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Bebop Spoken There

James Carter: "We played around with 'Nuages' and FUNKED it up, basically." - (DownBeat, September 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday August 20

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Will Earl - Band Room, Music Studios, Newcastle University NE1 7RU. 12 noon. Free. Earl (drums) Postgraduate Recital. ‘Solo and groove: innovation in contemporary drumming practices’.

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Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 12:00pm - 2:00pm. Free.

NOTE EARLIER TIME THIS WEEK ONLY.

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Joe Reid - Band Room, Music Studios, Newcastle University NE1 7RU. 1:40pm. Free. Reid (drums) Postgraduate Recital. ‘Progressive Drumming & Polyrhythms of the Modern Drummer’.

Evening

Jazz

Jam session - Black Swan Bar, Newcastle Arts Centre, 59 Westgate Rd., Newcastle NE1 7RU. Tel: 0191 222 9882. 8:00pm. Free. House trio: Giles Strong (guitar), Paul Grainger (double bass), Paul Wight (drums).

River City Jazzmen - Block & Tackle, Blackthorn Way, Ashington NE63 8NW. Tel: 01670 819845. 8:30pm. £4.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, May 04, 2017

Darlington Jazz Festival: Dave O’Higgins @ The Majestic Theatre - Saturday April 29

(Review by Russell)
Saturday evening is the big set piece occasion at the Darlington Jazz Festival. This year’s big ‘do’ relocated to the recently restored Majestic Theatre on Bondgate. This ‘majestic’ 1930s Art Deco building (lots of marble, many original features retained) with its large stage accommodated a big band with ease. The Durham Alumni Big Band is one of the best in the land with a succession of big name guest artists singing its praises. This evening’s soloist, Dave O’Higgins, similarly heaped praise on ‘this magnificent big band’.

This sold out concert began with a set from the Durham County Youth Big Band. Awards come the way of DCYBB on a regular basis. At the heart of it is the dedication of Durham Music Service tutors working year round to nurture the musicians of tomorrow. The young musicians in the band looked the part and the performance belied their years. MD Shaune Eland assembled his charges in the wings ready to take to the platform on time (a learning experience, be ready to go on time!). The sections boasted mid-teen veterans of top flight regional jam sessions, professional gigs and occupants of coveted chairs in the senior Alumni band. Any self-respecting big band will have one or two Sammy Nestico charts in the book and the Durham County Youth Big Band is one of them. Orange Sherbet and Odyssey were on the set list and, Basie-like, the DCYBB purred and purred. Bacharach and David’s The Look of Love featured alto saxophonist Beth Roberts. Of late, Roberts has held her own at jam sessions (sessions of frighteningly high standard). This high profile festival concert would appear to have held few fears for the promising altoist. Guest artist Dave O’Higgins graciously joined the orchestra to play tenor on Misty. A memorable occasion for all concerned.

The Durham Alumni Big Band took to the stage on time…all but one. Running late, Omar Shade, baritone sax, risked the wrath of MD Shaune Eland! Credit to the young man he literally held up his hands as he took his seat in the section. MD Eland could but laugh! The first set ranged from Cole Porter to Wayne Shorter to a Ted Heath arrangement of Fats Waller. Matt Roberts’ arrangement of Shorter’s Lady Day featured Dave O’Higgins (O'Higgins out front in lounge suit, behind him the band in dickie bows) and the sheer class stood out a mile. The arranger M Roberts was in the house. An Al Wood arrangement of Ted Heath’s version of Honeysuckle Rose highlighted the work of the ace trumpet section: Messrs Ian Robinson, Matthew Robinson, Tom Hill, Jonny Dunn and Gordon Marshall. The arranger, Mr Wood, a keen supporter of Darlington Jazz Festival, was in the house.

The interval at a gig is a chance to take five, enjoy a drink and exchange pleasantries. For some it is a busy old time. Danielle Drew and colleagues worked throughout – ‘doing the door’, sorting out the raffle and attending to a thousand and one other matters. Danielle and other unsung volunteers make Darlington Jazz Festival what it is – the friendliest of festivals.

Matthew Robinson almost stole the show at the beginning of the second set. Standing out front, a measured, confident trumpet solo on St Louis Blues won huge applause. Dave O’Higgins inspired the band to ever greater heights. He introduced two of his own compositions – The Road to Rack and Ruin and New Orleans. The latter number allowed MD Eland to take a break, O'Higgins himself content to let the band play. Drummer Stephen Fletcher set up and maintained a Louisiana shuffle as all and sundry had a blast, not least pianist Dean Stockdale, Alex Baker (alto) and D O’Higgins himself. The Majestic Theatre proved to be an ideal venue, the Durham Alumni Big Band and the  Durham County Youth Big Band did themselves proud, in conclusion, an all round success.
Russell
Durham Alumni Big Band: Director Shaune Eland; saxophones Alex Baker, Kirsty Dunn, Daniel Johnson, Jake Steels, Omar Shade; trumpets Ian Robinson, Jonny Dunn, Tom Hill, Matthew Robinson, Gordon Marshall; trombones Alastair Wood, Terry O’Hern, Andrew Kirtley, Dave Hamilton; rhythm section Dean Stockdale, Shaun Henderson, Amy Baker, Stephen Fletcher


Durham County Youth Big Band: Director Shaune Eland; saxophones Beth Roberts, Joe Hesleton, Omar Shade, Tom Joashi, Ben Knivett; trumpets Matthew Robinson, Alice Huseyinoglu, Bethany Windle, Jonathan Hopkins, Suzy Lucas; trombones Matthew Hopkins, Becky Potter, Andrew Hedges, James Terrill; rhythm section Beth Caygill, Emily Simpson, Ben Hacker, Peter Kirkman         

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance