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Bebop Spoken There

Cécile McLorin Salvant: “I feel like once the song is gone, it’s gone. Music is the fleeting art form – it should be.”(Down Beat October 2017).

John Beasley: “So many jazz band leaders nowadays, they really want to plan out their sets. I came up with guys that read the crowd.” – (Jazz Journal October 2017)

Today Friday November 24

Afternoon
Rendezvous Jazz - The Monkseaton Arms, Front St., Monkseaton, Whitley Bay NE25 8DP. 1pm. Free.

Graham Hardy & Paul Edis @ Gala Theatre, Millennium Place, Durham DH1 1WA. 03000 266 600. 1:00pm. £5.00.

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Evening

Sandrani - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 8:45pm. £10.00. & £8.00. JNE Women Make Music.

Swamp Hoppers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Skidoo 52: The Joint Is Jumpin’ - Middleton & Tonbridge Village Hall, Middleton, Morpeth NE61 4RA. 01670 772600. 7:30pm. £8.00. adult, £4.00. child.

Rendezvous Jazz - Riverdale Hall Country House Hotel, Bellingham NE48 2JT. 01434 435402. Three-day event, two night stay £164.00.pp, band performing evening Friday 24 & Saturday 25.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, May 29, 2017

CD Review: Talinka (Fanfare FJ1701)

Gilad Atzmon (bass clarinet, sorprano sax, accordian and classical guitar); Tali Atzmon (vocal); Jenny Bliss Bennett (viola da gamba); Yaron Stavi (bass) + Frank Harrison (piano); Enzo Zirilli (perc).
(Review by Peter Jones)
Although far less well-known than her multi-instrumentalist husband Gilad, Tali Atzmon deserves better recognition for the quality of her writing and singing on this debut album of the group that includes both of them, along with Jenny Bliss Bennett on the baroque instrument the viola da gamba, and Yaron Stavi on double bass. Not included in the live line-up but heard occasionally on the album are pianist Frank Harrison and percussionist Enzo Zirilli.
Musically, Talinka follow a similarly winding path to the one trodden by Gilad over the years; it’s the sound of people around the world who have had a hard time of it - keening, remorseful music, but full of beauty. On the sweet, gentle title track, Tali sings wordlessly in the style of the Brazilian Minas Gerais region. More typical perhaps is Tali’s composition Losing Vision, a song about refugees, on which she is backed only by bass clarinet, bowed viola da gamba and bass. Her other two tunes – When You’re Gone and Every Now And Then – are among the strongest on the album. 

The jazz standards are not neglected: that icon of passive suffering, Billie Holiday, is represented by Don’t Explain, whilst a similar mood is evoked by Gene de Paul’s You Don’t Know What Love Is. Invitation, with its sinuous, hard-to-sing melody, sounds Brazilian but is really of Polish origin, like its composer. Here it’s rendered as a tango (so now we’re in Argentina), with middle-eastern soprano sax thrown in. We hear the tango again on Gilad’s composition Four 2 Tango, with another beautiful, wordless melody, plus some rather alarming vocal improvisation.

It all sounds like a recipe for musical chaos, especially with no drummer, so why does it work? The answer, I think, is that the band doesn’t care about musical, historical or international boundaries. They play what sounds good.
Peter Jones
The tour continues intermittently over the next few weeks, with gigs at Oswestry (3 June), Felixstowe (4 June), Posk, London (24 June) and Cheadle Hulme (20 July).

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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