); Dan Johnson (sax); Josh Bentham (sax); Bill Watson (trumpet); Ron Smith (bass)

Fri 19: Jo Harrop & Jamie McCredie @ Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 19: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri. 19: Vieux Carré Jazzmen @ Ayr Jazz Club, Fairfield House Hotel, Fairfield Rd, AYR KA7 2AS. 7:30pm. For accommodation call the hotel on 01292 267461. For tickets call Ayr Jazz Club Secretary, Stuart McLean, on 01292 590773.
Fri 19: Jo Harrop & Jamie McCredie @ St Cuthbert’s Centre, Crook. 7:30pm.
Fri 19: Newcastle Jazz Festival @ Black Swan, Newcastle. 7:30pm. Harry Keeble Duo + Northern Monkey Brass Band. £15.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Fri 19: Mo Scott @ The Millstone, South Gosforth, Newcastle. 8:00pm. Scott w Gary Dunn, Neil Harland & Paul Smith.

Sat 20: Newcastle Jazz Festival @ Tyne Bank Brewery, Newcastle. All day event (from 1:30pm): Riviera Effect + Alter Ego + Graham Hardy Quartet + Jo Harrop & Jamie McCredie + Ivo Neame Quartet. £17.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Sat 20: Anth Purdy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).
Sat 20: Boys of Brass @ Brandling Villa, South Gosforth, Newcastle. 8:00pm.

Sun 21 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 21: Newcastle Jazz Festival @ Tyne Bank Brewery, Newcastle. All day event (from 1:30pm): Lindsay Hannon & Alan Law + Knats + David Gray’s Flextet + Ben Gilbert Trio + Emma Rawicz. £17.00. (four-day festival ticket £40.00.). www.newcastlejazzfestival.co.uk.
Sun 21: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.

Mon 22: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 23: FILM: Space is the Place @ Tyneside Cinema, Newcastle. 6:25pm. Dir. John Coney (1974). Starring Sun Ra!
Tue 23: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (to reserve a table phone 0191 386 5556).
Tue 23: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Steve Glendinning, Paul Grainger, Abbie Finn.

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 24: 4B @ The Exchange, North Shields. 7:00pm.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Saturday, October 27, 2018

Jazz at the Lescar, Sheffield: The Josh Schofield Quartet – Oct. 24

Josh Schofield (alto); Olly Chalk (piano); Sam Ingvarsen (bass); Billy Weir (drums).
(Review by Steve T)
The venue is a backroom in a bar, just like many backrooms in many bars across the country; In the summer, we went to another one just like it in Sheffield to see a Zappa tribute band.

But this backroom in this bar is the site of the 2018 Parliamentary Jazz Awards venue of the year, and we at Bebop Spoken Here know a thing or two about the Parliamentary Jazz Awards, or at least we know a man who does.

Jazz at the Lescar is the brainchild of Jez Matthews, who's all over this night and I've no doubt the charisma and enthusiasm he exudes wouldn't have gone unnoticed by our Right Honourable jazz friends who hand out the awards. His hospitality is of the above and beyond variety too.

It was two bands on a weekly Wednesday night playing to an enthusiastic crowd of just under forty: young and old, men and women. With myself down to a single arm, (and not my drinking or driving arm), a son at University in Sheffield with the inevitable freshers’ flu, and a long-suffering Mrs. T with a long drive home and work the next day, it was agreed beforehand we'd only do the first band.

The Josh Schofield Quartet are Birmingham Conservatoire alumni and I'd received a tip-off they're kick-ass hot, or something to that effect, in a twenty-year-old's jazz parlance. My informant proved a reliable source.

The band operates In The Year of Coltrane (AC), suits and no ties all around a great look for this type of stuff.  A bold opening that I'd never have guessed was Strayhorn, with sax then piano,  nothing much by way of recurring melody, expertly delivered fours closing things to rapturous applause and some serious whooping, not least from our host.  

A slow piano introduced an original in need of a name (sounds like a song title), before it became a pacey group piece, which presently crashed into a bass-led further change in tempo, and a tastefully understated solo before drums took it out.

A Trane piece was followed by one from Shorter - the man some called 'young John Coltrane' before he came out from under the shadow as a jazz giant in his own right - just in case anybody hadn't yet guessed where this band is coming from.

A drum intro went into another head. I've no idea if or when I've heard it before and I love it when that happens, the bass player getting funky with his upright, keeping things fresh and varied.
The pace was upped again for a barnstorming final piece, the piano, following his solo with some impressionistic playing behind the sax before it, in turn, morphed into something almost, but not quite Impressions. Either I'm missing something (which is perfectly possible) or this was something extremely clever and complex, delivered with subtlety, ambition and a perfectly judged level of reverence. Extraordinary.

With an exciting programme, anybody with a forthcoming mid-week excursion to the Sheffield area is sorted, and I'd love to see the Josh Schofield quartet again, somewhere in the North East perhaps. 
Steve T.

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