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Bebop Spoken There

Veronica Swift: "I don't want to call myself a jazz singer anymore. I'm a singer and a storyteller.'" - (JazzTimes, December 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13837 (and counting) posts since we started blogging 13 years ago. 56 of them this year alone and, so far, 56 this month (Jan. 16).

From This Moment On ...

January 2022

Wed 19: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 19: Classic Swing @ Venue, Cramlington NE23 6UT. 1:00pm.
Wed 19: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 19: Four @ The Exchange, North Shields. 7:00pm.
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 20: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 20: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 21: Emma Fisk & James Birkett @ The Lit & Phil, Newcastle. 1:00pm. POSTPONED!
Fri 21: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 21: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 21: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 21: John Law @ Durham Cathedral. 7:30pm. £20.00. POSTPONED!
Fri 21: Dean Stockdale Quartet @ Traveller’s Rest, Darlington. 8:00pm. £8.00. Opus 4 Jazz Club.
Fri 21: Jude Murphy & Dan Stanley @ Prohibition Bar, Newcastle. 8:00pm.

Sat 22: East Coast Swing Band @ East Bedlington Community Centre. 7:30pm. £5.00.
Sat 22: MGB @ Prohibition Bar, Newcastle. 8:00pm. The Milne-Glendinning Band.

Sun 23 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 23: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 23: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 23: More Jam @ The Globe, Newcastle. 3:00pm.
Sun 23: Anth Purdy: Swing Jazz Guitar @ Blues & Bourbon, Newcastle. 3:00pm.
Sun 23: Svarc Hanley Longhawn @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 24: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 24: Vels Trio @ The Cluny, Newcastle. 8:00pm.

Tue 25: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Murray Wankling, Paul Grainger, King David Ike-Elechi.

Friday, May 05, 2017

Chris Potter Quartet @ Pizza Express Stage, Cheltenham Jazz Festival - April 30.

Chris Potter (saxophones), David Virelles (piano), Joe Martin (bass), Marcus Gilmore (drums).
(Review by Steve T)
Finally got around to buying the Aziza album as preparation for this and was struck, given Chick Corea would be the preceding gig, how it reminded me of Return to Forever. I nearly saw Aziza (Potter, Dave Holland, Lionel Louke and Eric Harland) at London last year and was surprised to be told I saw Potter with Pat Metheny a few years back.
With the education system, private tuition, brilliant educators and more money to pay for them all, it's perfectly possible to produce musicians approximating the calibre of McCoy Tyner, Elvin Jones, Jimmy Garrison and even Trane. They can make great music but the shock factor of the propulsion into unchartered territory has gone. 
Lance has just reviewed the album from which much of this set was taken, and while ostensibly we seem to disagree, I totally agree this music looks forward as well as back as it seems to stand outside time. I once read that the world would never catch up with Beethoven or Trane, and while I don't think that's true of Ludvig Von, I suspect it is of Trane and I wish I could recall who said it as I often taunt Trane deniers with it.
That's not to say this is in any way a Trane tribute band as I hear countless influences in their music, but to recognise the pervasive influence of Trane on every Jazz musician since, and particularly saxophonists.
Some pieces were more melody driven than others but there was lots of freedom throughout, Potter taking the most solo time, though straightforward definitions were often mute. All are superb musicians and Potter quite extraordinary. Piano solos seemed shorter or were perhaps more easily pinpointed and the first drum solo earned him rapturous applause.
Potter made announcements every couple of pieces, advising us they would finish with the title track of the album - the Dreamer is the Dream - where he played the intro on soprano before switching back to tenor, followed by a blues. Martin took the obligatory bass solo but only really got to show his chops during a sprint to the finish, as piano dropped out. Bass followed leaving an incredible sax/drums workout before the goosebumps’
moment when piano and bass came back in but, great as he was, we didn't need another drum solo, but audiences seem to love them at a time when most rock bands are trying to lose them.
It should have been brilliant and it was, so why didn't it feel like it? It could have been me but others agreed. 
Steve T.

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