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Bebop Spoken There

Curtis Stigers: “I’m a jazz singer. I’m not a saxophonist. When I stand in front of a band like the Danish Radio Big Band or Ronnie Scott’s, I usually tend to leave the instrument on the stand.” – (The Northern Echo 20 July 2017)

Tamsin Austin, Director of Performance Programme, Sage Gateshead: “SummerTyne is our largest festival and we absolutely love it!” – (The Northern Echo 20 July 2017)

Today Friday July 21

Afternoon
Rendezvous Jazz - The Black Horse, Front St., Monkseaton, Whitley Bay NE25 8DP. 1pm. Free.
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SummerTyne Americana Festival 2017 - Sage Gateshead. Day 0ne of three. Details. From 12 noon all day.
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Ruth Lambert Quartet - The Lit & Phil, 23 Westgate Rd., Newcastle NE1 1SE. 1pm. £5.
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Alice Grace Trio - Town Hall, Market Place, Bishop Auckland DL14 7NP. 1pm. £5.
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Evening
Belinda Voshtina & James Harrison - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 9pm. Free.
Washboard Resonators - Billy Bootleggers, Nelson St., Newcastle NE1 5AN. 9pm. Free.
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Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, May 19, 2017

Dean Stockdale Trio @ The Lit & Phil, Newcastle - May 19

Dean Stockdale (piano), Gavin Barras (double bass) & Adam Dawson (drums)
(Review by Russell).
The welcome return of Dean Stockdale to the Lit & Phil, on this occasion working with the west of the Pennines bass and drums pairing of Gavin Barras and Adam Dawson, presented a first opportunity for Newcastle gig-goers to purchase the pianist's new CD. What's more, this Friday lunchtime concert was recorded for, at the very least, posterity, if not future release.
Adam Dawson's last minute arrival via the always busy M6 and the recording engineer requiring a few minutes to mic-up the kit resulted in the usual one o'clock start being delayed slightly. The published programme of eight numbers actually ended up with nine tunes being played - more of that later.

Clifford Brown's Joyspring opened the set with Stockdale's easy swinging piano style to the fore. The trio recently played a prestigious date at the Gateshead International Jazz Festival and, having been in the studio to record Origin (Stockdale's new album), this is a well-oiled working unit, a glance sufficient visual communication between the three musicians.
Beautiful Love and Nostalgia in Times Square were choice tunes and two Stockdale compositions - Harbour Lights and Blues for Woody - could be said to be of similar quality. The blues weren't for Woody Shaw, rather Stockdale's dog Woody (sadly no longer with us).
At this juncture bassist Gavin Barras laid down his instrument, checked his phone and announced he would have to be excused for a few minutes to feed money into a parking meter! Off he went. What to do? Stockdale is an improvising musician, so, he played a solo piano piece. Metropolitan Nocturne entertained the audience until Barras' return.
The trio restored to its full complement, two further Stockdale tunes - Railtown and Nth Degree - were well received by the lunchtime crowd and, slightly beyond two o'clock, the one hour performance concluded with Out of Nowhere.
A fine hours’ worth of swinging jazz piano, three compatible musicians, the Dean Stockdale Trio is looking forward to a Manchester Jazz Festival appearance in July. A return visit to Tyneside is highly likely and, as and when confirmed, it comes highly recommended.

Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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