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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday September 17

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm - 3:00pm. Free.

Evening

Jazz

Acoustic Infusion with the Mighty Horns - Forum Music Centre, Borough Road, Darlington DL1 1SG. Tel: 01325 363135. 7:30pm (doors 7:00pm). £5.00. Rick Laughlin & co.

Strictly Smokin’ Sessions - Black Swan Bar, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 222 9882. 8:00pm. £8.00. & £6.00.

River City Jazzmen - Block & Tackle, Blackthorn Way, Ashington NE63 8NW. Tel: 01670 819845. 8:00pm. £4.00. Guest: Don Armstrong (reeds). Note earlier start.

Blues

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, May 12, 2017

BABMUS @ The Jazz Café - May 11

(Review by Russell)
A bumper BABMUS session. Sage Gateshead students’ regular gig at the Jazz Café on Pink Lane took on an extra dimension with the presence of tutors in assessment mode. It’s that time of year… students getting the beers in, partying…sorry, studying late into the night, burning the midnight oil,   future careers at the forefront of their minds. The upstairs room comfortably full, Paul Edis handed an unsuspecting Thomas Dixon MC duties for the evening. Saxophonist Dixon thanked Dr Edis for putting him on the spot…a sink or swim moment!
BA and BMus students gathered in the upstairs room on Pink Lane, the place buzzing with a sense of anticipation. The evening would comprise a series of quick fire small group performances (tutors making notes on laptops…A+, D-, or perhaps they were shopping lists…a pound of carrots, cereal,  etc), culminating in a BABMUS big band finale. Dixon introduced his fellow students as they took to the stage. On this occasion your BSH reviewer determined name checks were unnecessary (with a quartet the exception, of which, more later), the examinees were in the spotlight, pressure enough! Some performers didn’t have a collective name.  A second’s thought, and a new name devised for the occasion would suffice. Jazz Hands, Time Wasters, Blue Strap and Radgie Little Gangsters, on the spot monikers! Tunes ranging from I Got Rhythm and Feeling Good to All Blues and Blue Boss. The latter isn’t a typo, Blue Bossa became Blue Boss. From the Gershwins and Kanye West to the familiar Miles and equally familiar Bruno Mars (for those of the Millennial generation), a composers’ who’s who?
The examiners listened to vocalists, brass and reeds, pianists, guitarists, bass players, drummers, all manner of instrumentalists. Supported by a cheering on-side audience, all acquitted themselves well. Some of the examinees have sat in at the Jazz Café’s high octane jam session (first and third Tuesdays) and lived to tell the tale. More than that, some of those sitters-in have come on in leaps and bounds. All students, any instrument, are encouraged to turn up (8:00pm) and give it a go.
Bearpark is a Sage Gateshead student quartet developing apace. Pianist (and organist) Bearpark, that’s Tom Bearpark, together with Thomas Dixon (that’s MC Tom Dixon) reeds, bassist Stephen Wall and drummer Adam Watson are leading the way at the regular BABMUS session at the Jazz Café. Now taking on Bill Evans, Wayne Shorter and the challenge of modal jazz, this quartet is not too far away from taking to the road, gigging as a working unit. If they’ve got anything like a full pad (ie two forty five minutes’ worth of material) these guys should be knocking on the Facebook doors of local promoters (Darlington, Durham, Hexham and Newcastle for starters).

To conclude an enjoyable evening the BABMUS Big Band assembled on stage for a good old blow out. Dr Edis, done with laptop duties, grabbed his alto sax to take his place in the line-up. Edis’ old Splinter Group chart For Bill got an airing in between some swinging, hard blowing ensemble work. Check out the next BABMUS session, but before then, make a point of getting along to the Caff on Tuesday (May 16) for the next installment of the always interesting jam session. Downbeat at eight, seats at a premium, it’s the greatest free show in town.
Russell.         

4 comments :

Emma Fisk (on F/b) said...

Go Lucy Playle!

Lucy Playle (on f/b) said...

Ooh thanks Emma I didn't even know XD yayayaya thank you. ����������������������

Emma Fisk (on F/b) said...

Hope it went well and you enjoyed it!�� x

Lucy Playle (on f/b) said...

��������Yes it went well thank you ����������

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance